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Cathedral by raymond carver analysis
Extremely short summary of cathedral by raymond carver
Cathedral by raymond carver analysis
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Although Robert is the one that is blind the narrator
In the opening sentence of “Cathedral”, the narrator identifies Robert as “this blind man” as opposed to the various other labels he could heap upon him (Carver 514). The narrator also propagates the idea that “the blind move slowly and never laugh”, an illogical stereotype. This is not dissimilar to Jesus’s discriminatory treatment at the hands of the Romans as he conceptualized Christianity and spread his message to the people. Robert and the narrator have a Christian communion experience of sorts that
The narrator placed himself in Robert’s shoes and realized how inaccurate his perception about Robert was. By sketching a Cathedral, they were drawing a piece of art that represents a collaboration closer to sight. By sharing an intimate experience, Robert the physically blind man was able to help the unnamed narrator, metaphorically blinded prejudice man see his errors in his conscious and see things
The intelligent and strategic sniper has to protect his life by killing others, and even though his brother dies because of this he was correct in his decision to kill. The sniper enjoys very much his job and is willing to fight for the republican side,“They were deep and thoughtful, the eyes of a man who is used to looking at death.” (O’flaherty, 2). This shows that the sniper is committed to the job he is required to perform. He knows he is always exposed to death and is never safe, so he always uses his critical thinking and strategic planning to get out of a dangerous situation.
The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated. The narrator is faced with a stark realization and glimmer of hope. Hope for new views, new life and probably even new identity. Even the narrator’s wife is surprised by the fact that her husband and Robert really get along together.
“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.
In Raymond Carver's Cathedral, the author explores the transformative power of human connection and empathy. It is a central theme that I agree with deeply. He employs creative techniques that invite the reader to delve into the conversational dialogues and the characters profound experiences. This exploration prompts a thought-provoking examination of prejudice and the power of genuine connections. The narrative's strength lies in its character dialogues, creating a strong connection between the reader and the characters.
He stared the pictures of cathedrals on the TV screen, but he still was unable to verbally or physically illustrate it. Robert detected this so he told the narrator to close his eyes. By keeping his eyes closed, the narrator was able to experience things as a blind man. At the
After a small introduction when the two characters first meet, the narrator recognizes that he “didn’t know what else to say” (Carver, 4), signifying his inability in connecting with Robert. A reason behind the trouble in connecting is discussed in “Literary Analysis of Cathedral” by Niwar A. Obaid, where he writes “The narrator’s apparently judgmental and doubtful tone… [set] a difficult attitude once the blind man and the narrator actually meet”. Obaid lists the narrator’s tone as one of the primary reasons why the narrator is reluctant to get to know Robert better. Since the narrator’s tone is caused by his prejudices, as previously shown, one can infer from Obaid’s writing that the real reason behind the narrator’s reluctance to form a relationship is his prejudice against the blind. Later in the story, Carver juxtaposes Robert’s readiness to learn more about the narrator to the narrator’s initial refusal to develop a relationship to Robert.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
However, the story takes an unpredicted and meaningful turn at the end when the narrator see things from a blind man’s standpoint. Since the beginning of the story, the narrator does not like the idea of having in his house a blind man. He does not know how to socialize with blind people because his idea of blindness came from the movies. He thinks blind people move slowly and they never laugh.
looking and seeing is different. Looking is simply physical vision. In contrast, seeing is being engaged on a deeper level. The narrator shows that he is capable of looking; looking at his wife, Robert, and his house. The narrator is not blind therefore feel superior.
Robert’s wife has recently died and he used to work for the narrator’s wife. Robert comes to visit the narrator’s home and the narrator is not happy about this because he believes blind people to be miserable and gloomy based solely on what he has absorbed from the movies. At the end of the first paragraph, he says, “A blind man in my house was not something I looked forward to” (1.1). Little to the narrator’s knowledge, his wife and Robert had been using audio tape to correspond over ten years, and have much past history with each other. The narrator’s wife makes sure he knows to make Robert comfortable, and if he doesn’t it shows that he does not love her.
As the story develops, the narrator grows to like Robert, and as the story ends we see the two draw a cathedral together which allows the narrator see a new side of everything and allow for him to be more connected to the blind man and his wife. This plot is commonly seen in many different media’s, but it’s used more cleverly here, as it allows for characters to flow with the story while not sacrificing the story being mediocre. In saying this, the plot of this story is very character-centric and is vital to helping to advance the story. Within this story the character
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience
