British cineaste Edgar Wright has one of those creative minds that you always expect a lot from. He traditionally delivers bold and nimble stories whose course of events suit tastes of both young and old generations. His filmography might not be so extensive, but includes a trio of mandatory flicks, in which he masterfully blended action and comedy genres, gaining deserved praise and a legion of followers around the world. They are “Shaun of the Dead” and “Hot Fuzz”, two masterpieces, and also the extremely entertaining “The World’s End”. Only “Scott Pilgrim vs. the World” didn't work for me, feeling like the weakest link.
His new film, an American crime adventure entitled “Baby Driver”, seemed to be the right spin his career needed. Yet, the enthusiasts of his previous movies won’t find that outstanding, sparkling humor but rather considerable amounts of tense activity packed with adrenaline.
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Music is an indispensable factor in his life since it eases his tinnitus symptom, making him even bolder behind the wheel.
Traumatized by the accident that victimized their parents, Baby has been working as a driver for a crime boss, Doc (Kevin Spacey), who uses him for violent heists. At first, his collaboration served to pay for having stolen one of Doc’s cars, but when one last job is not proposed but required, it becomes a totally different