Every day, millions of people judge others based on the stereotypes that apply to them, and some do not even know it. Most times these misjudgments are harmless, however, they can definitely be destructive. False judgments based on the stereotypes one follows can make a total stranger seem like a menace to society. This issue is so popular, that it used every day to falsely misjudge others in harmful ways. The most important lesson gained from reading Night, Of Mice and Men, and watching Angel of Bergen-Belsen is that one cannot use stereotypes to judge others because the person could be the total opposite of the judgments and misjudging they can inflict harm to that person if used in the wrong way.
The Consequences of Physical Appearance in Frankenstein The novel Frankenstein by Mary Shelley is a science fiction story about a creature created from non-living matter, by a young scientist, Victor Frankenstein. The conflict between society and Frankenstein’s creature is largely perpetuated by a split between those considered attractive, and those who are not. The conflict and language use in Frankenstein demonstrate that most of society judges others based on their physical appearance, which leads to excluding those who fall outside the accepted definition of beauty and sometimes life-threatening consequences for both groups.
The Primary causes of prejudice are psychological as shown by emotional prejudice and demonstrated through an authoritarian personality, that may result in displaced aggression. Where Sociological prejudice can be shown by social norms. One aspect of the psychological prejudice defined in Parrillo’s essay, can be driven by emotion. Parrillo explains that emotional level of prejudice are “feelings that a minority group arouses in an individual. Although these feelings may be based on stereotypes from the cognitive level, they represent a more intense stage of personal involvement.
The creature’s mental knowledge is very small-minded and intolerant, causing his understanding of justice to be exceedingly narrow. The monster’s isolation from society is forced by its fate. Nobody could with handle the hideous looks given by the creature 's appearance, this made it nearly impossible for the creature to have any interaction with any sort of human. To illustrate, the creation said while reciting his tale to Victor “And what was I?
Mary Shelley’s Frankenstein presents important social criticism. Shelly focuses, in particular, on importance of forgiveness, betrayal, acceptance in society. Learning to forgive yourself and others is an important thing to know how to do or you’ll be holding on to useless hatred and pain all of your life; the same way the monster, Frankenstein, was doing. “Forgive me. Everywhere I go, they hate me”.
The novel Frankenstein tells the story of Victor Frankenstein, a scientist who gives life to a creature he created. However, this monster is not what he envisioned, and it is an ugly creature that both he and humanity reject. This creation, which goes by the name "creature", later engages in abhorrent behavior due to how it perceives the world and the way it is treated. Throughout the novel, the creature exhibits a variety of actions and behaviors that may be evaluated to gain insight into their worldview through his feelings and perceptions. Overall, it is clear in Frankenstein, particularly in the nature of the creature, that behaviors point to a worldview.
Stereotyping in today’s society exists in many forms and is part of our daily lives no matter who we are. This is true even in literature and Mary Shelley’s Frankenstein expertly shows the effects of stereotyping. In Frankenstein, Victor Frankenstein’s creature experiences rejection due to society judging the creature based on his appearance. This leads to Victor’s creature separating himself from society to distance himself from abuse. This abuse is undeserved as the creature proves himself to be a capable and very intelligent contradicting the stereotypes made against him.
There are so many guides and commentaries for Mary Shelley’s Frankenstein that it might appear to some that the field is saturated. Audrey A. Fisch’s book, however, is a welcome addition, formed as it is by the specific objectives of the Icons of Modern Culture series (edited by David Ellis). Fisch expresses these objectives very clearly in her Introduction: her aim is to “unpack the story of the Creature in the popular culture tradition, unearthing a range of complicated Creatures, not all of whom are huge and mute, and many of whom, though different from Mary Shelley’s Creature, are intriguing in their own right” (7).
Beauty and ugliness is often used to justify the reaction of others in the novel, Frankenstein; in which the relation between external appearance and internal desires are shown to be related. The theme of how appearance affects judgement is often demonstrated through the characters response to the monster’s physical being. Shelley depicts this situation through Dr. Victor Frankenstein, the Delacey family, and through the monster himself. The use of appearance to determine judgement is shown to be a negative habit. By automatically associating ugliness with evil, and beauty with innocence, society unintentionally develops a negative being in those considered ugly, while at the same creating an illusion of innocence over beautiful individuals.
As seen in Frankenstein, family plays a key element in the development of each character. Victor Frankenstein was nourished by his family from crib to grave and they served as a support system for him. In contrast, The Creature was abandoned from the day he was created. It was the lack of family that drove the creature to seek revenge on his creator, Victor Frankenstein.
The monster desiring to find personal connections was rejected by humanity. Every confrontation with “humans had quickly caused panic” (Phy). When the monster went into the village everyone “was roused, some fled, some attacked” him (Shelley 112). In seeking human relations, the monster was only met with fear and revulsion. Becuase of the monster’s exclusion, he becomes “ruthless and bitter after his negative reception in society” (Knowledge).
Certain appearances of weight, tallness, skin tone, scars, or marks can make a person judge another person without even thinking twice. This kind of discrimination is out of line, yet it is one that is practically difficult to dispose of. Unessential physical qualities strengthen harmful generalizations and undermine opportunities in view of legitimacy. Furthermore, when prepping decisions become possibly the most important factor, such inclination, can likewise limit individual opportunity. People regularly legitimize their discrimination through false stereotypes, favored treatment, and unintelligent logic.
Frankenstein: From Benevolent to Feind “I was benevolent and good; misery made me a fiend.” (Shelley 69) Said by Frankenstein’s monster, this quote truly defines him: initially an affectionate, love-seeking creature, he transformed into an enraged killer, angry at humanity for the undeservedly poor way he was treated. Victor Frankenstein is an unique, complex individual who encounters a similar change of nature for similar reasons. The quote—though spoken by the monster—encapsulates the evolution of Victor Frankenstein’s personality; misery—a product of isolation and loneliness—aroused a deterioration of temperament from an initially benevolent Frankenstein.
Regardless of who we strive to be, or who we dare not to be, those who we respect and look up to will be the ones who leave an impression on our lives. To the Monster’s credit, it continued to pursue a life of good deeds until the people it idolized turn on it. Because of the influence made on it by its parental figures the Monster behaves like an outsider, and as an outsider it gains new role models and is governed by new emotions such as anger and hate. The monster should not be blamed for its malicious nature, rather, the people who taught it hate and the Doctor who created it without a true intent of being its
Once the creature begins to go out on his own and learn about life and society, during his first interaction with other people he learns that he will be immediately judged based on how he looks. To start, when Frankenstein first sees the creature, he quickly runs away without any interaction and exclaims “no mortal could support the horror of that countenance” (Shelley 36). This interaction made the monster realize that even his creator could not avoid the habits of the society he lived in, and immediately ran away from him in fear because he didn’t believe he was attractive. Then after that, the creature still has enough hope to go into a village and meet other people, but he is immediately met with children that “shrieked” and one woman who “fainted” just at the sight of him (Shelley 74). In every situation where the creature attempts to interact with others, he is shunned immediately, before even being able to say a word.
