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Feminist analysis of house on mango street
Literary analysis of house on mango street
Literary analysis of house on mango street
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In House on Mango Street, written by Sandra Cisneros, Esperanza grows up in a society in Chicago, Illinois where she is unwelcomed because of her race, gender, and poverty. While in the story Night, Elie is affected greatly by his environment living in concentration camps in World War II. In both novels, the main characters grow emotionally and mentally from the challenges they are faced. As they are characterized as innocent in the beginning of each story, their maturity process is caused by their horrible experiences which result in loss of innocence. Eventually, they find hope for happiness within their tragic experiences and then mature.
The House on Mango Street Analysis Sandra Cisneros’ The House on Mango Street, is a book of poetry, about the coming of age of a young Latina girl named Esperanza told from Esperanza’s point of view. Esperanza is an observant and descriptive. These traits make her an excellent narrator because of her ability to breathe life into the story. Throughout the book, Esperanza deals with her Latin heritage, her family, growing up and other teenage topics. But what makes The House on Mango Street stand out from other books is its intimate details.
Loss of Innocence In the book The House on Mango Street, Sandra Cisneros demonstrates in her writing how a child can be forced to mature too rapidly. Esperanza encounters sexism, racism, and discrimination towards the poor that impacted her paradigm of the world around her. The motif occurring throughout the novel is how a young girl must become a woman before they are ready. In the chapter “The Monkey Garden”, Esperanza makes one of her final transitions into the woman, her environment forces her to be, this is shown by the change of her opinion of her shoes, the realization of woman accepting manipulation by men, and her loss of childlike interest in the Monkey Garden.
As the younger sister, Nenny is often Esperanza’s responsibility, and though her innocence is a major source of annoyance for Esperanza, it also signals Nenny’s independence. In many ways, Nenny is a pesky little sister. Esperanza must introduce Nenny to her new friends and keep her away from bad influences, such as the Vargas kids. Nenny also has qualities that Esperanza covets, including two names “Nenny” is short for “Magdalena”, pretty eyes, and shiny, straight hair. Though Nenny can be a nuisance and a tag-a-long, and her actions often embarrass and annoy Esperanza, she frequently demonstrates her independence.
Characters Comparison/Contrast Essay Intro: Include one or more sentences summarizing each story and describing each character. Esperanza and house on mango street: Esperanza is a young girl who lives for a year on mango street and gradually grows into a mature young woman by a series of encounters and situations on her quest to learn more about female sexuality and later conclusion on rejecting sex as a form of escaping reality but rather focus on the importance of community and family. At the end of the book, Esperanza becomes a important figure for women’s help in her community and proves herself as an artist and writer through her analysis and observations through her writings.
In The House on Mango Street, Esperanza has similar experiences to the author, Sandra Cisneros, because they both grew up poor, as a child, they both moved often, and they also expressed signs of low self-esteem and sadness. Esperanza and the author have similar experiences because they both grew up poor. This is found in the vignette, “The House on Mango Street”,
Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,”[5] Esperanza claims, for this is nothing like the house she longs for.
Chiara Maddison Is it possible for people to become fully autonomous without giving up, to leaving behind certain parts of their life? For many people, the answer is no. There may be certain aspects of their culture or society or beliefs of their family that go against what that person has to do to become autonomous. Esperanza, the main character of the book The House On Mango Street by Sandra Cisneros, definitely has let go of certain things to achieve her freedom, and this has an effect on her identity. Her desire for autonomy shapes her identity by forcing her to accept the reality that things will have to change in order for her to achieve autonomy. Cisneros illustrates this development and understanding through the use of symbolism.
You don't pick your sisters, you just get them and sometimes they come like Nenny.” Today, most of the older siblings in families do not like their younger siblings, but they understand you can’t pick what type of sibling you want in life. She also compares the bond that she shares with Nenny to Rachel and Lucy. Esperanza didn’t understand why family is so important, until about on page twenty-three her aunt died and on page twenty-two, it says “Your abuelito is dead, Papa says early one morning in my room.
Anyone can make a difference, and they may not even know it. The House on Mango Street by Sandra Cisneros talks about growing up as a Mexican in an American neighborhood and the challenges that come along with it. The main character Esperanza talks about people who made a difference in the neighborhood and her life. It only takes one person to make a difference, but others would argue that it takes many people, each with different qualities, to make a difference. A person can make a difference even if they may not know it.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Believe it or not, people are not entirely unique. It is certain that no one is truly the same as another person, but it would not be ridiculous to think that everyone does in fact share many similarities. After all, the majority of the population grows and develops opinions or values based on what they see or hear. For Esperanza, the protagonist of Sandra Cisneros’s, The House on Mango Street, the perspective she has is built upon her childhood on Mango Street. This coming-of-age novel illustrates how Esperanza’s experiences on Mango Street play an important role during her period of growth.
“All discomfort comes from suppressing your identity”(Bryant H. McGill). We can not decide upon our own identity; It comes from our hopes, dreams, memories, culture and experiences. We can not suppress or change who we are or where we came from and must except ourselves. The House on Mango Street by Sandra Cisneros introduces the main character Esperanza, who is initially ashamed and tries to repress parts of her identity. One of the main themes in The House on Mango Street is E. acknowledging her name and mango street as part of her self identity.
The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros
Maggard 1 Cole Maggard Johnson English 1 6 November 2014 Character compare and contrast Esperanza from House on Mango Street, Melinda from Speak, and Jean Louise from To Kill a Mockingbird, are very interesting characters that seem to not share many characteristics in each of these novels. These three girls were the main characters of their own books, and in each of these books we learned that they don’t have a lot in common. The personality that these three have just shows how different they are. Here are just a few examples that make these three girls different.
