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Sexism And Misogyny Analysis

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The Sexism and Misogyny: Who Takes the Rap?, Bell Hooks made a good argument about the problem of the “gangsta rap” music being produce in the market. Even though the black men are the one who writes this kind of music, it is important to remember that they are not the only one responsible for this misogynistic rap among black women. Hooks is emphasizing the participation of powerful white people who helped to produce and supports this kind music. She also talks about that black men are being encourage to make lyrics that endorse sexism, violence and misogyny because they can make a lot of money through this type of music. Also in regards with Combahee River Collective Statement, it also discusses how black women fight together with black men
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As anything connected with femininity becomes devalued, men who appear to relinquish their superior position in the gender order are also subject to ridicule” (2009). The homophobia found in gangsta rap also finds correlation in other spaces, including black institutions and the mainstream middle class, though N.W.A. and other hip hop acts are often the main targets in mainstream culture ("Gangsta Rap and American Culture,” p. 416, 2004). Because N.W.A. were main targets, their criticisms from the LGBT community would seem like a main conflict in Straight Outta Compton. But like the criticism faced by women on their misogynist lyrics, the issue again goes

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Rhetorical Précis In her rhetorical essay “From Fly-Girls to Bitches and Hos” (1999), Wesleyan University graduate and feminist Joan Morgan claims that if a man cannot love himself, than he is incapable of loving women in a healthy matter, and it is up to women of color and the African American community to change these threads. Morgan supports her claim using ethos by questioning artists such as B.I.G and their aggressive lyrics, with logos by providing statistics from the U.S Census Bureau in regards to the decrease of the number of black two parent household, and also with pathos by providing a personal example of her family friend. Morgan is hoping to improve the music industry by examining hip hop and rap lyrics in order to raise awareness instead of censoring the industry. Morgan's tone is disdainful, concerned and disappointed in order to establish credibility with her audience, which consist of women of color, feminist, and hip hop artist.

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Misogynistic ideas have been a huge problem in U.S history and other parts of the world. Misogyny can be defined as “A hatred of women” according to the Merriam Webster Dictionary. Not only does misogyny exist today, but it’s motivating sexism as well. Why do these ideas continue to exist and who or what is fueling these ideas? A documentary called Generation Me: Misogyny in Media and Culture explains how misogynistic ideas and sexism is represented in our media and culture.

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Whether we are watching the news or reading the newspaper, we hear stories of how women are brutally abused by their husbands, someone who had promised to love her in sickness or in health. Many times we hear that these women end up dead, because the abuse was so brutal that they couldn’t take it anymore. These stories though, are most commonly heard of in the black community, also known as the ghetto. In the article “From Fly Girls to Bitches and Hoes” Joan Morgan connects the abuse of black women in their community to the lyrics of Rap and Hip Hop artists, and how they are influencing the black male. In the title alone, Morgan raises the question of how we went from asking a girl “Suga how you get so fly?”

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Summary In her article From Fly-Girls to Bitches and Hoes, Joan Morgan analyzes black rapper rap music. In her criticism, she criticizes black rappers for not recognizing their views, which are reflected in their lyrics. According to Morgan's article, hip hop rap music not only expresses attitudes, but also the factors contributing to them.

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Both the writers of “The Combahee River Collective Statement” and Patricia Hill Collins reject examining black masculinity, femininity, and sexuality through a biological perspective. A Black, lesbian, feminist group, the Combahee River Collective considered themselves in “solidarity with progressive Black men.” However, this was in contrast to white women who demanded that groups such as the Combahee River Collective practice separatist activism (“The Combahee River Collective Statement”). These groups practiced biological determinism and held that “biological maleness” is what causes men, and in the context of the Black community, black men to oppress black women (“The Combahee River Collective Statement”). The Combahee River Collective rejected ideas such as this one because they place the conflict between black masculinity and black femininity on the biology instead of the social factors.

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In rap music, rappers minimize women to “ass and tits” and “bitches and hos”. She goes on to say how black-on-black love is decreasing while black-on-black crimes are starting to increase. Rappers affect the meaning of true black love. The reason they call women names is because they don’t love themselves and are unable to love others. Rap also promotes drugs, murder, and gangs.

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Another crucial aspect within the Combahee River Collective Statement was the purpose of Black feminism. The Collective emphasized the need for Black feminists and their differences from the mainstream feminist movement. The Black women of the Combahee River Collective recognized that Black feminism is needed to “combat the manifold and simultaneous oppressions” that is experienced by all women of color. This is because Black feminism acknowledges how the intersectionality of racism and sexism oppresses not only Black women but all women of color. This is something that mainstream feminism fails to address.

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From the essay "Hip-Hop's Betrayal of Black Women," activist, writer, and librarian Jennifer McLune expresses her disgust on the positions African-American women receive in both songs and music videos from the hip-hop music genre. McLune points out that hip-hop is successful due to a lot of objectifying of women. She even lays out enough examples as to how black women are degraded and explains why the music industry is in desperate need of a change. In the article "Hip-Hop's Betrayal of Black Women," Jennifer McLune explains on how the misrepresentation African-American women get from the hip-hop genre is not only harmful towards women, but also towards the black community.

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In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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Vincent Adams Professor Ellie Hamrick Cultural Anthropology 20 October 2015 Sexism is a form of oppression that is very commonly used throughout the world. The unfortunate fact is that everything we hear is deemed normally and is widely accepted throughout the world. It can start as early as when we are in school and learn about the sperm and the egg and how the writer of a textbook can subtlety make comments that inaccurately tell you how the sperm and the egg come together to start the process of life. I believe that education in anthropology can help give everybody in the world the chance to fight systems of oppression, such as sexism, and help us come up with alternatives to get rid of these systems entirely.

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Sexism Kills the American Dream In the novella Of Mice and Men, the author John Steinbeck, creates the character of Curley’s Wife, a strongly objectified 1930’s farmers wife in California. He molds her character to show her seemingly ‘natural’, yet terrible, struggles. By demonstrating the crushing blows of sexism on Curley’s Wife, Steinbeck exemplifies how a woman of the rough times, and hardships of the Great Depression in the 1930’s stood no chance to obtain the American Dream.

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Gender roles are present everywhere and are more and more prevalent the further back you go. They define relationships and heavily influence people's actions. Gender roles can hurt those that are trapped in them because they are not allowed the freedom of living like they want. In The Crucible by Arthur Miller, one key relationship in the story is wrecked by gender roles.

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Hip hop is a major genre of music nowadays. It sparked during the 1970s and was developed mostly by the youth from Black and Latino communities in the Bronx. They shared common struggles such as urban blight, middle-class flight and deindustrialization and talked about these obstacles through music (Darity). Hip-hop is a mostly male dominated field and many songs are rooted in homophobia and misogyny which could be seen as promoting sexism and anti-queerness to its audience. In addition, there are a lot of female artists as well, but with the majority being Black male figures, many people refuse to acknowledge the underlying effects this has on Black women in the industry.

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From Sexism to Social Reformation Many actions and ideologies of the characters in The Taming of the Shrew create an overarching conflict between comedy and sexism for most readers. Specifically, the relationships between the men and women introduce controversial topics such as obedience and love which must be questioned thoroughly. The conditions of Petruchio and Katherine’s marriage was more “traditional” in the sense that it was primarily patriarchal, and that Kate was expected to be subservient and obedient. While this is sexist, on the surface, this was not the intended meaning behind the works.

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