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Women in ancient greece essay
Women in greek mythology
Feminism in the ancient greece
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In ancient times, all over the world, woman were considered inferior to men. Woman in ancient Greece, as well as in other religions, did not have any political rights, official power, and were not educated. Becasue of this, Antigone’s gender is a problem from Creon since he does not recognize her
Oedipus the King and Antigone, by Sophocles, represent the various responsibilities and characteristics of women, as well as how society and men affect their positions. Jocasta and Eurydice demonstrate the role of wives in ancient Greece, while Jocasta and Antigone highlight the roles that women occasionally take as rebels. The roles of wives and rebels illustrate the strong contrast between the societal expectation of weak women and their ability to fight against men’s and god’s tyranny; and the play Antigone demonstrates this more powerfully than Oedipus the King. By revealing women and their different standings in a society, Sophocles shows how they are often objectified to demeaning attributes and are expected to be inferior to men.
Aristophanes Lysistrata and Homer’s Odyssey both show how women can thrive in their society and fight for what they believe in, even if that goes against the gender roles portrayed in Greek Civilization. In Aristophanes Lysistrata, the author portrays how one woman can fight for what she believes in and make a difference in society. Lysistrata ultimately wanted to end the Peloponnesian War, she knew the only way to do so was to take advantage of the Men. Men were dying day after day because of this war and Lysistrata had enough, she wanted to end it. Lysistrata decided to take a stand; she voiced her plan to
In many societies today, individuals are led to believe that the concept of women possessing their own strength or independence is abnormal. As a result, women experience the world in a constrained way in comparison to men, even if they are in higher classes of society. However, these extensive aspects of females are contradicted in some ancient Greek literature. In the epic poem, The Odyssey, Homer portrays women as a vital and powerful force through the characters Penelope and Circe, who counter the normality of misogyny in Homer’s time. Penelope’s character displays how some women are able to exceed society’s standards and show strength and cleverness when it is necessary.
What is worth mentioning in Sophocles’ play is that he not only showed the weak side of women but also the strong ones. For example, Ismene is the traditional role of women in ancient Greek—coward, fear of men power and feeble. For Ismene, "we must remember we were born women, not meant to strive with men" (Antigone). She even chose to die with Antigone while hearing her sentence, for she was afraid that she would be alone, she could not be able to fight against Creon, this men-dominant society. In contrast, her sister Antigone presents the “women power”.
When Director Ivo van Howe initially conceived the idea of a modern rendition of Sophokles’ Antigone, perhaps he wanted to display the persistence of philosophical issues such as the conflict between law and morality as well as the somewhat stereotypical gender roles of females through bringing the central plot of Antigone to modern society. Despite the great artistic potential of a revival of the play, Howe’s play fails to effectively convey any significant theme or meaning to the audience and instead leaves the audience members, especially the ones who have never read the original play, hopelessly confused. This is caused by the numerous flaws in Ivo van Howe’s confusing and half-hearted directive choices that causes the play to feel shallow.
During 4th century B.C, ancient Greece had adopted views that were dominantly misogynist. Women were thought to be no more than tools to the men of the Athenian society which was overwhelmingly patriarchal. To explain, one can look at the archaeology of the Greeks found in New York’s Metropolitan Museum of Art. The towering figure of Dionysos, the God of Wine, hovering over a miniature, and at the same time powerless, women perfectly exemplifies this concept of misogynism. To further the periods misogynistic ideas, the literature had no concept of centering a story around a woman.
Sophocles is one of the most famous tragedy playwrights in Ancient Greece. Sophocles plays raised awareness in many social and political aspects of Ancient Greece. In addition Sophocles innovative theatre inspired future western performances, and his play is still being performed currently around the world. In comparison Aristophanes was known for his comedic plays.
The department of theater and speech at The City College of New York’s production of Lysistrata by Aristophanes and directed by Joy Smith is a Greek comedy about a women named Lysistrata whose main goal is to end the war between the Athens and the Spartans. She intends to do this by trying to convince the women of Thebes and Sparta to not have sexual relations with their husbands until they agree to a peace treaty. The women weren’t to sure about this, but ended up agreeing. Smith’s production of Lysistrata captures the gender role and the power they obtain during that time. This play leans towards a more feminist side demonstrating the power women had with their sexual abilities.
Her choice eventually led to a series of tragic events in the play that would include her eventual death. Because of this, Sophocles conveys the idea that in a society dominated by men, women are able to challenge men by pushing forward their own ideas and by making their own choices. Sophocles utilizes character foil to illustrate how Greek society found women to be inferior. This inferiority
Gender roles throughout history has placed an important value. In Euripides’ Medea, the main character Medea is a sorceress that has a valuable reputation, and is feared for her powers. Being emotionally distressed led Medea to commit a series of murders as revenge after Jason left her for a younger woman. Medea from the beginning is known to make others uncomfortable for her intelligence that is ahead of many. Containing various feminist qualities, Medea speaks out in behalf of injustices allowing her to overcome stereotypical gender roles.
Gender roles play a significant part through ought the play Antigone due to the fact that men are treated on a higher scale than women. Sophocles portrays women as people with no rights nor freedom. Antigone is on a destiny for burial rights of her brother Polyneicis. Gender roles are expressed throughout the play Antigone by disrespecting women and men having power and freedom.
Humans are influenced by their surroundings and the people in their lives. Different people have different ideologies, depending on their culture. Since their ideologies are different, people will look at things, like literacy, through unique perspectives. Depending on the effect someone’s culture has on them, they will view Antigone and Oedipus the King as two different literary works. For instance, if someone grew up in a culture where the women had to completely obey a man’s word.
Sophocles play “Antigone” introduces a lot of debatable topics such as Human law vs Divine laws, pride, but most importantly the topic of woman’s movement for empowerment. Long before 442 B.C.E, women were belittled because of their gender however, after the birth of “Antigone” it demonstrated a strong outreach towards women and their roles in society ”Antigone, a woman who defines King Creon’s edict without any fear, doubts, or regrets. This courageous woman, the fruit of incest, has fascinated philosophers in the nineteenth century, inspired playwrights in the twentieth century, and intrigued feminist thinkers and activists for decades” (Söderbäck). Birth from a respected bloodline, Antigone doesn’t feel respected at all within her town, especially from her uncle Creon who became entitled as the King after Antigone’s blood
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions