ipl-logo

Pattsi Valdez: An Example Of Intersectional Resistance

429 Words2 Pages

A great example that portrays intersectional resistance would be the actions Pattsi Valdez took to resist the cultural norms and way of living while growing in a Chicanx community. As a Latina woman, she was bound to face discrimination because of her ethnic background and gender. Her actions defied the standard styles of art and fashion as well as the female role. In Marci R. Machon’s essay “Self-Fashioning through Glamour and Punk in East Los Angeles”, she states, “Many Chicano-movement murals represented women as passive wives…” (292). However, when Pattsi Valdez was photographed in the Instant Mural, McMahon explains that she was displaying “…an urban toughness that counters gender and sexual norms” (293). Through this image, Valdez was …show more content…

The art she created with ASCO was not a typical painting that would go into a museum’s collection. Chicanx art didn’t have much a meaning. Therefore, Valdez felt a bit discouraged to pursue a career in art. She knew art wouldn’t provide her with a decent lifestyle. Nonetheless, after working with ASCO, she saw a possibility for an art career. After getting her BFA from the Otis Art Institute, she went on to challenge the hegemonic ways of Hollywood film. This led to the creation of ASCO’s No Movies. No Movies was intended to critique the Hollywood industry. The author also mentions that ASCO’s No Movies “also deconstructed the Hollywood’s idealization of feminine beauty as white” (307). With the art piece LA Mode, Valdez also pointed the lack of Chicanx individuals in the Hollywood industry. Each of Valdez’s art pieces served as resistance towards the standard norms. She went against the normal gender and racial norms. Through her work she called out Hollywood’s segregation and urged for the display of Chicanx art in museums. Valdez is a true example of intersectional resistance because she doesn’t approach one type of oppression but rather several of them. In current day, Chicanos still face many oppressions, however we have acknowledged our rights and we are willing to fight for them just like past Chicanx individuals

Show More
Related
562 Words | 3 Pages

Both the popular play and film “Zoot Suit” was written and directed by Luis Valdez. Luis Valdez regarded as the father of Chicano theater in the United States. He directed this film based on a story involving the real-life events of the Sleepy Lagoon murder trial and the Zoot Suit Riots, and it was debuted in 1981. Besides that, the movie could not be successful without the actors’ acting, such as Daniel Valdez, Edward James Olmos, and Tyne Daly. Through the film, I clearly feel the discrimination between Whites and Mexican Americans.

Read More
464 Words | 2 Pages

In “Intersectional Resistance and Law Reform,” Dean Spade proposes that the United States was founded through “racialization…(which) continues to operate under new guises… that produce, manage, and deploy gender categories and sexuality and family norms” (16). More over, these laws and norms tend to maintain the “status quo,” and employ an inherently flawed justice system that is only equipped to address single-axis discrimination issues (5). Thus, the intersectionality movement is largely dismissed by the social and justice systems, as it utilizes “critical intersectional tools… that are often (too) difficult for legal scholars to comprehend” (17). Interstionality’s progress is also impeded by advocates leaving to support single-axis issues. However, Spade warns that this approach is ineffective, as it fails to protect the most marginalized members of society.

Read More
1076 Words | 5 Pages

One of the foundations that help to identify a Chicano’s film on Zoot Suit they are “The Demystification of film” which refer to the type of expression of the character on the film based on what really happen in that time for example on the Zoot Suit riot. Also “A Chicano

Read More
999 Words | 4 Pages

The Bronze Screen introduced both positive and negative portrayals of Latinas and Latinos in film. While there are plenty of positive Latino roles in films, Latinos and Latinas should be included in more positive roles because the negative roles Latinos have in films cause negative stereotypes. Positive and negative representations of Latinos in films has always fluctuated throughout history, however the more negative ones seem to always overpower the good ones. The film, “The Bronze Screen”, gave many examples of the negative roles Latinos played in films throughout film history. Early films included Latino actors, however they did not always have a lead role or even a positive one.

Read More
1576 Words | 7 Pages

The East Los Angeles School walkouts and Chicano Moratorium are two historical examples that emphasize forms of Chicana and Chicano resistance that have been examined in varied ways, particularly through print media such as the Los Angeles Times and La Raza. In 1968 more than 10,000 Chicana and Chicano students walked out of schools in East Los Angeles to protest inferior educational conditions and demand equal access to quality education. Then, in 1970, the Chicano Moratorium, which intended to be a peaceful demonstration to call for social justice and protest the Vietnam war, transformed into a display of police repression and brutality that left several marchers dead. Descriptive material, such as print media, served as instrumental extensions

Read More
1811 Words | 8 Pages

The exotification of Dolores del Rio is evident in an article published by a Photoplay issue in 1934, as she is described as possessing “golden skin, smooth as mellowed ivory and her dark, flashing eyes bespoke the lue of those maidenly ‘senoritas’ who peep at life from behind cloistered shutters… When the young man comes to call on a senorita in Mexico… he brings his guitar” (38). Through the exotification of Dolores del Rio, Hollywood found great success in the United States and in Latin America, one of the most profitable film markets in the cinematic industry. As a white-passing Latinx woman, del Rio was “more easily able to move in and out of ethnic roles” (33). Because Dolores del Rio was a Latinx woman that held “upper-class roles” and a Eurocentric standard of beauty while nonetheless, identifying with her Mexican heritage, she not only appealed to the white American public, but to Latin American audiences as well (Hershfield

Read More
1256 Words | 6 Pages

Dolores del Rio was considered the perfect candidate for Hollywood films incorporating the preferred aesthetic appearance of Latinx actors during the period. Because popular culture in the United States did not fully accept all aspects of Latinx communities and were often anti-black, Latinx actors--such as Dolores del Rio--were made successful because of the racism in Hollywood studios. The dissociation of Latinx actors from blackness, indigeneity, and the working class allowed Latinx actors to become successful amongst Hollywood and its

Read More
1150 Words | 5 Pages

Valdez uses El Pachuco to instigate cultural change and express the injustice of racial profiling and minority

Read More
899 Words | 4 Pages

Furthermore, he describes the multiple forms of control Chicana women face when he states, “The Chicana is first of all oppressed economically, socially, and politically by virtue of her being a woman. Secondly, the Chicana as a member of an oppressed ethnic and/ or racial group is limited to the same extent as the Chicano by the dominant Anglo society” (50). However, he fails to mention the experiences of queer women, which implies how the Chicano

Read More
1437 Words | 6 Pages

223. http://doi.org/10.2105/AJPH.2005.066654 Accessed March 14, 2018 Mullin, Molly H. Culture in the Marketplace: Gender, Art, and value in the American Southwest. (Duke University Press, 2001) 24.

Read More
1839 Words | 8 Pages

According to the article Intersectionality, intersectionality is “a theoretical framework that posits that multiple social categories intersect at the micro level of individual experience to reflect multiple interlocking systems of privilege and oppression at the macro, social-structural level.” In other words, this means that intersectionality means that a person can be multifaceted, in that they have multiple aspects of themselves which can them to experience things differently. An example of intersectionality is given by Kimberlé Crenshaw, she wrote about the court case in which several African American women sued General Motors because they were segregated by their race and gender. These women faced discrimination because they could not

Read More
585 Words | 3 Pages

To many people “I am Joaquin” is more than just an epic poem, it is the anthem of the Chicano movement which embodies our peoples struggles and culture. What made the work become the Chicano Movements anthem is the fact that it is a piece that seems to evaluate the Chicanos and their history from the good to the bad. It also seems to emphasize the Chicanos search and struggle for identity starting from the beginning of the Spanish conquest to our modern times. Basically this poem has become such an iconic work because it attempts and succeeds in encompassing as much Chicano history into it and makes no bias choice as it has both positive historical moments and negative, but they all tie back to Chicanos and their history. One of the main aspect that makes “I am Joaquin” an interesting piece of work and an icon for the Chicano movement is how the work seems to

Read More
181 Words | 1 Pages

This status of cultural invisibility has been one of the essential components of my research and the catalyst for developing my thesis on the elderly. Understanding aging, its representational erasure, and where it is culturally situated fueled my desire to highlight the lived experience of our elderly population. As a photographer, I am especially interested in the media and its ability to influence cultural views, in this case rendering aging as an unacceptable part of life. Other photographers, one being Cindy Sherman, have considered this same subject with respect to her own age and work. Best known for her black and white images that portray her as various female characters, Cindy Sherman’s work consistently examines truths about identity,

Read More
108 Words | 1 Pages

Ultimately, women captured and shackle by the norms of society, they have the power to remove them if they wish. Frida Kahlo is a Mexican painter known by self-portraits painting, where they characterized by the flourish colors and femininity, however, the tableau below is completely different: Self-Portrait with Cropped Hair 1940, after she divorced her husband Diego Rivera, Kahlo has destroyed the norms in this painting. By sitting in the chair wearing a black manly suit and holding a scissor in her hand to dispose of her hair. She clearly gets rid of anything could make her weak and self-reliance conversely proved that she is free and

Read More
705 Words | 3 Pages

Joslyn Arteaga Gana April 06, 2016 Visual Analysis Paper: West Side Story Upside Down, Backwards, Sideways and Out of Focus Aldo Maldonado, a Nuyorican conceptual artist has focused on issues of identity. He was born in Utuado, Puerto Rico and moved to New York City at the age of seventeen. Aldo’s, West Side Story Upside Down, Backwards, Sideways and Out of Focus, communicates the idea of identity and how it has changed in circumstances. His identity has always been the Puerto Rican culture which is a blend of Spanish, African and indigenous Taino influences and he thinks that the collective identity for a Puerto Rican is an ‘out of focus identity.’

Read More

More about Pattsi Valdez: An Example Of Intersectional Resistance

Related Topics

Open Document