For this final project, I listened to Emily Tigges and Greg Dobihal’s presentations on their family’s history and musical roots. Greg’s family has Czechoslovakia (father’s side), German (mom’s side), and Dutch (mom’s side) roots. Located in eastern Europe, Czechoslovakia, now the Czech Republic and Slovakia, has very distinct genres of music. The most popular, the polka, is a form of Czech folk and dance music that utilizes a wide range of instruments, including accordions, trumpets, clarinets, tuba, and others. He also noted the important and popularity of Czechoslovakian classical music, citing Dvorak’s “New World Symphony” as an example.
Part two portrays the initiation of Germany's invasion in other countries. Specifically in the book, the invasion was in Moscow and Leningrad, Russia, from Hitler's belief in the assassination of “weaker races” to gain prominent power in Europe. During this time in WWII, Shostakovich denies any failure in his city and country, in doing so, he wrote the Leningrad symphony to represent his fellow citizens and passion for hope for their country while enduring through this fight in WWII. Part three demonstrates the end of the war and Russias victory agianst the Nazi’s as well as the death of the old dictator in Leningrad. This gave freedom to musical culture in Leningrad.
I find David Caute’s text reminiscent of the one written by Hermano Vianna because they both explain how music, and culture in general, helps shaping a country’s identity; on one side by creating their own cultural object and on the other by regulating something that does not fit their ideology. The Soviet regime was wary of jazz music. Not only because it originated from the United States, but also because improvisation is one of the essential elements of jazz. Jazz was a symbol of artistic freedom and individual expression, and it was difficult to control. The regime’s central message was that Western culture was decadent.
Sergei Rachmaninoff and Maurice Ravel were two major composers who achieved artistic success before World War I. However, their perspective toward the war were completely different. As a result, they had a very different life under the war. Rachmaninoff was very worried about the increasing tension both between European countries, and communist and Russian government, especially after Russia’s failure in the war against Japan.
Discuss the innovations in the music of Stravinsky’s ‘Russian Period’ with specific reference to The Rite of Spring and at least one other work. Igor Stravinsky, born in Russia 1882, is widely know as one of the most influential composer of the 20th century. Most notably, his composition The Rite of Spring is considered to be where his innovations in music come into perspective. I will discuss these innovations in detail using The Rite of Spring(The Rite) as a main reference and comparing it to some of his other works. Stravinsky’s compositions can be divided into three periods during his life; Russian Period, Neo-classicism and Post-war/Serialism.
Copland on Americanism Music of the twentieth century received a great amount of attention, acting as a voice that would reflect the wants and needs of a changing nation. Where words failed, music spoke, and as a powerful voice for socioeconomic and political spheres, composers drew attention to prevalent nationalistic styles coming out of their homeland. One of the most notable American composers of the early twentieth century was Aaron Copland. As a contender for “America’s Greatest Composer”, Copland strived to integrate various images of America into his music that would be understood in the minds of audiences around the globe. Copland was born in 1900 to a mother and father of Lithuanian decent, the mother of which grew up in the
A comparison of the Beijing Opera and the Italian Opera reveals a significant contrast in almost all fundamental areas of music between the two examples. Because of cultural influences, the two performances share little commonalities, as the timbre, medium, elements of pitch, rhythm, dynamics, form and phonic structure are definitely not similar. For instance, the musical and physical performance dynamics of the Beijing opera music are forceful, the timbre is loud, tinny and harsh, the rhythm is lively and vigorous, while the Italian Opera music has a gentle dynamic, steady and rolling rhythm and an emotionally deep timbre. One commonality that is noted for both examples, is the powerful delivery of the entertainment.
Imagine being so scared it is no longer possible to function in society. Imagine giving up everything in order to keep from hurting loved ones. Imagine pushing belongings around in a shopping cart because trying to treat an incurable disease is worse than living alone on the streets. In Steve Lopez’s The Soloist, an unlikely friendship sparks between a homeless schizophrenic and a journalist for the LA Times. The former Juilliard student, and the subject of Lopez’s articles, Nathaniel Anthony Ayers, Jr., uses music as his escape from the mental anguish and confusion in his daily life on the streets.
3 and Four Pieces for Piano, Op. 4 to demonstrate the development of his innovative style, and compare them with Sarcasms in aspects of harmony, rhythm, piano devices, and texture to show the innovations Prokofiev applied in the
MASTER THESIS PROPOSAL TCHAIKOVSKY VIOLIN CONCERTO BY BETE-U LOSOU PYEONGTAEK UNIVERSITY Submitted to the Faculty of the University of Pyeongtaek in partial fulfilment of the requirements for degree of Master of Arts. PYEONGTAEK, SEOUL JUNE 27,2017 TABLE OF CONTENTS LIST OF EXAMPLES CHAPTER 1. INTRODUCTION 2. DEVELOPMENT AND MAIN CHARACTERISTICS OF THE ROMANTIC MUSIC 3. VIOLIN PERFORMANCE IN ROMANTIC ERA 3.1 Techniques used during the Romantic Period 3.2 Music Forms of the Romantic Period 4.
State: The Romantic Ballet came to be when the ideas of “Romanticism in art and literature influenced the creations of ballets.” The ballet was introduced in the nineteenth in Paris and become extremely popular in the Romantic era. Elaborate: The ballet was originally performed in the courts until the 1800s when they moved to the theaters.
(2) 2nd period where Beethoven began to lose his hearing, his music changed as he expanded the traditional style forms and let it sounded emotionally more powerful and full of boldness. (3) He strived to search for new sounding and he restudied Bach’s work in hoping to absorb the polyphonic color infused in his later works. The Violin Sonata No. 6 was published in 1803 and dedicated to Czar Alexander I of Russia.
Zhang Zhou Yaodong Professor Greg Peterson Classical styles and romantic spirits 2 November 2016 Richard Strauss Violin Sonata Richard Strauss (1864-1949), was a leading German composer and conductor. His orchestral compositions and operas have made him one of the best known composers of the late Romantic and early modern eras. While Strauss did not pay much attention to his chamber music in his later life, in earlier years he tried to compose several different types of chamber works such as a string quartet, two piano trios, a piano quartet and several instrumental sonatas. Now I will introduce his last work of chamber music, the violin sonata. At the age of 23, Strauss composed
Crisis: good vs. bad The statistic of crises that occurred after the WWII is tremendous: 139 financial crisis occurred in the period between 1973 and 1997, while just 38 crisis occurred in the period between 1945 and 1971. According to (Dicken, 2011), 255 recessions disrupted 17 western economies in the period from 1870 to 2006, while two-thirds of them lasted less than one year, and 33 of them endured over two years. After the “golden age” and economic growth period from the early 1950s to the early 1970s, the world economy´s patter was uneven with lots of growth (1950s to 1960s, 1994-1995, and 2000s) and recessions (1990s, 1998-1999) (Mitra, 2012). Moreover, the collapse of the banking system in 2008 has been the biggest global economic crisis
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.
