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Similarities Between Gattaca And Gtagion

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In this 21st century era is evident that the media has a significant influence on society. Filmmakers are often seen utilising their “creative license” to implement the scientific accuracy to entertain and increase viewers. Inaccuracies can be hazardous because often these films are accountable for educating the general public. Consequently, inaccuracies can have a negative impact on science and generate fear and concern among the public. Filmmakers creating films derived from scientific ideas have some responsibility to accurately convey scientific information to viewers.
The two scientific films I will be analysing and evaluating will be Gattaca and Contagion. The 1997 science fiction film Gatacca, deals with a futuristic society driven by eugenics, the potential to artificially reproduce the “perfect child” through genetic manipulation. Contagion (2011) a science fiction thriller, vividly presents a worst-case scenario of an outbreak pandemic virus, MEV-1, to which has the potential to cause tremendous harm and wreak havoc in the public.
To begin, the film Gattaca surrounds the idea of DNA profiling and in-vitro fertilisation (IVF), which are two authentic scientific concepts prevalent in modern society. For more than a decade before the premier of Gattaca, doctors had already been using …show more content…

However, its reliability is limited due to dramatisation in the film and how it expresses a slight negative view on DNA profiling through the character Vincent. He is portrayed to be discriminated against for his DNA, which causes him to “illegally” attain Jerome’s DNA. The harsh societal prejudice against nature births reinforces the idea that Vincent’s actions seemed extremely immoral. The overwhelming negative tone towards DNA profiling persuades the audience to be bias in views. Resulting in the reliability to become flawed, which downgrades the film’s educational

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Kaleb Stewart wrote an article speaking out about documentaries. He expresses in his writing that they don’t always show the truth. In Stewart’s article “Documentaries Need to be Factual Not Fictional” the author takes the Toulmin approach. He claims that “there is no subtext that allows directors to take the liberty of falsifying information and contorting it to further filify views opposite from their own.”

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Documentaries have been present since the early days of cinema, even if this genre of movie did not have a name at the time, people still followed through with documenting the lives of those around them. While many experimented with filming the lives of familiar faces, others extended their reach to capture moments, people, environments that were unfamiliar to most. Viewers who witnessed films that explored life on this planet were able to believe in the reality of these various locations and people. The films gave an authentic view, one that came from the lives of real people. This authenticity that was formed in the past has not changed over the years.

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Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

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“A life is not important except in the impact it has on other lives” this quote by Jackie Robinson reminds me of an article I recently read by Kathryn Jean Lopez titled “Egg Head”. In this article she uses rhetorical situations and strategies as a way to persuade and inform her readers, young women of the dangers of IVF (in-vitro fertilization). By using pathos, ethos, logos and the STAR method I will explain how Lopez expressed her views on the situation. Pathos refers to emotions, creating a response out of your feelings. Kathryn Jean Lopez makes a statement about her concerns.

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How many of you have seen or are familiar with the Planet of the Apes movie franchise? II. Thesis: Today we will review the original five films, and see how each film tackles an issue important to that period in time. III. Credibility: I have been a fan of these films for some time now, and I have done extensive research on the topic.

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Lastly, “the imagination of disaster” comes across not only to the morality of the people but also political point of view. Not only do people get insight anytime they watch science movies but, it also educates the people. Viewers get more engaged in the long lasting joyful end to fill contented. People might constantly yearn for the craziest thing to happen when watching science fiction movies but, there is always a sense of making peace at the

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Infertility may play havoc in a couple’s life who want to have their biological child and even it can drive the couple to see themselves as a failure to be fruitful and multiply. Based on World Health Organization (WHO), about 8-10% of couples in industrialised countries have reproductive problem. However, since science always develop day by day lead to even impossible thing sometimes can be possible for example reproductive problem nowadays can be overcome by In Vitro Fertilisation (IVF), Intra-uterine Insemination (IUI) and and many more. IVF is such a double edged sword (Amit Kumar Banerjee,2006). After the birth of first baby through IVF, Louise Brown in1978, the famous philosopher, Mary Warnock said that it is important for the public

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As its name suggests postmodernism refers to a reaction to, as well as a certain rejection of modernism which contained an ‘optimistic belief in the benefits of science and technology to human kind’ (Hayward, 2000). Although postmodernism can never be clearly defined there are specific characteristics and techniques used in films that are attributed to the postmodern style of film-making. The film Natural Born Killers (1994) directed by Oliver Stone contains explicit examples of postmodern textual devices and the opening scene will be used as a case study illustrating the effectiveness and functions of such stylistic practices. In terms of visual techniques and cinematography the scene contains an intended reflection of a media consuming society.

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The rise in digital filmmaking technology has made it easier to depict a more accurate picture of the digital

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Special effects have helped to draw in a broader audience to horror movies due to the incredible realism and improved storytelling that filmmakers have been able to include. According to an article published by Mark Griffiths, Dr. Deidre Johnson conducted a sample of 220 American adolescents, where the four primary reasons why people were motivated to watch horror movies were gore watching, thrill watching, independent watching, and problem watching and that “each of these four viewing motivations are found to be related to viewers’ cognitive and affective responses to horror movies.” With there being a variety of ways for people to enjoy horror movies, special effects have allowed for each of these four viewing motivations to be enhanced with better realism, and improved storytelling to keep all audiences interested and intrigued. According to an article published by Jody Keisner, a professor at the University of Nebraska, said that “Creators of horror movies rely on quintessential fact, and because of it, special effects have become the horror movie’s means to survival and popularity”(413). The inclusion of special effects has allowed for horror movies to appeal to a vaster audience and has allowed for filmmakers to test the boundaries of special effects with the use of more blood and gore.

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While this movie is more accurate than others, there is information that has been added, or taken out for the purpose of entertainment.

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Film analysts have been trying to ascertain and prescribe a code to the region that makes film communication dissimilar or distinct in its own way from the other forms of art, One art form is not necessarily better than another, but both forms of media and art can be used for propaganda or to spread and communicate particular ideas or messages. Nonetheless, the utilization of a code that puts forth a message mainly by images on a screen as opposed to by words helps to determine and describe the powerful unconscious responses of movie audiences and separates and draws a line of distinction between film and literature. Film has come up with a series of signals that bring about a response from a spectator every single time a signal is used. In the writing art form, a word such as Hiroshima brings to memory certain images and scenes related to it, most of them from the rolls that audiences have seen in movies, and get a context of their own. Under sound film, moving images often are seen to be carrying meaning more in comparison to the words that come along with them.

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Film theory is a gathering of interpretative systems created after some time keeping in mind the end goal to see better the way movies are made and got. Film hypothesis is not an independent field: it acquires from the controls of logic, craftsmanship hypothesis, sociology, social hypothesis, brain science, artistic hypothesis, etymology, financial matters, and political science. Medium specificity: Early film scholars had two primary worries: to legitimize silver screen as a work of art and to recognize its one of a kind properties and impacts. Hugo Munsterberg and Rudolf Arnheim considered the (noiseless) film to be workmanship since it doesn 't only mechanically record reality yet rather changes the ordinary courses in which the human eye

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Almost 115 years after the first film was screened by Lumier Brothers in 1895, we witness tremendous changes not only in the production and dissemination but also in the aesthetics, semiotics and styles of this unique art form. One of the greatest contributions of science in the second half of the 20th century is, undoubtedly, Information Technology which eventually paved the way for the evolution of a unique discipline called Information and Communication Technology. Popularly known as ICT, the new branch revolutionized all spheres of human life; and mass communication is no exception. As film is a medium of mass communication, any development related to ICT has always had an influence, whether direct or indirect, on film making.

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Documentary filmmakers strive to capture the real in their documentary films – a convention used by both fiction and non-fiction films to immerse their audiences into the issue. There are a few common methods used by filmmakers to capture the real, all stemming from Dziga Vertov’s theory of Kino Pravda, which explores the idea of truth in films. Realism is important to filmmaking as it helps question the relation of a film to reality. More often than not, our disbelief are suspended the moment we are exposed to a documentary, and we believe what we see much more easily than when watching, say, a movie or television program. A documentary’s main concern is to present a film taken from reality, and to show that reality to audiences as closely as possible.

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