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Sherlock And Morrison Research Paper

1367 Words6 Pages

“If I’m only second best, who is the best?” - Sherlock asked Doctor Mortimer in the The Hound of The Baskervilles; (page number)this question will be answered very soon. Another detective, by the name of Hercules Poirot, says “ ( insert quote that applies)” (page number).... These two detectives are two very similar, yet very different detectives. The stories and books of each detective were written in different time periods, writing styles, and beliefs. each author of the detectives had an idea, different of each others, that they portrayed through their books. Agatha Christie’s Hercules Poirot and Sir Arthur Conan Doyle's Sherlock Holmes utilize their personalities very differently due to their settings and time periods in the book, causing …show more content…

While Sherlock may rely on the help of Watson, he is still extraordinarily smart himself.While Sherlock may rely on the help of Watson, he is still extraordinarily smart himself. In The Hound of the Baskervilles, Watson contributes by collecting information about the neighbors of the Baskerville family, while Sherlock watches from nearby and compiles information of his own. Sherlock even gives his thanks to Watson for all the information and help he has given to him. Also, Watson helps build the plot by being the focused focused viewpoint in the story. If Watson was not in the story, Sherlock would have a much harder time solving mysteries. In fact, Sherlock can be at times, very dependent on Watson. Eliminating Watson is like eliminating O from …show more content…

Hercules Poirot is better in the case of sidekicks. Since he does not need one, like Sherlock, he has better deductive skills. What makes him even better is that all of his sidekicks are red herrings, making it even harder for him to solve his mysteries. For example when The doctor on the Orient Express gets Hercules to go into a cargo container and tries to kill Hercules when he is about to solve the mystery.Hercules Solved the of Murder in less than a day, despite the setbacks. Sherlock solved the mystery of the hound in four to seven days, and it had almost the same amount of complications as in the Murder on the Orient Express. Both times they have a murder and have to go far back into family trees to figure out the motive. However, Hercules figures out the mystery in a shorter amount of time, with a red herring sidekick and more skill than Sherlock. In this case, Hercules surpasses Sherlock with his skills and

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James Macgarett was an orphan. His parents had died in an accident when he was just 6. He had a sharp mind and like his father he wanted to excel as a detective. He was just 17 but had solved many cases but he was not so much famous like his Father’s friend, the renowned

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In Agatha Christie’s And Then There Were None there are at least two of the twenty rules from “Twenty Rules for Writing Detective Stories” by Van Dine used. These two rules being “The culprit must turn out to be a person who has played a more or less prominent part in the story — that is, a person with whom the reader is familiar and in whom he takes an interest” (Van Dine) and “No willful tricks or deceptions may be placed on the reader other than those played legitimately by the criminal on the detective himself” (Van Dine) In And Then There Were None by Agatha Christie One of the many rules from “Twenty Rules for Writing Detective Stories” by Van Dine shown is “The culprit must turn out to be a person who has played a more or less prominent part in the story. . .” (Van Dine).

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Watson and Pap. When Pap returns for Huck and the matter of custody is brought before the court, which force to see the corruption of society. The judge rules that Huck belongs to Pap, and forces him to obey an evil and abusive man who drinks abundantly and beats his son. In this case, Pap symbolizes the viciousness and cruelty of civilization. Later, when Huck makes it look as though he has been killed, society is more concerned over finding Huck's dead body than rescuing his life from Pap.

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Sherlock Holmes Argumentative Essay While Sherlock Holmes habitually portrayed a considerate, helpful man, it was certain he felt not a twinge of guilt concerning the death of Dr. Grimesby Roylott. Sir Arthur Conan Doyle’s story entitled “The Adventure of the Speckled Band” features the famous detective with a shocking turn of events during the resolution, when it was revealed Sherlock Holmes was responsible for a poisonous snake bringing the end of Dr. Roylott’s hostile life. This event did not catalyze shame inside of him, though, as each man felt harsh despising towards one another. Furthermore, Sherlock Holmes could not have known the snake would kill Dr. Roylott. Lastly, it was the irrational decision of Dr. Roylott that caused his death, arguably more than Sherlock Holmes’ cane did.

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Although Watson does narrate the story, the plot does not follow him which signifies his role as a sidekick. Not only does Watson act as a narrator for Sherlock but “Watson… is [also] his friend's loyal companion who becomes the recipient for [Sherlock’s] wisdom” (Buchannan 18). One of the main characteristics of a sidekick is their loyalty and friendship to the protagonist. Watson's steadfast devotion to Sherlock serves to emphasize his fitting designation as a sidekick, as he remains by his side through numerous challenges and conflicts. Watson and Sherlock are a perfect example of ‘opposites attract’ as they are polar opposites, yet great friends.

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In the novel Strong Poison by Dorothy Sayers, Lord Peter Wimsey is introduced as a man who fits the mold of the generic and accustomed detective: he employs intuition and knowledge to solve a mystery. The history of detective novels has established a narrow definition of how a proper detective thinks and acts. This representation is based from the early beginnings of Edgar Allen Poe’s C. Auguste Dupin and Sir Arthur Conan Doyle’s Sherlock Holmes and is still used even in current day. The role of a detective is frequently portrayed as an outsider who is abnormally intelligent, making him the sole individual capable of solving the crime, but also isolating him from the rest of society. With success comes self-assurance, and so the more accomplished

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Holmes and Watson’s antagonist in the novel is the logic aspect of the case. For example, Holmes says “Of course, if...we are dealing with forces outside the ordinary laws of Nature, there is an end to our investigation. But we are bound to exhaust all other hypotheses before falling back to this one.” Also, in the novel, the logical solution and evidence is explained in further detail, for Holmes gives “a sketch of the course of events from memory” in the resolution. There are many subplots in the novel, such as Seldon’s escape, Sir Henry and Mrs. Stapleton, and Sir Charles Baskerville and Laura Lyons, which answered many questions about the case and evidence against Stapleton.

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This case, which Sherlock remarks, ‘looked at the first glance so simple yet [presents] such difficulties’, reveals the very nature of the Sherlock Holmes crime: a diversion of the expected, or, more simply, a mystery. It is no coincidence that St. Clair’s secrets are both aided and revealed by his presence in London. In Kent he is one man and in London another, for London by its multifaceted and complex nature allows for the disappearance, recreation, and re-emergence of man. Had St. Clair’s wife not entered the city, he would not have been discovered in the act of recreation, and Mrs St.

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We can then read the detective as an embodiment of Foucault’s “pastoral” power who relies for his functioning on a kind of management of confessions from the suspects, that can allow us to better comprehend some of the nuances of the workings of the modes of power represented by detective fiction. Moreover, confession always takes place in some sort of closed sacred space, a space which denotes a kind of solemnity and privacy. This is typically a space that either belongs to the confessor/detective, or is one that the detective controls. Poirot, for instance, creates this magic space by creating his “reunion” scenes and creating a closed circle of people bound by the

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These are the different reasons why Sherlock Holmes is not responsible for the death of Dr. Grimesby Roylott. My first example of why Sherlock Holmes was not responsible for the death was because, he had no idea where the Dr. Roylott was in his room, so he did not know that Dr. Roylott would be sitting the chair right under the ventilator. Furthermore, Sherlock did not know that Dr. Roylott would be attacked by the snake, but Holmes did know that he agitated the snake enough that it would be more vicious than usual. Also, Sherlock Holmes did not know that Dr. Roylott would be sitting right under the ventilator shaft where the snake made its passage between the rooms. My last piece of evidence is that Sherlock Holmes was just using self-defense against the snake, making sure that it would not

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Discuss the way Conan Doyle presents the characters of Sherlock and Watson in the passage. The short story, ‘The Red-Headed League’ by Conan Doyle follows the adventures of detective, Sherlock Holmes in the perspective of his partner Jon Watson, who documents the cases Sherlock takes on, as they solve the mysterious disappearance of a group of red-headed men calling themselves The Red-Headed League. In the passage Sherlock is presented as quite a peculiar and emotionally abnormal character, while the character of Watson is presented as a very loyal friend. Sherlock is portrayed as a character with some very unique tendencies and a very complicated personality.

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As character after character perishes, suspense increases because the reader’s prior suspicions are progressively cut short. The final rule that Christie breaks is that which the detective cannot be the criminal. Each character plays a role of detective in this novel for each character is seemingly equally as confused about the situation as the next. The thoughts of all ten strangers are spelled out on the pages cross-accusing every single character - even those of Justice Wargrave. He himself is the one to state, “it is perfectly clear.

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Like Holmes, Poirot is a convincing spokesman for a rational (reasoned and unemotional) approach to solving mysteries” (1-2). When Agatha Christie was writing just like Conan Doyle, she also tried many different versions of detectives (“Agatha Christie Biography”

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The authors of the Golden Age shows their faith and belief in the detectives (emphatically vulnerable detectives). The detectives in these stories dominate the plot and solve the mystery case by influencing the perspective of the reader. The detectives mostly are self-conscious and Golden Age does not expect the reader to solve the crime ahead of the detective. They are decidedly unaggressive, non-god like, nondominant and do not exude ‘macho-like’ qualities of a ‘real he-man’. In the Detective Fiction, detectives fall into three broad categories; amateurs, private investigators, and the professional police.

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. Christie’s detective world is very much a product of the post World War I ‘modernist’ cynicism which also rendered in humans, a sense of introspection. As Poirot says, “It is the brain, the little grey cells on which one must rely. One must seek the truth within, not without.”

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