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Self-Acceptance Of Fate Revealed In Shakespeare's Hamlet

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In William Shakespeare’s Hamlet, Hamlet endures a parade of losses and wittingly seeks to remedy his sorrow as his relationships deteriorate. Significantly, Shakespeare displays Hamlet’s two major arcs by juxtaposing his mindset during each of them; as a result, Shakespeare can elucidate Hamlet’s transition from muddled indecision to firm resolve near the conclusion of the play. In accordance with this change, Hamlet begins to address his situation by cursing his situation and others before he transitions into achieving a strong sense of self-acceptance as well as acceptance of his fate.
When Hamlet first addresses his grief he reveals his intelligence, but also his strong emotions and morals that come with the death of his father. Accordingly, after Claudius and his mother …show more content…

In this way, Hamlet displays his affinity for acting as he has already resolved “to put an antic disposition on”(668,172), as he puts on a mad facade to determine the guilt of Claudius. As he concludes, Hamlet’s mindset progresses in the direction of revenge as he concludes that “the play’s the thing/ Wherein I’ll catch the conscience of the king”(682,671-674). Here, Hamlet, who initially declares himself a “whore” who “unpack[s] his heart with words”(682,652), displays a great deal of growth from his initial thoughts to his final determination. In this example, Shakespeare displays Hamlet’s ability to exact revenge for the first time, a stark contrast to his previous thoughts. Despite Hamlet’s success with the play, Hamlet’s self-confidence fades and Hamlet once again reveals the vulnerable side of his character. Hamlet contemplates death as he thinks about “The heart-ache and the thousand natural shocks/ That flesh is heir to”(683,620. Here, Hamlet displays a regression from his previous resolve to carry out his comprehensive plan to murder Claudius. After Hamlet develops the strength to ignore his instincts and commit

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Death seems to be the biggest mystery in Shakespeare’s Hamlet. From the start of the play with the Ghost of Hamlets father appearing to avenge his death, to Hamlet’s most popular “To be or Not to be” soliloquy, and to the plays bloody conclusion; the uncertainty of death seems to always be on our protagonist mind. Death has become a recurring theme throughout this whole play. His thoughts of death range from death in a spiritual matter, the truth and uncertainty in what death may bring, and the question of his own death.

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His constant “thoughts of death or suicide”(Gwinnell 4), his “grandiose ideas”(Gwinnell 7), and his “inappropriate social behavior” (Gwinnell 7) allow the reader to diagnose Hamlet as depressed. The reoccurring theme of suicide is evident. Hamlet struggles with the question: “is it

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Throughout the play, Hamlet is forced to make difficult decisions; as he is conflicted with almost every decision he makes, his uncertainty and unsophisticated thoughts will eventually lead to his downfall. Man vs. Self is a common theme in Shakespeare’s work, and Hamlet is no exception. The most distinct example of this sophisticated concept is Hamlet himself. When analyzed thoroughly, Hamlet is his greatest obstacle and enemy. The earliest of his internal conflicts is when his mother married his uncle, Claudius, in such a short window of time after his father’s death.

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At this point in the play, Hamlet discovers that Claudius is only putting on a show and is "a villain" who is only "smiling" to disguise his murderous actions with happiness. This foreshadows the rest of the play when Hamlet makes the sudden decision, fueled by his despair, to perform the same act as Claudius. He takes Claudius's deception and twists it into his own, where Hamlet pretends to go into a manic state of despair to distract the court from the revenge plan that Hamlet is planning to both expose and dispose of Claudius. Hamlet's lines through these passages show the despair he feels by discovering the true nature of his father's death and

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In Shakespeare’s Hamlet, Hamlet struggles to cope with his late father’s death and his mother’s quick marriage. In Act 1, Scene 2, King Claudius, Queen Gertrude, and Hamlet are all introduced. Hamlet has just finished publicly speaking with his mom and the new king, and after he is interrupted by his good friend Horatio, who reveal the secret about King Hamlet’s ghost. Hamlet’s soliloquy is particularly crucial because it serves as his initial characterization, revealing the causes of his anguish. Hamlet’s grief is apparent to the audience, as he begins lamenting about the uselessness of life.

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The main character of William Shakespeare’s tragedy is actually a confused person that’s stuck between two choices. Some may argue that he feels guilty for his father’s death and so it’s his duty to avenge it. While others may disagree and conclude that he is just a maniac who is both violent and dangerous. Hamlet passes through the lane of hesitancy, where he hesitates to kill King Claudius. As a matter of fact, the main conflict of Hamlet is that he feels both the need to solve the crime and punish the responsible.

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In contrast to his grieving depression and vengefulness, the confidence resulting from making a plan restores his self control so that he can to enact his plan. As planners know, nothing builds confidence like a self-authored plan falling into place. Hamlet’s planning returns his rational thought and enables him to devise a plausible scheme using the resources available to him at that given time. The presence of a traveling company of players inspires him to stage a scene that might startle a confession out of Claudius. He convinces the players to “study/ a speech of some dozen or sixteen lines which I would set/ down and insert in’t” by implying that he is uncertain of their ability to do so after establishing himself as their friends and a drama enthusiast (II.ii.540-542).

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As Eliot describes, “the ‘madness’ of Hamlet lay to Shakespeare’s hand; in the earlier play a simple ruse, and to the end, we may presume, understood as a ruse by the audience…” (Eliot 93). Although the play made it seem as though the purpose was to tell a tale of revenge, Eliot says that, “For Shakespeare, it is less than madness and more than feigned.” (Eliot 93) He furthers his argument by explaining that the characterization of Hamlet, from his nostalgic tones, to his philosophical deepness, does not imply that he he’s trying to scheme a revenge plan, but instead aims to express only his emotions. Throughout the play, it is noticeable that Hamlet has an intricate persona.

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The bases of “Hamlet” is set upon the soul fact to catch the true conscience of the king, who is believed to be a murderer. In order to find this out Hamlet sets a play that resembles the occurrences of the murder he believes to have happened, then as expected Claudius reacts abruptly as if he has suddenly become upset by the play. As Hamlet expected the building of tension within Claudius became too much to bear and he reacts impulsively even saying “Give me some light. Away!” (Shakespeare 162).

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William Shakespeare’s titular character in the play The Tragedy of Hamlet, Prince of Denmark is a young prince who is overwrought with grief after his father’s death. The king’s sudden death has a negative impact on Hamlet’s state of mind and psyche. Through Hamlet’s thoughts and soliloquies, the audience can see the main character’s obsession with spirituality, death, and mortality. Hamlet’s fixation on life after death causes his descent into madness. Because of this, spirituality, death, and mortality are the most important themes in Hamlet.

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The will of my most seeming-virtuous queen” (I.V. 45-46). He used sexual behaviors to seduce the queen for the sake of the pleasure of the crown and a wife, actions driven by his id. Looking at Claudius’s id allows one to understand why he was able to commit such terrible sins, as the instinctual, unconscious desire for immediate pleasure gave him the reason to ignore societal values and

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Furthermore, King Claudius’s ambitions are then revealed by himself during his soliloquy to confess his guilt to God. He comments that he is still “possess[ing] of those effects for which [he] did the murder: [his] crown, [his] own ambition, and [his] queen” and wonders, “May one be pardoned and retain th’ offense”

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Hamlet’s hesitant nature is well presented in the play. For one, Hamlet cannot bring forth the strength to end his own life; his indecision of whether or not to commit suicide plagues him for more than half the play.

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This shows why the problems he faced with suicidal thoughts, his father’s ghost, and his vengeance to Claudius are the main ways to show why he was

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After the sighting of the ghost, Shakespeare introduces a grieving Hamlet, and the happy couple, Claudius and Gertrude. Claudius gives a rousing speech to the court which creates a supporting group for his rule, yet he still can not get Hamlet to fall in line with the rest of the crowd. Old Hamlet’s murder still preoccupies Hamlet’s mind, so Claudius decides to take a drastic measure to win Hamlet to his side. Claudius states to the entire court and Hamlet that, “[He is] the most immediate to our throne, and with no less nobility of love than that which dearest father bears his son do I impart to [him]” (Hamlet 1.2 113-116). By naming Hamlet as his heir, Claudius sets up the ending of the play perfectly.

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