Ray Bradbury's Novel 'Fahrenheit 451'

Ray Bradbury’s novel ‘Fahrenheit 451’ warns of the dangers of technology and blind obedience through the character of Mildred Montag amongst others. Although Mildred is a minor character throughout the text, her image as the poster girl of the dystopian vision of the future Bradbury had created highlights that in a society where technology is all-powerful and all-consuming, true happiness is seldom found. Bradbury depicts characters who have an awareness of life outside of technology to be genuinely happier and more sincere, whereas those who have conformed to mores of society are consequently dissatisfied with life. Ultimately, it is Montag’s realisation that there is more to life than shallow conversations and parlour walls, and the happiness

This can be best demonstrated through the characters of Mrs Phelps and Mrs Bowles, a pair of Mildred’s friends who “jabber about people and their own children and themselves…and their husbands” in a callous manner. Mrs Phelps even mentions that she is so “independent” that if her third husband was to be killed in war it was agreed that she “…[would] not cry, but get married again and not think of [him]”. Likewise, Mrs Bowles speaks of her “ruinous” children as burdens, stating they were only born for “the world [to] reproduce”, and until then they are “[heaved] into the parlour”. ”These monsters”, as they are described are used to emphasise the lack of unity that can result from abuse of technology. This disconnect is further highlighted when it is noted that “the three women fidgeted and looked nervously at the empty mud-coloured walls” as soon as Montag unplugged the parlour, indicating that although the trio are friends, they do not know how to communicate with one another. The extend of this disconnect is revealed when Montag recites the poem “Dover Beach”, to which Mrs Phelps starts “sobbing uncontrollably”, exposing an inner sadness and depth to her character much like Mildred. Although a multitude of characters are presented as sad and shallow, Bradbury has demonstrated that those who transcend the expectations of