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On Tuesday, October 6th, “The William & Stephanie Clohesy Documentary Film Series” brought American film director, Dawn Porter, to discuss her documentary Spies of the Mississippi to UNI students. This paper not only discusses the documentary, but also goes through each step of the critical process to make an informed judgment about it. Description Spies of the Mississippi is based in the mid-1900s during the civil rights era in the southernmost state of Mississippi. It was a time when races were segregated and equality was desired by the black community. Change was not only wanted, but was fought for through various organizations, such as the NAACP (National Association for the Advancement of Colored People).
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
After watching the movie, “The Return of Cuyahoga River” I was blown away by all of the history, facts, ignorance, and activism displayed in this film. There was so much information packed into this documentary. Information about this 100-mile long river that curves north and then south as it u’s along Lake Erie, and how in “1827 U.S. citizens changed the Cuyahoga River for the first time.” It was originally a swampy marsh infested with mosquitos and caused problems for the city of Cleveland Ohio. Cleveland was a small lazy town until the mouth of the river was widened by humans allowing for mercantile boats to pass by their town.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
A person just needs to grasp that they need to step up to the plate to develop into the best they can be as a role model to others around them. The older and younger brothers in each story learn they need to figure out each other on a different perspective. This helps them grow in the way they need to so they can rely on each other on a more personal level rather than a mentor level. Many of us can learn from these characters to help understand everyone can influence one another, this society just needs to be humble enough to let these important factors happen to us and
Final Project - Fundamentals of Western Culture by Sara Gerber 1. Comparing Life is Beautiful & Fargo a) The main claims in the films Life is Beautiful & Fargo: • Life Is Beautiful (1997) is directed by Roberto Benigni who also stars as the protagonist Guido. The film takes place in fascist Italy during the 1930s & may be divided in to two halves. The first is pure comedy, as Guido tries & succeeds to woo his future wife. The second half smiles through tears, as Guido is sent along with his son to a concentration camp.
The movie chosen was “On Golden Pond.” The life transition and developmental issue present in the couple are the father 's cognitive decline and age-related memory loss, familial conflict and divergence between father and daughter. Norman and Ethel appear hunched and infirm which is a sign of osteoporosis or general bone density decline, and their hair is gray and thinning. Ethel seems to be in better shape than Norman. The movie is filled with conflict and resolution.
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
Blade runner 2049 review and sequels in Hollywood A cathartic monologue pairs well with an unrelenting downpour, while nothing beats a genial powdering of snow for finally hanging loose and making peace with the bullet hole in your gut.1Both work as resolution, just shades apart. When a Londoner wants to project pathos onto a cityscape he adds rains, a Montréalais adds snow. Blade runner 2049 revisits the city of Ridley Scott 's 1982 Original, just paints it with a different palate. The Los Angeles 2049 is indeed a colder place.
“Born by the River” illustrates my version of the “American Dream” because Cooke expresses this faith that things will change, despite social segregation. For example, Cooke mentions, "how it has been difficult over the years facing “segregation and inequality,” but he has hope a change will come for the future (Stanza 1). Cooke sings in a doubtful manner because of the unjust times he 's living in and explains all the harsh realities he is faced. Although he lives under these circumstances, his hope is restored because colored Americans began to stand up for what 's right in civil rights movements. Similarly, today we are faced with opposing laws that make it harder for “equal opportunism” for immigrants in America, but these dreamers still stand tall in protests for their fight against unequal opportunities.
Introduction American History X is typical of the social drama genre of cinema, a filmic genre that moves and inspires people to change policy, practice and individual behavior. It is "a dramatic, sensitive but authentic treatment of social issues which powerfully connects the audience to the real emotions and real people that lie behind our assumptions, stereotypes and prejudices." (Welcome To Social Film Drama) The film is mainly concerned with the history of racism in America. American History X focuses on the evolving racial and socio-cultural attitudes of two brothers, Derek and Danny, who belong to a middle-class American family.
The movie Spotlight, recounts the true events that occurred in Boston and were brought to light back in 2002. The movie talks about the massive cover-up scheme by the catholic church to conceals the fact that several priests were abusing and had abused hundreds of kids without any action from the Archdiocese. In this paper I will summarize the movie, discuss the type of victims shown in the movie, asses the risk level of the victims, and lastly relate the different theories of victimization and how each relates to the movie. The movie follows a group of journalists working at the Boston Globe, who are known as the spotlight team.
Wall Street “Greed, for lack of a better word, is good. Greed is right, greed works, greed clarifies—cuts through and captures the essence of the evolutionary spirit. Greed, in all its forms—greed for life, for money, for love, knowledge—has marked the upward surge of mankind” (O. Stone). In 1987 the by Oliver Stone directed movie Wall Street was released, starring Michael Douglas and Charlie Sheen.
Paper Towns is not your typical romance chick flick. It is humorous, coming of age film, that explores some of the things that teenagers and young adults face, such as finding your purpose and our relationship with friends and romantic interest. The start of the film is not unlike most films of the same genre, where boy meets girl and falls in puppy love at first sight, in this case Nat Wolff as Quentin, and Cara Delevinge as Margo. The movie centers around the sudden disappearance of Margo,Q's next door neighbor and a friend that drifted apart from him, while leaving clues as which to pinpoint her location. Throughout the search, Q's view of Margo changes as he encounters the different people who knew Margo and their different visions and
HBO’s ‘The Wire” is a gritty criminal drama that follows both the Baltimore police department and inner city drug scene. The show was created by former police reporter (and certified genius) David Simon and is preserved as one of the greatest televisions shows ever. Mr. Simon quotes “Our model when we started doing The Wire wasn’t other television shows. The standard we were looking at was Balzac’s Paris or Dickens’s London, or Tolstoy’s Moscow.” The series revolutionized television; introducing techniques used religiously in modern dramas