Some ways that the recording sessions that produced "That's All Right" represented Memphis and urbanization in the South at this time are that both Memphis and Sun Studios provided many opportunities to people of color. By normalizing people of color to rise, which helped Sun Studios to achieve their desired level of uniqueness. At the time, "That's All Right" represented several significant aspects of the city and more prominent aspects of urbanization in South America. Sun Studios provided artists with the opportunity to experiment with sounds to find something unique for them. So, this reflects the musical fusion, cross-cultural interactions, and urban migrations that characterized Memphis and urbanization in the South. One of the videos talks a lot about how Phillips was so sure of Elvis as an artist that he …show more content…
Moreover, defying the racial segregation prevalent in the music industry leaves a huge mark on American society. Peter Guralnick believed that Sam Phillips's vision was exactly that; his vision encompassed the idea that music had the power to overcome various prejudices, including race, class, and genre distinctions. Sam Phillips's decisions as a producer have had many positive impacts on American race politics, such as the integration of music by actively promoting and recording African-American artists alongside white artists at Sun Records. He challenged the segregated norms by giving them a platform and recording opportunities when many others wouldn't. He also crossed many musical boundaries by combining African American blues, gospel music, white country, and rockabilly; this crossover fostered greater audience understanding and appreciation. Integration in the recording studio was a big thing because, despite the segregationist attitudes prevalent in the South during the 1950s, Phillips operated Sun Studios as an integrated space where musicians of all races could collaborate