The Things They Carried A compress, a two-pound poncho, grenade launchers, morphine, marijuana, chewing gum, pocket knives, a Bible, diaries, personal letters, photographs M&Ms.... When these items come to mind, it’s difficult to imagine that they individually contain anything of significant importance. But when they’re put in the hands of an army unit involved in the Vietnam War, these tangible objects create a major interconnection. Through the agonizing journey in combat, the soldiers carried these tangible items all throughout the short story, “The Things They Carried.”
Twelfth Night and She’s the Man have very similar plots with very little differences. In Twelfth Night Orsino, the Duke of Illyria is in love with Olivia, just like Duke is in love with Olivia in She’s the Man. Olivia falls in love with Viola which is disguised as Cesario in the play and in the movie Olivia falls in love with Viola which is disguised as her brother Sebastian. In both the movie and the play Viola is in love with Duke who thinks that Viola is man, in the play Cesario and in the movie Sebastian. Also we can see how Duke quickly becomes close to Voila, disguised as man, in both productions.
In both Duke Orsino has been in love with Olivia. Eventually Olivia falls in love with Viola. Also, in both, Viola falls in love with Duke. Another way the plots are alike is Viola disguises herself as a guy and ends up being Duke’s roommate and in the 12th night becomes part of Orsino’s court. Also, duke asks viola to get Olivia to fall in love with
Viola liking duke Orsino but duke Orsino liked liked Olivia and Olivia liked Sebastian. Nobody seemed to like the right person until the
Furthermore, in the movie, Viola was talking to her brother Sebastian about his band and her soccer and he said, “You know the percentage of bands that make it to the big time, probably the same as female soccer players” (Fickman, Andy, 2006). Instead of lifting his sister up after learning about her soccer team being cut, he negatively talked about females and their success in sports. This is degrading because he is shutting down Viola and her dreams. To continue, in the play The Twelfth Night, Duke Orsino speaks to Viola, who he believes to be Cesario, and says, “There is no woman’s
The lines 271-279 of Act 1, Scene 5 are spoken by Viola disguised as 'Cesario ' to the Countess Olivia after being sent by Orsino to "woo" Olivia on his behalf. The dialog is exceedingly significant to the overall plot as it establishes Olivia 's love for 'Cesario ' and an inkling to Cesario 's loyalty and love for Orsino. Viola 's description of what she would do if she loved Olivia as Orsino does attracts Olivia attention and affection. Viola 's lines to Olivia of making "a willow cabin" (1.5.271) at the gate and writing songs of "contemned love" (1.5.273) to sing them "in the dead of night" (1.5.274) conveys an agonizingly desperate love that should be pitied.
While Sebastian is traversing Illyria, he runs into Olivia who assumes he is the disguised Viola and kisses him and continues to wed him. This play is full of homosexual references and actions that include Viola disguising herself as a boy and falling in love with Orsino while she is still a man. Countess Olivia falls in love with the disguised Viola because of ‘his’ few feminine features, and, it is a girl falling in love with a girl. Viola stated to
The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess.
For a woman to show interests in current affairs, express opinions, write literature was unladylike. Viola, fending for herself, in distant land, disguises herself as a boy named Cesario. Cross-dressing, in Elizabethan society, was seen as highly immoral. Viola 's male disguise “allows her to escape the confinement of a single perspective and a single voice by momentarily unfixing sexual stereotypes (184)”(Melchoir). Furthermore, Viola’s situation in Twelfth Night is not typical of an Elizabethan woman because she proves herself to be capable and intelligent.
The three main characters all love others whom they cannot be with. The complex love triangle within the play includes, a Duke named Orsino, who is in love with a countess named Olivia, who is in love with Viola, who is crossdressing as Cesario, a male eunuch. Olivia falls for Viola’s disguise as Cesario, and Viola falls for Orsino. Shakespeare asserts the contradicting influences that love has on people, through the actions of these various characters who are in pain or feel happy. Occasionally love can cause deep pain and suffering.
Before this quote, Olivia married Sebastian, thinking he was ‘Cesario’ due to their similar appearance. When it is revealed that the two twins were in Illyria, they realized that they were both alive even though they both thought the other died in a shipwreck. So, in the quote, Sebastian explained the misunderstanding and it was revealed that ‘Cesario’ was actually Viola. The realization of the twins further complicated the situation and the ‘knot’ of lovers. Viola 's disguise impacted the story in very important ways, entangling the knot of suffering lovers by causing Olivia to fall in love with her, hiding her own love for Orsino, and causing many misunderstandings with Sebastian.
With regard to the play's plot, Bianca functions to call Cassio's credibility into question. Though Cassio is relatively respectful to Bianca, he doesn't take her seriously. Cassio laughs about how much the woman loves him, how desperate she is, and how easily beguiled she has been by his false intentions of marriage. Iago has also referred to her as a prostitute, "A house wife that by selling her desires, Buys herself bread and clothes"(IV.i.97). Shakespeare further elaborates their dismissive speech over Bianca to arouse Othello’s suspicion into conviction that Desdemona is having a love affair.
It is even possible that her vow to retreat from society fueled her lack of interest in the duke who pursues her called Orsino. Olivia and Viola both have lost a brother, although Viola fortunately eventually finds her brother. Still, due to the fact both characters believe their brothers to be dead for the majority of the play, their attitudes are affected by this. Olivia in particular attempts to keep a good opinion of
As he states that all lovers are, “Unstaid and skittish in all motions else / Save in the constant image of the creature / That is beloved.” (2.4, 20-22). This demonstrates Orsino’s misunderstanding of the concept of love, as it seems that true love means fickle and erratic according to his definition. Furthermore, in disguise as Cesario, Viola also unintentionally exposes the passionate nature beneath the courtly manner and mourning veil of the “virtuous maid” (1.2, 32), as she causes Olivia to fall in desperate love with Cesario.
Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.
