From Paris, Singapore Dallas to Dubai and now Seoul, as a travel collection, the 2016 Chanel Cruise Show held at the ultramodern Dongdaemun Design Plaza, has pushed the boundaries of fashion like Chanel and Karl Lagerfeld possess the style empire of society.
“The Korean collection was inspired by the past of Korea in a modern way that has never been seen” – Karl Lagerfeld
Seoul; bursting with energy, traffic and diverse culture, has allowed Karl Lagerfeld to intertwine Parison culture with the unique culture of South Korea. Lagerfeld revisited the local Korean culture in a broadest sense. Filled with bright-dark colours,
(Shadowy black and shimmering silver) Chanel worshippers will be eager to rush to the shelves of Chanel boutiques around the world, to purchase
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“I’ve always liked the idea of what Korean things were”
Karl Lagerfeld grasps a technique that not many other designers embrace; He has the tendency to think forward in order to produce sophisticated, unique and appropriate clothing to suit one’s necessities and personal style. He has effectively displayed this use of technique, to target his audience of upper class Chanel customers of all ages from the trendy young to the modern and classic old.
Korean culture is known for embracing the unique. Composed of 95 looks, colours were evoking the rainbow adding to the effect of the twister-like runway. Lagerfeld was obviously craving a sugar rush, which under a cultural viewpoint, he was influenced by the phenomenon of the current K-Pop era as he also presented the audience with pop art-like graphic prints.
Geometric patterns were complimentary, performing to the medley of the music building a sense of anticipation. Nothing was plain, proving its intactness to
Korean