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Reaction Paper About The Movie Metropolis

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Project 1: Metropolis 1. The move Metropolis directed by Fritz Lang is fantastic and I already appreciate it for its vivid imagery and notable acting, but certain critics have pointed out other aspects of the movie that make me appreciate it even more. Mordaunt Hall of The New York Times writes that "about 37,000 extras were engaged in some of the episodes.". This fact would be awe inspiring by itself, but Mourdaunt also mentions that "eleven thousand of the men have shaven heads.". I love the fact that the director actually put in the work to get so many extras for his scenes and how much detail was put in to have so many men with shaven heads. I feel the riot scenes when Maria is leading the workers towards the uprising and also the beginning …show more content…

Overall, if I had to give a grade to Metropolis, I would give it an A+. This is because the movie was so ahead of its time and every scene seemed like a piece of art. The set designs were beautiful, such as the visuals of the colosseum where Freder ran in the beginning of the film and also in the Tower of Babylon. Through these scenes, I became immersed in this future world, and I was wishing I could see more about the life of the citizens in metropolis. The film also had great themes that set the framework for future movies such as Blade Runner, according to Kenneth Turan. Finally, I thought the acting was amazing, especially by Brigitte Helm. I do not know how any other actress could have portrayed Maria and the machine Maria any better. I liked the dramatic styles of the actors because it added to the drama of the plot. This movie did not have any glaring flaw and the attention to detail from the director, Fritz Lang, allowed the movie to be so great, such as how the workers who had been working walked slower than the fresh workers in the beginning of the film, as pointed out by Mordaunt Hall. Metropolis will probably always be remembered and watched for its awesome sets, memorable themes, outstanding acting, and its influence on the genre of science fiction as a

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Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

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The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling

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Fritz Lang’s M is a combination of a social film and a murder mystery—directed in 1931, in the midst of the Nazi movement’s takeover of German goverment, the film chronicles the public’s congregation to catch an infamous serial killer. Beckert, the child murder himself is presented to the audience several times throughout the film; he is shown to be involved with a constant internal struggle between allowing the darkest parts of his mind to overcome him and remaining sane. However, this film is, in some respects, making a statement less about murder and more about society at the time in which the film was released. More specifically, the film warns against and even mocks the competency and ability of the police to perform their jobs. There is a scene within the film involving an organization of beggars with the common goal of catching the child murderer.

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Metropolis is a 1927 German expressionistic science fiction film, directed by Fritz Lang. Much of the plot is established following influences of the first world war, and the culture of the Weimar Republic in Germany. Although criticised for its allusions to communism in the resolution of the film, Lang explores mostly themes of industrialisation and mass production, which, coincidentally, were two developments that provided a large influence in the First World War. Lang also explores themes of the Weimer view of American modernity, communism and fascist rule. Politically, this film was shot after WWI, meaning many of its influences were extracted from the horrors of the First World War.

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German Expressionism has influenced thousands of films and filmmakers since the art movement began in the 1920’s. It is known for its dismissal of the standard conventions of Western filmmaking for a more off-kilter style of storytelling. Some film historians consider Metropolis (1927) to be one of the most groundbreaking German Expressionist films ever made. However, there are many instances throughout Metropolis in which it deviates from the eccentric Expressionist style. There are many obvious occurrences of expressionism during Metropolis, for example the opening machine sequence, but conventional Western techniques are also common in the film.

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With controversial subject matter, spectacular acting, and a timeless and relevant plot, audiences truly will get hooked to this film and not want to remove their eyes from the screen. People will either be touched by the ending or they will be left hanging, all depending on perspective, but either way it is something that will affect them and leave them thinking. Maybe the audience will even wonder what their personal “rosebud” is and what it means to

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3. Metropolis (Fritz Lang, 1927) Metropolis is an important example of German Expressionism and of early science fiction. A great inquiry on future of humanity, a critique of society, a prominent dystopian film. Fritz Lang’s remarkable work has dazzlingly designed sets, costumes and unpredictable characters.

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I would also like to commend the background music used in the film, for it was appropriate for the scenes. Another thing that caught my attention was how the title cards were arranged at the start of the film when they were talking about how life was in both Metropolis and in Worker’s City. When the title cards were explaining the latter, the words looked like they were descending while when it was about Metropolis, the sentences formed an arrow pointing up. It’s not much, but I found it very clever for some sort of signs to be present (Dirks,

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