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Sayeed's Feminist Ideas

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According to Bowell’s feminist standpoint theory, “the process of achieving knowledge begins when standpoints begin to emerge” (Bowell sec 5). In Sayeed’s piece, the appearance is apparent as she seems relegated by her culture, parents’ wishes, religion, sexuality, and role, while she is caught between western culture, religion, feminism and her opinions of what she is trying to mesh together from a place in her own concealed prospective. She deliberates her social circumstances with regard to “socio-political power and oppression” (Bowell sec 5) of a power-struggle of a potential arranged marriage and remaining within her parents expectations. Therefore, Sayeed contemplates finding a balance and to find her own opinion, a collective identity
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The experience of transitioning from one world to another can be prevented due to obstacles that can possibly be challenging which may result in the growth of an individual. One may encounter barriers that can prevent successful transition, thus having an effect on their perception and the perception of others. The remarkable play ‘Shafana & Aunt Sarrinah: Soft revolution’ -2010 by Alana Valentine portrays the experience of venturing into a new religious world as both protagonists exhibit their juxtaposing perspectives on devotion towards religion as the cultural significance of the hijab becomes a barrier between generations. This provides the audience with an insight into Muslim women’s world, exploring their own identities in regards to

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In relation to the previous discussion on Margaret Sanger, this chapter will explore the theories of Sanger who wrote in the period of first wave feminism in relation to Betty Friedan; a second wave feminist and women’s activist who, like Sanger chooses to focus on the constraints of female biology despite the difference in time. This direct comparison allows a critical analysis between the parallels and differences of the first two waves of feminism on the grounds of bodily autonomy; investigating further whether these two waves are connected on these grounds and how significant they are in the different time frames. Friedan positioned herself within society as one of the most influential figures to contribute to the development of feminism

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Within societies, culture plays a huge role in shaping who a person becomes. What values they consent to and what would make them content and satisfied with life, otherwise said, happy. In a patriarchal racist community woman as a double minority suffer twice the burden of proving herself, defining her values, and finding what defines her. Some of these women choose to obey and submit and live life as given to them. Just a few stand up for themselves, speak up, fight toward their freedom and independence against all cultural norms and social constructions including race and patriarchy.

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In Jean Hampton’s article entitled, “Feminist Contractarianism,” she proposes a test called the “contractarian test.” The purpose of this is to determine if a relationship is just. It is used to detect if a person in the relationship is being exploited by the partner/family. Hampton believes that in order for a relationship to be equitable. there cannot be exploitation of any kind.

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Leslie Marmon Silko’s novel, Ceremony, depicts women and their struggle with power and control as the oppressed group in various ways through sexual encounters and their relationships to men. However, the character of Ts’eh specifically personifies the opposite: she maintains power and control throughout her relationship with Tayo. In a novel about the power dynamic between the oppressed and the oppressors, perhaps it is no coincidence that Ts’eh does not struggle with power, because perhaps she is simply a female figment of Tayo’s imagination used to help him understand societal issues. Tayo’s incessant and unrelenting feelings towards Ts’eh, which result in maintained connection with her, demonstrate the idea that Ts’eh is merely a figment

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In the progressive modern world, the ancient mindset of men’s superiority exists in many societies. Women who are opposed to such ideology are, in some cases, perceived as rebellious when words such as feminism has come to acknowledgement for over a century. Through the struggles that the characters of A Thousand Splendid Suns faced in the patriarchal Afghani culture, Khaled Hosseini delivers his feminist ideas. For her whole life, Nana endured the troubles given by men, and she is one of the “fallen female warrior” of the novel because she fought against the oppression and lost, due to the unfortunate circumstances of her life. Mariam also suffered the torments imposed on her by the men in her life, sharing a similar fate as her mother, Nana, in a way.

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The first wave feminists may have been classified as ‘Wowsers’ by some, due to people’s perceptions in the way they used the ideas of society, and behaviour of men, during the late 19th to early 20th century to oppose their exclusion from social and political life, and to improve society’s views of women and women’s rights. This essay will argue that the first wave feminists were not ‘Wowsers’, and that the women’s movement needed to act against the behaviour of men and society’s ideologies to improve women’s rights. This will be demonstrated by examining the social construction of gender role expectations and masculinity. While also focusing on societies views of sexuality and sexual morality and the impact this had on women and young girls

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The women 's movement faces the dilemma of the ceiling glass, and it is inevitable as Casey Hayden and Mary King explain in Sex and Caste: A Kind of Memo published in 1965. The ceiling glass theory, essentially is that a group has set goals but will not be able to able to achieve their goals because of people, values, and or the state imposing or destabilizing the group. As for the women 's movement, change is possible but we don’t see the glass because there is no legitimate way to explain why society treats women a certain way. Both authors agree that when came to the topic of women oppression, amongst conversion between other women were recurrent issues and similar themes in terms of their personal life. And even beyond this women 's

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(166) These ideas also help explain how Sonia’s students eventually came to understand and support her point of view because, “conventionally inexplicable emotions, particularly though not exclusively those experienced by women, may lead us to make subversive observations that challenge dominant conceptions of the status quo.” (167) These emotions led her to make observations and state facts that challenged the dominant ideology within her room of students, affecting their status

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In “Longing to Belong”, Saira Shah gives you a look into the life of a 17 year old girl longing to understand her parents heritage and trying to fit into a culture that is so much different from what she knows. Having a father who originates from Afghanistan and a mother who originates from India. Saira wants to learn the culture of her father’s afghan routes. The author feels the only way in to learning is by being betrothed into an arranged marriage. The author states that her uncle in seeing “two unmarried” daughters in the company of a chaperone visiting his home, concludes that they were sent to be married.

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Lorraine Hansberry’s A Raisin in the Sun presents the rise of feminism in America in the 1960s. Beneatha Younger, Lena Younger (Mama) and Ruth Younger are the three primary characters displaying evidences of feminism in the play. Moreover, Hansberry creates male characters who demonstrate oppressive attitudes towards women yet enhance the feministic ideology in the play. A Raisin in the Sun is feminist because, with the feminist notions displayed in the play, women can fulfil their individual dreams that are not in sync with traditional conventions of that time.

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In the introduction and the first chapter of Introducing Feminist Theology, Anne Clifford explains multiple concepts regarding feminism, society and Christian theology. Throughout the chapter, Clifford discusses the coming about of feminism and how feminism lead to feminist liberation theology. Firstly, Clifford asserts that a patriarchal world is a white man’s world, oppressing women and people of color. Therefore, feminism came (in three waves) to liberate women from sexism and oppression. According to the author, patriarchy, with its dominance, creates a barrier between interdependence and equality.

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This highlights the importance of how these acts of cruelty Mariam and Laila faced; ‘fear of the goat, released in the tiger’s cage’ is what ultimately defines their inner feminist strength, ‘over the years/learned to harden’ which shows that Mariam and Laila’s past indirectly prepares them for The Taliban’s arrival. The Taliban take away the basic rights of Mariam and Laila ‘jewellery is forbidden’, but they fail to do so. Ironically, it is the society itself that gives them the strength and platform to strike back against Rasheed, who is a cruel, male-dominating character who symbolised and reinforced everything the term ‘anti-feminist’ stands

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A. PREAMBLE The terrorist attack on September 11, 2001 has sparked intense curiosity and interest in the world especially the West to learn and investigate the religion of Islam. The Muslim people are portrayed as violent and barbaric, and Islam as oppressive and antithesis to human rights values. Thus, escalation of public opinion about Islam has encouraged debates and forums, and also stirred demonstrations and movements which have compelled the Muslims to speak out their minds and interpret and recast their texts viz. Quran and Sunnah of prophet Mohammad and even question and challenge the prevailing culture and practices, and domineering structures.

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