Perseus chops Medusa’s head off and uses the head to turn his dragon, The Kraken, to stone. Throughout the entire movie, Perseus fights for Andromeda; she is the only thing that truly matters to him. Even after all of the self-doubt, Perseus has the courage to continue fighting for Andromeda. Perseus does have the heroic archetype of a warrior. He comes off as having a warrior archetype because that is what he is.
Lesson 11: EWP: Revise Almost all people remember the great lessons that Aesop taught us. If you read “The wolf in sheep’s clothing, And The Hen and the Golden Eggs” you would see that they all made impatient actions which lead to consequences. However,in "First Read: Heroes Every Child Should Know: Perseus", it showed Perseus did not act with impatience so he was able to accomplish his task. This shows that when the characters acted with impatience they had a bad outcome.
Have you ever done something that you were scared of? Maybe it was going off of a diving board for the first time. Whatever it was, there was something to motivate you. You did it in spite of not knowing what was going to happen. In the stories, Heroes every child should know Perseus, Hatshepsut, his majesty herself, and Margaret Bourke White the main characters are motivated to take action even though they are uncertain about what the future might bring.
The myth is the story of Perseus, the son of Zeus and Danae. As a baby he and his mother were forced into a coffin by his grandfather, Acrisius, and were sent out into sea to perish. They didn 't drown, however, they floated to land until they were found by a king, Polydectes. The king fell in love with Perseus ' mother and wanted to wed her, her refused so she could spend time caring for her son. After Perseus had grown into a young man Polydectes sent him on a mission to kill Medusa in a hope it would bring Perseus ' death, the king thought that with her son gone the woman she loved would marry him.
Since the beginning of time, people have looked to a figure of power that would help them in their time of need. In Edith Hamilton’s Mythology: Edith Hamilton, there are stories upon stories that tell about righteous and wicked gods, goddesses, and epic heroes. When discussing epic heroes, it’s usually the same two figures that come up, Perseus and Theseus. Arguably, between the two, Theseus is the better epic hero because he is ethical and morally upright and because his life ends tragically. Now when it comes to what an epic hero is, there are many traits and characteristics, some of those being: having significance and glory, going on a quest to establish greatness, and facing enormous tasks of adversity.
Athens was one of the most powerful and revered city-states in Ancient Greece. A very controversial leader in Athens of this time was Pericles. Pericles was born into the wealthy and influential Alcmaeonidae family in 495 BCE. He came to power as a statesman in Athens in 461 BCE, and ruled unto his death is 429 BCE. Pericles set three goals for Athens which included strengthening democracy, empire, and glorifying Athens.
Perseus was considered a hero in Ancient Greece mainly because of his ability to trust others and because of his compassion; two traits 2016 appreciates as well. One example of him being compassionate is when he was willing to turn Atlas to stone. Atlas was a Titan who had lost a battle to Zeus and as a consequence was sentenced to stand at the western edge of the Earth and painfully hold up the sky. During Perseus’ return from his adventure, he saw Atlas and decided to turn him into stone as an act of mercy. This action shows compassion as it prevented Atlas from having to endure many more painful years of holding up the sky.
I agree with Michael Uslan where he argues that superhero characters are a modern mythology. Although science can help explain the background of the superheroes powers, superheroes are usually regarded as a Saviour rather than a science experiment. Since superheroes are much more unrealistic, it tends towards being a mythology instead. Past mythology has iconic stories such as David and Goliath, the labours of Hercules, and the story of Moses. There are also counterparts which can be found in modern day comic books adventure.
The majority of Horror film and books are suffused with female monsters, with many of these female monsters developing from ancient myths. Yet literary criticism has tended to focus more on the woman as the victim of the monster, rather than the woman-as-monster. The majority of monsters in classical mythology are female and the Homeric myth of Demeter and Persephone is a primary archetype for the classical myths that have informed the horror genre’s construction of the feminine. The myth recounts the abduction and rape of the maiden Goddess Persephone by Hades the King of the underworlds. As David Greven states that the grief of Demeter, Persephone’s mother presents a crucial precedent for the recurrent theme of the return to origins in horror and provides a basis for the representation of the maternal figure in modern horror.
Often, comic books get read at surface level and the reader only sees the image and words surrounding it, but there is much more to many of these graphic novels. Behind the pattern of images, dialogue, and captions, there is depth to the stories. By looking closer and analyzing each page, panel, and image, themes and symbols are discovered. Marjane Satrapi’s Persepolis is just one example of a graphic novel with a deeper meaning hidden inside of the black and white pages. At first glance, the novel seems to be a simple story about a young girl that grows up during the revolution in Iran in 1979, but there is much more.
Perseus is one of the more well-known heroes of Greek mythology. Another son of Zeus, Perseus was is no way any less than his half-brother Heracles (Hamilton, 1942). Perseus is most well-known for two of his deeds; the slaying of the Gorgon Medusa, and the rescue of the princess Andromeda. Perseus’ maternal grandfather Acrisius was told that his daughter would birth a child who would be his cause of death. Afraid, he locked his daughter Danae up in a room, where supposedly Zeus heard her cries for help and appeared in front of her in a shower of gold, and subsequently impregnated her.
Just like Hercules, he is a son of Zeus, but his mother is a princess names Danae. Perseus is actually known for many things but the most common battle he won is against Medusa. Medusa was a woman who has snakes for hair, she was cursed by the Goddess Athena. Perseus, wearing a helmet of invisibility, snuck into Medusa’s lair and slays her while she was asleep. Anyone who lay eyes on Medusa, would be turned into a stone.
Over the course of constructing a literary work authors often use various cultures to contribute to their literary work. Cultures can also demonstrate deviations about everything such as social classes, religion, and education. In several different societies, they tend to reveal different beliefs to the world. However, some civilizations have similar concepts. religious aspects of different cultures around the world.
Young children usually don’t comprehend the flawed world they live in for various reasons. For instance, parents tend to shelter their children from traumatic events; however, at some point children are forced to grow up and become involved in real world problems. In her novel, Persepolis, Marjane Satrapi experiences a numerous amount of events that shape and develop her perspective throughout the novel. Her perspective influences her presentation of loss of innocence, social classes, and gender roles. These things all alter the way she acts towards her family, friends, and God.
To what extent is the literary devices shown in Persepolis increase the impact of the novel and show the culture of Iran in the 1970s? In the novel Persepolis by Majane Satrapi, she tells the story of her life living in Iran in the 1970s. In this novel she discusses the atrocities committed by both sides of the bloody Iranian revolution and how both sides truly were. In the novel, Satrapi uses several literary devices to enhance the meaning of the novel to a much greater degree than directly telling the reader. Still, these literary devices also allow the reader to peer into the very culture of Iran in the novel and how certain objects can mean certain things both from within the culture and the context of the novel.
