In Advertisements R Us by Melissa Rubin, she analyzes how advertisements appeal to its audience and how it reflects our society. Rubin describes a specific Coca-Cola ad from the 1950’s that contains a “Sprite Boy”, a large -Cola Coca vending machine, a variety of men, ranging from the working class to members of the army, and the occasional female. She states that this advertisement was very stereotypical of society during that decade and targeted the same demographic: white, working-class males- the same demographic that the Coca-Cola factories employed.
In Chapter Five of the novel, Janie describes Joe’s impact on the people of the town of Eatonville and his unique dominance qualities: “There was something about Joe Starks that cowed the town. It was not because of physical fear. He was no fist fighter. His bulk was not even imposing as men go. Neither was it because he was more literate than the rest.
At the heart of this case is the questions surrounding Hall’s ambiguous genitalia. The women determine that it is too different from their own. This is easy enough to understand but where it gets confusing is when the men also distinguish Hall’s genitals from their own. In the case of the men, Norton argues that it is less about the anatomy and more about the physiology. (Norton 195) Hall admitted that they could not produce a family, so too men, this made them a woman.
Advertising has been around for decades and has been the center point for buyers by different subjects peaking different audience’s interests. Advertisers make attempts to strengthen the implied and unequivocal messages in trying to manipulate consumers’ decisions. Jib Fowles wrote an article called “Advertising’s Fifteen Basic Appeals,” explaining where he got his ideas about the appeals, from studying interviews by Henry A. Murray. Fowles gives details and examples on how each appeal is used and how advertisements can “form people’s deep-lying desires, and picturing states of being that individuals privately yearn for” (552). The minds of human beings can be influenced by many basic needs for example, the need for sex, affiliation, nurture,
Sexuality between Dick and Perry is explored as well as Perry and Dick’s individual sexualities. The Clutters are the first example of normality seen in ‘In Cold Blood’. They
Zora Neale Hurston, author of Their Eyes Were Watching God, introduces Joe Starks into the novel as a controlling, yet successful man who falls under the control of his own problematic characteristics. These traits influence actions of his which work for and against his favor. Joe is notably prideful; however, his insecurities cause him to verbally and physically mistreat Janie because he feels threatened by her better attributes. Joe’s pride is the drive for his ambition. It motivates him to do various activities that will bring him success, recognition, and admiration from his peers, such as when “he [unwraps] [the street lamp] and [has] it wiped off carefully and put up on a showcase… for everybody [in town] to see” (44).
Throughout the novel, Robert resists the impact of all situations that threaten his level of resilience. All sexual acts in this novel can all be interpreted as a struggle to maintain resilience in a merciless environment. Robert loses part of his ability to recover when he attends the brothel and is forced to participate in sexual behaviours that he feels uncomfortable with. Furthermore, the night of the brothel, Robert witnessed Taffler with another man. “The man being ridden was Taffler.
Holden’s failure to embrace the masculine stereotype is epitomized in his idealized and naive views on romance and sexulaity. When Holden enters the upscale Edmont Hotel and sees a young couple on a date, he remarks, “I think if you don't really like a girl, you shouldn't horse around with her at all …. It's really too bad that so much crumby stuff is a lot of fun sometimes” (Salinger 70). Holden’s belief that a man should not engage in a casual relationship with a woman unless he truly loves her, stands in stark contrast to masculine standards which encourage and congratulate men’s sexual exploits. Holden’s asexual beliefs
Baldwin gives us an alternative space of darkness. This reference of darkness being depicted by the Narrator is his connection that the nightclub and what it stands for is symbolic to all the things negative associated in Harlem. The Narrator associates Jazz music and drugs as one of the same. “The waitress ran around, frantically getting in the last orders, guys and chicks got closer to each other, and the lights in the bandstand, on the quarter, turned to a kind of indigo.” The narrators idea of darkness is changed in this scene.
Near the end of the evening, Nick and Mr. McKee leave together, and in the next the next scene, Nick wakes up in Mr. McKee’s bed, next to him. There are also subtle, implied innuendos throughout those scenes. “Keep your hands off the lever,” snapped the elevator boy. “I beg your pardon”, said Mr. McKee with dignity, “I didn't know I was touching it.” Later in the book, we read these words, “I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands.”
James Baldwin’s short story, “Sonny’s Blues,” tells the story of two brothers living in 1950s Harlem. The story depicts the relationship of the brothers as the younger brother, Sonny, battles to overcome a heroin addiction and find a career in jazz. In “Sonny’s Blues”, Baldwin’s shifting portrayal of Harlem mirrors the changing relationship of the two brothers: while both the city and the relationship were originally with dark uncertainty, by the end of the story, the narrator has begun to find peace both within his surroundings and his relationship with his brother. At the beginning of the story, before Sonny returns to Harlem, the narrator never describes his surroundings, only the people in them.
When Bertram first meet with Jackson who is very successful now and never leave his home land, “Jackson continue to look at Bertram, the tumblers of his mind turning and trying to unlock the secret of this man’s identity” (Phillips 65). This quote shows an important point because even his old friend has trouble time identifying Bertram. Furthermore, the fact that Bertram was gone for so long, it is hard for him to get help from his for a land that he does not know much anymore. When Bertram came to Jackson looking for business opportunities, Jackson asked him, “Which is the closest major city to here?” (112).
So the narrator says, “Big Joe was popular on 145th Street. If you were a little down on your luck and needed a
Timothy Shay Arthur’s “Ten Nights in a Bar-Room” is a novel filled with unfortunate events that change the lives of many families. It illustrates the lives of a few men, who were once proper gentlemen, but transformed into undesirable people due to intemperance. Their stories demonstrate how destructive alcohol was to their lives, not only for them, but for their families as well. One of the characters that immediately caught my attention was Joe Morgan. Joe went from being an enviable father and husband, and even Mr. Slade’s former business partner, to the town drunk and an absent father.
Sexist Young Goodman Brown In reading this classic tale from 1853 which was written by Nathaniel Hawthorne, I became intrigued first by the theme of the 1800’s with shadowy undertones of biblical evilness. Although, in reviewing the story further I noticed a certain distinctive trends of old world flare that was unmistakable. These tones are of sexism which sadly marked the time period historically to such extent in which the structured confinements of gender responsibilities. Hawthorne orchestrates the underpinning of chauvinism within the very first paragraph “put his head back, after crossing the threshold, to exchange a parting kiss with his young wife.
