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The Pantheon Essay

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The dome is the top architectural design in both the literal and figurative sense. Therefore, as the most difficult element of the building, it becomes the easiest landmark. For the first time, the dome ceiling was developed in the architecture of ancient Rome. For Roman architecture characteristic hemispherical dome with the jacketed inner surface. Once emerged, it was called the fabricated sky, preserved in the heart of Rome. Consequently, this element of architecture has had a tremendous impact on the imagination of many generations of architects. The Pantheon has inspired Brunelleschi for the creation of the dome of the cathedral of Santa-Maria Del Fiore in Florence. The paper investigates the history of the creation of both objects and compares the architectural peculiarities of both buildings.
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Besides, up to the XIX century, there was no larger dome in diameter. The name of the temple of the Greek means "The temple of all the gods" (Perdew, 2015). It is the perfect example of a Roman temple, which reached virtually without any changes to the present day (Perdew, 2015). The architect Apollodorus of Damascus, who was also the author of many buildings in the Roman Forum, built it during the reign of Emperor Hadrian in Rome (Perdew, 2015). For centuries, the appointment of the Roman Pantheon had changed several times. It was both a fortress and a temple before it becomes a shrine of famous personalities and a well-preserved monument of architecture (Mindel, 2014). Already at first glance at the Roman Pantheon striking simplicity of its composition: a huge volume on the cylinder crown the soft contours of the round

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Filipo Brunelleschi challenged the accepted ideas in architecture when he went against traditional thought to construct the dome above the Florence Cathedral. His dome had no internal or external bracing, an idea thought to be impossible prior to this construction. Brunelleschi’s ideas incorporated Renaissance respect of past knowledge with the use of ancient mathematical concepts of geometry, which was in keeping with the humanistic return to ancient texts. The mathematical laws discovered by ancient Greek and Roman mathematicians also allowed Brunelleschi to accurately represent three-dimensional objects on a two-dimensional surface. Brunelleschi understood the importance of building on the knowledge of the past to create the future.

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In the story “The Reaper’s Image,”, there are many key points to make it classify as gothic literature. The story takes place in an art museum, where two men, Mr. Carlin and Johnson Spangler, are transporting a Delver glass mirror from down in the viewing gallery after an “unfortunate incident” (King). A woman by the name Sandra Bates, lost her brother after he looked such the occasion of him looking into the glass and sawseeing a dark, hooded figure behind him. In the story, the dark figure is portrayed to be the Grim Reaper, personifying death. As the story continues, Mr. Carlin and Spangler have a few run-ins with “death” in this eerie museum attic, with supernatural occurrences, leaving the reader to decide what caused Spangler to disappear.

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I chose to look into the area of architecture and Brunelleschi’s design of the dome for Florence’s cathedral. The creation of the dome was started because the structure of the building required more of a dome shape than the buttresses and pointed arches that surrounded areas used. However, a domed roof of that large of a scale had never been attempted before, so there were many questions: could a dome that weighs tens of thousands of tons stay up without the traditional structures? Was there enough timber in Tuscany to create scaffolding and templates needed to shape the dome? Could a dome be built on the octagonal floor plan already in existence without collapsing inward as it arced toward the apex?

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In 1418, the Florentine fathers wanted to solve the problem of the giant hole in the ceiling of the cathedral in Florence, so they announced a contest for the ideal dome design with a prize of 200 gold florins and “eternal fame” to whoever presented the best design. Filippo Brunelleschi presented a design that consisted of two domes, but refused to reveal many of the details of the design until after his design had been chosen out of fear that his ideas would be stolen. Some of the fears with building a dome were, “Could a dome weighing thousands of tons stay up above the existing walls? Was there enough timber to build a dome? Could a dome be built above an octagonal floor plan without it collapsing inward?”

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The Parthenon and the Pantheon are two iconic architectural marvels that stand as testaments to the rich cultural heritage of ancient Greece and Rome, respectively. Both buildings showcase distinct styles and serve specific functions that reflect the values and ideals of their respective societies. This paper will explore the similarities and differences between the Parthenon and the Pantheon, focusing on their architectural styles and functions, to gain insights into the cultures they represent. Architectural Styles:.. The Parthenon, located in Athens, Greece, is a Doric peripheral temple.

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I read ”Brunelleschi’s Dome” from the National Geographic February 2014 magazine and learned about his two dome idea for the Florence Cathedral. The cathedral had been without a dome or roof for decades. They knew it needed to be finished, but they did not know how to make a dome that would be 150 feet across and 180 feet in the air that would support all the weight without the renaissance style flying buttresses. They did not know if there would be enough timber, or if they could create an octagonal dome that would not collapse on itself. Filippo Brunelleschi “promised to build not one but two domes, one nested inside the other, without elaborate and expensive scaffolding”.

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The sophistication and elegance that allures enthusiasts to Classical architecture is the Greek Parthenon and Roman Pantheon since they are astonishing in unity, shape, and balance while enduring the ages. Around 447 BC, the construction of the Greek Parthenon was finshed to replace a temple previously destroyed by the Persians (Ancient Greece, n.d.) while development of the Roman Pantheon was completed near 125 AD to succeed “Commander Marcus Agrippa’s Pantheon of 27 B.C.” (Cartwright, 2013). Both the Greek Parthenon and Roman Pantheon have served numerous functions throughout history although the Romans endeared many of Greek's architectural formulas for their purpose and style. Together, the Parthenon and Pantheon are distinguishable for their similarities in design while Roman architects embellished traditional Greek

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So you 're just wandering through the twisty mediaeval streets of the centro storico (historical center), and as if the cobblestones and ivy weren 't enough, you turn the corner, and out of nowhere is this massive temple. That 's Rome for you. The best preserved ancient structure in the city, the Pantheon as you see it now was built under Hadrian between AD 120-128 circa, although the pediment above the portico is actually 100 years older and signed by Agrippa (which did in fact confuse archaeologists and historians for years). The round

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In 1418, Florence, Italy had a problem. Their beautiful cathedral, built to be the crowning jewel of the city, couldn’t be finished. In fact, it hadn’t been finished for decades. An enormous hole was in the roof where the dome should have been. Nobody could figure out how to finish a dome almost 150 feet across and starting almost 180 feet above the ground.

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Two very important historic buildings from the Greek and Roman civilizations, namely the Parthenon and the Pantheon respectively, are worthy of academic exploration. An analysis of their function and style will help to put their design and features into perspective, and create a better appreciation for their emulation in Western civilization. These buildings possess very unique individual characteristic designs, which bears testimony to the societies from which they originate. However, they are also a resourceful database of knowledge in terms of their symbolism, rich heritage of their era and application to the present civilization.

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The dome of the Pantheon was colossal, spanning 44 metres internally and the same distance in height. Brunelleschi would have taken great interest in how the Romans counteracted the Compressive and tensile forces exerted by a dome of this size. How did they counteract the Hoop stress that all domed buildings suffer from? How did they make the dome as light as possible to reduce this stress? Brunelleschi would have studied these domes in great detail.

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The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.

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Introduction: The Two Buildings; Parthenon in Athens and Pantheon in Rome are both classical heritage of the former world powers. Both buildings were temple built and dedicated to the gods of Athens and Romans. The excellent strength and the durability of these temples are unimaginable. Going by the length of time that these buildings have been in existence, one cannot but admires the brilliance of the ancient Greek and Roman architects for such excellent edifices that have outlived many generations, and yet remain a symbol of ancient Greek and Roman history.

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The style of the building and the purpose it is built give a brief and thoughtful storybook about the culture of the architect as art, generally, and architecture, particularly, is a language itself. Thus, buildings narrate the stories of the people among the history and tell their traditions and habits to the next generation through its design, inscriptions, and details. In this essay, I will discuss how both the style and function of the Greek Parthenon and the Roman Pantheon served as typical examples of their cultures in Athens and ancient Rome. In addition to the similarities and differences between these two cultures through the two buildings. Both the Greek and the Roman architecture inspired the cultures and architects until these days due to the diverse meaning they carry and symbolize in astonishing ways through the different orders, columns, roofs, friezes, and domes.

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