ipl-logo

Potrait Of An Elderly Woman In The Rembrandt

505 Words3 Pages

The lecture begins with the mention of reidentification of the "Potrait of an Elderly Woman in a White Bonnet" as an original work of Dutch artist Rembrandt. It mentions siginificance evidences to clear the doubts casted in the passage about the originality of the art work.
The passage points out the inconsistency in the dressing of the woman in the portrait, not at all a charcateristic of Rembrandt. The lady in the potrait wears a white linen cap along with a fur colllar coat, both of which dont go together. Further, the passage also mentions that the elements of light and shadow dont fit together in the painting, given that the face near the dark fur collar is illuminated by light, rather than be covered partially in shadow. Such an erroe …show more content…

It mentions siginificance evidences to clear the doubts casted in the passage about the originality of the art work. The passage points out the inconsistency in the dressing of the woman in the portrait, not at all a charcateristic of Rembrandt. The lady in the potrait wears a white linen cap along with a fur colllar coat, both of which dont go together. Further, the passage also mentions that the elements of light and shadow dont fit together in the painting, given that the face near the dark fur collar is illuminated by light, rather than be covered partially in shadow. Such an erroe would never have been made by the Dutch artist.Lastly, the passage also highlights the use panel made of glued wood pieces, for the painting, which Rembrandt was never known to use. But, the points made in the lecture clarify all these doubts, based on the evidences obtained from nan X-Ray investigation of the painting by researchers, exposing the multiple layers of the painting. The X-ray results show that the fur collar was not a part of the original painting. Instead, it was painted much later, probably to enhance the aristrocacy of the potrait. The layer lying underneath, shows that a simple collar of light color was painted intially and hence it the face of the lady is appropriately illuminated. Therefore, this solves the question of

Show More
Related

Ap Euro Dbq Essay On Renaissance

957 Words | 4 Pages

In Document A, there are two paintings; one from the Middle Ages and one from the Renaissance. The first image by Duccio di Buoninsegna depicts Mary holding a baby Jesus in her arms. The second painting by Leonardo da Vinci displays a famous painting by the Mona Lisa, which is a woman standing in front of a fairly bland background. The Mona Lisa’s bland background makes you focus more on the person and her emotion rather than a very religious and holy background that has almost no emotion involved in it. Also, Document B presents two quotes that oppose each other in many ways.

Read More

Saint Francis Altarpiece: The Beauty

793 Words | 4 Pages

The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

Read More

Vermeer's Hat Analysis

1236 Words | 5 Pages

Vermeer’s Hat: The Seventeenth Century and the Dawn of the Global World delivers an interesting view of the Dutch artist Johannes Vermeer’s paintings and how they open a door into the world during the seventeenth century. Painted to convey the everyday lives of his subjects, Vermeer’s canvases reveal merchant families in their homes engaging in very average actions like reading letters or talking to one another. Adversely, the author Timothy Brook uses the art Vermeer created to portray the beginning of trade around the world during the seventeenth century. In these paintings are objects that Brook depicts with social economic features such as carpets, porcelain, silver coins, and maps which he elaborates on their origins and how these simple objects were useful during the era illustrated.

Read More

Las Meninas And Night Comparison

1882 Words | 8 Pages

Diego Velázquez's Las Meninas and Rembrandt's Night Watch are two of the most iconic paintings of the Baroque era. Both paintings are masterpieces of their respective artists and are known for their technical brilliance and complex compositions. They are also both deeply layered with meaning and symbolism, inviting viewers to contemplate and interpret their rich imagery. This essay will explore the similarities and differences between the two paintings, providing a deeper understanding of their aesthetics and cultural contexts.

Read More

Self Portrait With Saskia Analysis

867 Words | 4 Pages

Both Rembrandt and his wife are clothed in historical clothing. Rembrandt is illustrated in a feathered beret and a fur-trimmed overcoat, on the other hand Saskia is illustrated in an old-fashioned veil. Rembrandt’s hat casts a shadow over his eyes, giving the artwork a sense of mystery to his countenance. Rembrandt only twice represented himself as a contemporary Amsterdam gentleman. Rembrandt produced about 75 self-portraits and illustrated himself in a variety of imagined roles.

Read More

Gustave Caillebotte Analysis

1817 Words | 8 Pages

Absent from this painting is the objectification that often pervades portrayals of women in Impressionist art. It is here, though, that the comparison between Caillebotte, Morisot, and Cassatt is especially relevant, for there are observable parallels that may be seen, especially in the blunt realism with which this type of scene is treated, especially in its study of psychological

Read More

Arnolfini Portrait Essay

440 Words | 2 Pages

It is widely believed that The Arnolfini Portrait, painted by Jan van Eyck in is one of the most skilfully painted pieces of work of the 15th century, not simply for the many layers of oil paint thinly applied to create a beautifully detailed rendering of the occasion, but also because of the many instances of “disguised symbolism” , so that it creates an intensely complex scope for art historians to analyse and identify the exact meaning of the painting, and the identity of the couple. “Van Eyck was one of the earliest Flemish painters” (The Biography.com 2014), and this is one of his most noted paintings because it is unlike anything of its period, as a similar full length panel painting of a marriage contract does not appear around the same

Read More

Eyck And Vermeer's Paintings: A Comparative Analysis

281 Words | 2 Pages

It is easy to assume that both women in the portraits appear pregnant. If you look closer, you will see that both of their dresses are lined with fur, an indication of their social status. Their appearance is strictly a statement of woman’s fashion for that time. However, their dresses are also an indication that wealthy merchants and not the church commissioned both of these paintings, by Eyck and Vermeer. This is something both the Northern Renaissance and Baroque periods had in common.

Read More

Analyzing Rembrandt's Painting

211 Words | 1 Pages

Even though it seems there are several strong arguments states that the painting was not painted by Rembrandt , lecturer contends that, the painting indeed is Rembrandt's one. She uses several evidence to show why each of those arguments is invalid. First of all about inconsistent in woman clothes, scientific experiments shows that fur color was added to original painting 100 years after the time when painting was painted, by removing that added paint , they find out that the woman was wearing a bright clothes matching with her linen cap also light reflection from that clothes can explain why the woman face is so bright and not partially in shadow. Finally they also found that the main painting frame was not only not being glued to

Read More

Titian's Venus Of Urbino

946 Words | 4 Pages

This dog appears to sleep peacefully because “the viewer” enters is not an intruder, but the master of the household which was Guidobaldo himself. This painting’s purpose was to be a domestic painting that only a select few would see. The dog himself suggests that the household in question was indeed that of the duchy of Urbino because the same spaniel dozes on the table next to Eleonora Gonzaga a Della Rovere, the duke’s mother, in Titian’s portrait of her (Figure

Read More

Sandro Botticelli's The Birth Of Venus

816 Words | 4 Pages

With me,the special about this painting is it not a portrait of a queen, nor any special women. It is a nude portrait painting of an odalisque, which meant “harem women”. The odalisque in this painting is holding a peacock feather fan, wearing a turban on her head and a bangles. Jean The Spring, a nude drawing of a 13 years old girl pouring the water down to the river and Madame Moitessier is also a marvelous painting that he had

Read More

Reflection In Fragonard's 'Allegory Of Prudence'

1676 Words | 7 Pages

Although some may argue that the direct contrast of light in the mirror itself displays the vanity of the subject, I argue that the contrast of the light skinned model and heavenly clouds with the gilded mirror imply a godliness of judgement in a human activity — reflection. Created by the interaction of lines, pastel colors, and similar organic ovals, the focus of the painting is on the gaze of the model who carefully looks inward and suggests that the viewer utilize the painting as a mirror of self

Read More

Vigee Le Brun: Marie Antoinette In Court Dress

475 Words | 2 Pages

She wears a very exquisite and extravagant ball gown, decorated with laces, bows and feathers. In her right hand is a pink colored rose. She is the center of the portrait, her face turned away from the painter. From outside the world of the painting, there is a ray of sunlight that comes shining down on her. The contrast of light and dark show space and depth, the foreground where Marie Antoinette stands is lighter and where the background is left with a gloomy and dark texture.

Read More

Lady Of The Unicorn Analysis

965 Words | 4 Pages

Portraits drawn by Raphael are a vital source for the analysis of his artistic motives. “Lady of the Unicorn” (fig. 3), one of Raphael’s earliest Florentine portraits, owes much to Leonardo’s “Mona Lisa” in its design. However, the clarity of light which infuses even the shadows with colour not only recalls Raphael’s early exposure to the paintings of Piero della Francesca, but also in itself a statement he wanted to make through his art. Raphael’s obsessive experiments with clarity of features cannot be construed as a mere influence of his teachers or contemporaries. Somewhere deep down, deliberation to do away with the mysterious haziness associable with divine or religious mystification must have inspired the Italian great to incorporate

Read More

The Jewish Bride Rembrandt Analysis

524 Words | 3 Pages

The relationship Rembrandt had with the Jewish community indeed reflects what was taught in this course. Rembrandt’s connection and interest in the Jewish community can be seen in his Jewish style paintings, his decision to live in the Jewish Quarter, and the impact he had during the Dutch Golden Age. By taking a closer look into these factors Rembrandt’s relationship with the Jewish community can become evident, and it can relate to what was taught in the lectures. Rembrandt was one of many prominent famous Dutch painters in the seventeenth century.

Read More

More about Potrait Of An Elderly Woman In The Rembrandt

Related Topics

Open Document