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Literary adaptation theory
The role of a writer for film
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Books and movies have been around for many years and lately movie directors have been making more and more movies based off of books. Most people do not know that around 50% of movies are based off of books. Although, it really depends on what people mean when a movie is “based” off a book. Some directors say a movie is based off a book, but has a different plot and seems totally different. So, in order to keep true to the book, directors keep the plot relatively the same, but there are a few times they decide to change the message entirely by changing just a few key events.
It is often believed that pictures speak louder than words. However, when comparing a book to a movie, this quote is totally not applicable. The purpose of creating a movie from a book is mainly to bring the characters to life and make the story more relatable. Fantasies, especially, are unrealistic and hence a movie makes the fantasy come to life. The Princess Bride was originally a book which was then filmed as a movie to recreate the story.
Why did hollywood change the story of Beowulf? So why did hollywood change the story of beowulf? There are many different reasons why they would change the story, such as, they were just trying to change it to entertain the modern day people, also because that's just what hollywood does, they changer books or stories to what they think would get they the most views. People now a days are a tough crowd to please, there are certain things that make them interested in a movie or a book, hollywood was trying to change the book to make more people want to watch the movie, for example in the book Grendel slays the Danes in the night while they are sleeping so none of them have the chance to challenge him, in the movie Grendel bursts into Heorot in the night but the Danes are awake and they fully witness his killing. Hollywood changed the movie the way they did to help get
This sense of hostility springs forth from the misconstrued view of literature being the superior art form among the two, extending to the apparent artistic inferiority of cinematic adaptations, which seemingly “betrays” its source material. But the idea of cinema as a potent and dynamic art
The story was more powerful than the movie because of its dialogue, setting, and plot. Following that, The story was better than the movie because of its dialogue. For example, “But Mrs Whatsit came to her and
How well can a director put a book into action as a movie? After reading the book The Color Purple by Alice Walker and watching the movie The Color Purple directed by Steven Spielberg, I was given both sides of the story written and the screen write. Contrasting the two together personally is quite tricky because both the book and the movie were great to take part in. However some events in the book were obviously different when watching the movie.
This would help in making the audience connect with the story and the characters more easily. I now have a better understanding of film in general and how it can move and transcend people of the society at a particular time when it can take them to a different world and make them forget about their worries. Just like German Expressionism inspired me, a budding filmmaker, this specific translation of cinema as craftmanship would go ahead to impact the absolute most essential filmmakers of the twentieth century, including Alfred Hitchcock, Werner Herzog, and Tim
To Kill A Mockingbird: Read it, Don’t Watch it. Have you ever watched the movie adaptation of a book, only to find that the book is far superior to it’s movie counterpart? Oftentimes when a book is adapted into a movie, there are some differences between the two. Sometimes the differences are subtle, but other times the differences are dramatic and can affect the development of the story. An example of this is the movie adaptation of the novel To Kill A Mockingbird by Harper Lee.
Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation.
Introduction When reading a play, it is fundamental to pay attention to details within the play for a script envisioned in more than one way. Moreover, discovering those critical items found in the play is important in helping one criticize the play correctly since; a critic is able to see the quality and mistakes found in the play. Likewise, the critic is also able to see valuable and critical things missed by the reader since as critics they looked at different functions within the play. With that said, this paper is going to explore two critical approaches seen in “Death of a Salesman” a play written by Arthur Miller (1915 – 2005). Those critical approaches are Reader-Response Criticism and Psychological (psychoanalytic) criticism.
In my opinion there are a lot of comparisons between the film and the book, but there are also differences between them too, but also they have impacted the audience in both the film and the
So a lot of small details from the book have to be cut. Also the movie has to rearrange the events in the book in a way that it is interesting for the spectator to watch. Sometimes books jump in time and use different literary methods that have to be changed when adapted to movies because they can slow or interrupt the rhythm of the movie.
There is a close relationship between literature and film and we can see that more and more films come from literature in recent years like Pride and Prejudice, Romeo and Juliet, Jane Eyre, a science fiction film named Arrival and so on. In fact, Jane Eyre is a popular story that a number of directors used it as adaption to a film and the 2011 version is the No.35 version of adaption. During to search with key words “Jane Eyre” “movie” and “adaption” on the Internet, I found the 1944 version and 2011 version have more comments. Most audience consider the 1944 version is the best adaption and more classical because this version is closer to the literature, showing the romantic, Gothic and depressed during the Victorian. However, the 2011 version is the newest version, it is with more details so that it can help audience to understand the mental activity of Jane and have more feeling of the actual environment Jane lived.
It was prompted that, although illustrating a well-kept storyline and pleasant detail, the language would be too challenging to comprehend. Inconsistent with such beliefs, the novel was a success. Although, this was not instant, as its renowned reputation had only escalated in the 1970s, which was somewhat due to Stanley Kubrick’s film version in
When one watches a movie, the experience is not life changing no matter how thrilling the experience was. It is not engraved into the brain as it is only a temporary adrenaline rush. When watching a movie, one feels as though one is watching the story from outside and not truly experiencing it through the main character. In addition, movies are often two hours long. If a movie was based on a book, which it often is, there would not be enough time to include minor details.