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An essay on Othello
Othello critical analysis
Critical analysis of othello
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In the tragedy of Romeo and Juliet, I deduce that the male characters have made the most dramatic influence to its readers, thus far, in Acts I and II. In my perspective, the men bestow their standpoints profoundly and they are the initiators of numerous quarrels, which impacts the plot by amplifying suspense. To begin, Romeo commences conflict overall, by having the audacity to love the daughter of his sole enemy. "My name, dear saint, is hateful to myself, Because it is an enemy to thee. Had I it written, I would tear the word"(1024).
The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing.
Iago contributes to the tragic downfall of Othello, playing him like a fiddle. The human nature of Iago manipulates the trust
Often it is the dark side of human nature that brings a story to life, and there is no sounder proof of this than William Shakespeare’s masterpiece Othello. The tragedy of the Moor of Venice is inflicted by the cruelty of Iago, perhaps one of the most intriguing antagonists in literary history. Iago’s cruelty is a defining element of the play, in that it pushes the plot forward as the trigger for all of the major actions throughout the story, serves as the cause of the cruelty of others around him, and reveals the character of each person in the play through their responses to his cruelty. The action of the entire play is centered around Iago’s various acts of cruelty.
Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.
Othello is one of Shakespeare’s bittersweet tragedies. The character that is unforgettable is the one and only Iago, who not only manipulate Othello, but his audience as well into thinking he is not to blame for the cause of Othello’s death. Iago’s character shows so many emotions in Act 1, Scene 3. The additions to the scenes have a great impact, but the things that were left out also have meaning. In the video clips, we see Iago played in three different ways; although, he is portraited differently there are many similarities that shows his manipulation and thirst for revenge on Othello.
Through-out the years, countless number of actors have taken on the challenging role of Othello. Many of them have succeeded, while many have come short of expectation. Nevertheless, the role of Othello remains the most challenging to play and is a testament of the ability of all actors, since it was first performed in 1604. From our generations different interpretations on the language of the plays, to the need for creativity to captivate the audience. The challenges for actors have been increasing with every year.
Development of Othello The character of Othello transforms during the course of the play from a respected and revered general to a fallen and easily fooled man, due to the unfortunate sequence of events that transpire through both coincidence and Iago’s evil designs. He said that he wouldn’t be the jealous type unless he had seen it happen right in front of him, but with the help of Iago and a lot of coincidences it had happened in front of him. His judgment of the coincidence over ruled facts that could have changed the way it had ended drastically (Nwabueze, 167).
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores
The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters. One's perception of a situation is directly proportional to the demeanor of a person. When a person changes the way that they look at a situation, the entire way that they present themself; their attitude, behavior, and traits that they exude, change.
Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.