In The Metamorphosis by Frank Kafka cruelty is what stemmed Gregor’s change into a large bug and subconsciously motivated him to end his life. Gregor’s new form was a depiction of how he already felt in his household, trapped, voiceless, and small. As Gregor’s metamorphosis developed so did the characters cruelty which affected both the perpetrators and the victims. The Samasa family’s cruelty was demonstrated both physically and mentally by Gregor’s father driving him back into his room, throwing apples at him and by Grete’s use of the word “it”.
In the story “The Metamorphosis” by Franz Kafka, Gregor, was a boy who was turned into some sort of bug in the beginning of the story. As the story went on, Gregor's family started to isolate him for everything that they did. Towards the ending of the story “The Metamorphosis” Gregor’s family started caring less about him, especially his sister who was trying to help him. In Franz Kafka’s story “The Metamorphosis” Gregor a hard working
Have you ever been through a metamorphosis? A metamorphosis is a change of the form or nature of a thing or a person into a completely different one. In the book The Metamorphosis, we learn that not only does Gregor undergo a metamorphosis, but his sister Grete does as well. Grete experiences the most significant transformation because she transforms from being meek, to caring, and then to being confident. “In the neighboring room on the right, the sister began to sob.”
The Repercussions of Cruelty Cruel actions lead to cruel endings. Gregor Samsa, the protagonist in Franz Kafka’s novella The Metamorphosis, is turned into a bug from the mental and emotional abuse by the hands of his own family. The cruelty in the Samsa household is apparent from the beginning of the storyline. Their neglect and lack of compassion for Gregor's condition immediately sets the dark and miserable mood of the novella. Gregor’s whole existence has been about caring for his family and making sacrifices for their well being.
Transforming and Romanticizing a Storyline The Metamorphosis, a novella written by Franz Kafka, attracted the attention of many of its readers due to the writing framework and shocking concepts. The story depicts a man named Gregor Samsa who has befallen the fate of a cockroach- literally. After being transformed into a large bug, Gregor goes through the struggles of misunderstanding, neglect, and loss of his family relationships.
Gregor Samsa’s transition from human to vermin was not the only shift that happened through the duration of Kafka’s The Metamorphosis. The novel is centered around Gregor who wakes up as a vermin, presumably a cockroach, which catalyses a series of emotionally traumatic experiences for him and his family, culminating in Gregor’s death. Yet the most significant change is, in fact, the gender role reversal seen both with Gregor and Grete, his sister, as Gregor becomes more effeminate and Grete becomes more emasculate, directly correlating with their societal and emotional transformation due to Gregor's physical change. From the moment, Gregor wakes up he has transformed. But not just as a vermin.
Neither Kafka nor Gregor followed the existentialist idea of freedom of choice in a person’s life. They both had a life they didn’t ask for and responsibilities they were forced to assume. This principle of lack of freedom is clearly shown by the unexpected transformation of Gregor, waking up as an insect and obtaining the freedom he lacked, emancipating himself of obligations, injustice and final duties. He is freed from the obligation to work to maintain his family and liberated himself from his tyrannical father. Although he turned into a horrible insect, the metamorphosis did not change the beauty of his soul.
In which Kafka, through rhetoric, diction, and symbolism, communicated the negative correlation between an economically driven society and its concern for humanity. Kafka also displays this type of society’s creation of economic pressure, its impact on individuals personally and on the family.
The short story, The Metamorphosis, written by Franz Kafka, shows a negative change that has taken place in the main characters life. When he is transformed into a vermin overnight, it is clear he is not excited or happy. Gregor says, “What’s happened to me, it wasn’t a dream?” It’s evident he doesn’t want to believe he’s been turned into a bug and wishes that it had only been a dream instead of reality.
Franz Kafka, heavily influenced by Ovid’s Metamorphoses, devises the character Gregor Samsa in order to portray a detailed experience of an individual’s metamorphosis. Kafka’s narration style differs greatly from Ovid’s, in that, the narration begins with a first person perspective and changes to a third person narration, which remains consistent to the end of the novel. Unlike the stories within the Metamorphoses, there is a clear contrast in the portrayal of Gregor’s transformation. Ovid and Kafka’s depiction of a metamorphosis incorporates the concept of identity in the individual’s transition, however Kafka emphasizes the family dynamic and the hostility Gregor feels. Gregor’s family’s inability to look past Gregor’s exterior appearance
Published in 1915, Kafka’s The Metamorphosis is a tale of a salesman named Gregor Samsa who one day wakes up to discover that he has quite literally transformed into an insect. Unable to support his family as an insect, he is only able to stay in his room and eat the rotting scraps of food that his sister brings him. Over time, Gregor’s transformation into a large bug begins to affect the lifestyle of his family, and they slowly become resentful of him. His family secretly wishes Gregor would leave, and knowing this, Gregor willfully dies in his room.
With such a title, one might expect that this story will express the metamorphosis of a caterpillar to a beautiful butterfly, but with Kafka’s troubled upbringing, abuse and feelings of being devalued for most of his life, it’s easy to see how Kafka felt the need to symbolically dehumanize himself. Kafka’s choice of human-to-insect transformation exudes self-loathing because there’s nothing lower than a cockroach. While Gregor is the one who took on the grotesque transformation, it’s actually his family’s behavior towards his change which conveys complete hostility. Grete, for one, had enough near the end when she said, “If it were Gregor, he would have realized long ago that it isn't possible for human beings to live with such a creature, and he would have gone away of his own free will” (Kafka). It’s very disheartening knowing that his own family couldn’t handle his transformation when his first thought in the morning was getting to work on time for their
In fact, Kafta mentions Gregor’s transformation in the first sentence of the story. “One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin”. Kafta does not specifically mention how or why Gregor transformed into a monster like figure, but implicitly indicates that Gregor’s absurd life is imminent. Moreover, the transformation of Gregor illustrates the absurdity of himself as a human being. The existence of Gregor as a monster-like creature brings extreme disruption to the household, in which Gregor’s parents begin to work due to the lack of income.
Our real misfortune comes from believing if for so long.’” (Page 47-48, Kafka). In many respects, Grete is similar to Liza, a
Franz Kafka’s novella The Metamorphosis is the tragic story of young travelling salesman Gregor Samsa who becomes alienated by his family after he transforms overnight into a giant insect. The Metamorphosis, while open to various interpretations, clearly depicts Kafka’s own views of the suffocating capitalist socio-economic structure and the struggles for power that occur within one. In The Metamorphosis, Kafka illustrates the incessant oppression that occurs as a result of a rigidly capitalist society. First, Kafka illustrates the expendability of workers in a capitalist society with the role of Gregor at his workplace and within his family. Gregor is a traveling salesman, utterly unimportant to the company to which he dedicates his life.
