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Role of women in childrens literature
How mothers are portrayed in literature
The joy luck club and womens issues
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In the novel Sula, Toni Morrison focuses on the relationship between the protagonist Sula Peace and the foil Nel Wright, as well as their path to womanhood. Yet, Morrison includes details of the events within the upbringing and adulthood of each of their mothers. When the girls became young adults, their conduct within society resembled those of their mothers. The actions a mother takes are noticed by her daughter. In fact, a mother’s demeanor within society, may be inherited by her daughter.
It can be hard on the child to handle the overwhelming responsibility or even missing the empty space which used to be their parent. In passages from Confetti Girl and Tortilla Sun, the tension of having one parent and how that can affect their families is revealed. In Confetti Girl by Diana Lopez, the narrator, Lina, is having trouble coping with the loss of her mom and connecting with her
Thesis Statement about theme of literary work- In Amy Tan’s The Joy Luck Club, expressions of love and hatred are shown in multiple mother-daughter relationships resulting in negative impacts such as pain, bitterness, and regret because of their differing opinions. Support Point #1- Suyuan Woo guiltily leaves her twin daughters on the ground in China as she walks away in tears.
For instance, her famous novel ‘The Joy Luck Club’ depicts the Chinese mother and her American daughter relationship where they go through various circumstances trying to understand each other including the evolvement that comes in their relationships as the daughters know more about their mother’s life stories. Secondly, Tan considers the theme of identity in terms of Chinese immigrants and their life experiences as an immigrant in the United States. She reveals how the children born to the immigrants strive in an environment which is a mixture of American and Chinese influence. Moreover, Tan is found to have explored identity issues through her fictive creations and tackled the issue of authorial identity (Becnel, 2010). Similarly, romantic love is another subject included in the literary artworks of Amy Tan which considers the relationships and romance an important aspect of human’s life.
Childhood is the foundation of who we become when we have grown. In Amy Tan’s novel “The Joy Luck Club”, we can see the transition from being immature to journey to adulthood in the lives of four mothers and their daughters. These women all make sacrifices in order to survive and One of them is betrothed to a wealthier, more important family for the honor of her own family. Because of her loyalty to her own family, she endures much emotional and psychological suffering and in turn becomes a stronger woman. Not stronger in body, but stronger in character.
Reflecting on them, she expresses the meaning her mother's English holds with her and emphasizes its importance with the metaphor, “It's my mother tongue.” She expands upon it in her statement right after; the use of parallelism between her description of her mother tongue, “Her language, as I hear it, is vivid, direct, full of observation and imagery,” and its impact reinforcing, ”That was the language that helped shape the way I saw things, expressed things, made sense of the world.” Tan's inclusion of these childhood stories appeals to the reader’s sense of connection with her through the use of exemplification. This strategy focuses on Pathos by placing the reader in the author’s shoes and effectively conveying how, though difficult, growing up and living with these Englishes has molded her perspective on the power of
China to San Francisco, mothers to daughters, mistakes to opportunities. Suyuan Woo, Jing-mei Woo, An-mei Hsu, Rose Hsu Jordan, Lindo Jong, Waverly Jong, Ying-Ying St.Clair, and Lena St. Clair. The Joy Luck Club. In the novel, The Joy Luck Club by Amy Tan, four mothers, and daughters tell their individual stories and how they all came to be The Joy Luck Club together. One specific family, the St. Clairs struggled with the danger of silence.
One of the lessons contained in Amy Tan’s novel, The Joy Luck Club, is a very significant life lesson that all individuals should learn to understand and apply. Even though not specifically taught by one of the characters in the novel, the overall theme and lesson of the book, that we should not judge others, plays a very important role in the story and shapes the relationships within the book to a great extent. Each of the mother/daughter relationships within The Joy Luck Club involves miscommunication and misunderstanding because they are each judging each other without understanding what the other went through. For example, Jing Mei considers her mother forceful and overbearing because she forces her to play the piano although she doesn’t
The author of A Thousand Splendid Suns demonstrates the significance of motherly love through Nana, Laila, and Mariam. The novel gives the reader a better insight of how passionate a mother’s love for her children can be, and how far she may go for the love of her
In her novel, The Joy Luck Club, Amy Tan focuses on the fact that the bond between a mother and daughter can overcome any ethnic barrier. Despite there being many disagreements and arguments about the ways to live their lives, Tan defies this issue by creating a bond that is unbreakable even though the experienced different upbringings. Certain disagreements keep the novel interesting and create a conflict depicting the problems stemming from this barrier. Through her use of similes, metaphors, and flashbacks, Tan shows how the bond between a mother and daughter can withstand even the strongest cultural differences.
In Amy Tan’s Joy Luck Club, the different stories show how the different characters develop and progress. Rose Hsu Jordan begins “Half and Half” as someone who clearly lacks of conviction as she allows everyone but her to make decisions. Throughout “Without Wood”, however, Rose Hsu Jordan begins to learn, with the help of her mother, how to speak up.
Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.
“She first began writing fiction as a form of therapy” (Encyclopedia). Tan’s works portray the relationship between a mother and daughter because she writes about the relationship between her and
“Communication is the key to a successful relationship, attentiveness, and consistency. Without it, there is no relationship,” (Bleau). The Joy Luck Club is a novel written by Amy Tan. Set in the twentieth century, this novel depicts the life of four Chinese immigrant women escaping their past and their American-grown daughters. The novel reveals the mothers’ hardship-filled past and motivations alongside with the daughters’ inner conflicts and struggles.
Mother daughter relationship has always been special. They are close to each other and understand each other very well. For a mother, daughter is just an extension of her, a part of her. The Joy Luck Club, by Amy Tan, illustrates what life is like for many foreigners in America who are trying to give their child the opportunities they most likely did not have themselves as children. Its a story about four Immigrant mothers fulfilling their duties as mothers.
