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Similarities Between The Poisonwood Bible And Heart Of Darkness

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The Poisonwood Bible and Heart of Darkness are set in the Congo where each plot has a similar structure; white characters from a highly civilized and industrial Western country venture into the heart of darkness and become significantly changed by their environment and experiences. Heart of Darkness, by Joseph Conrad, follows the story of Marlow, an English sailor who is sent by the Belgian Company into the Congo in order to find and retrieve Kurtz, a man who has deteriorated into savagery. Barbara Kingsolver’s The Poisonwood Bible is about Nathan Price, a desperate missionary, who forces his wife and four daughters to leave their comfortable life in Georgia to go to the Congo. Although each story takes place in a different time period, both …show more content…

In Heart of Darkness the idea of imperialism was under an immense pressure, and Kurtz exemplifies this idea with his initial beliefs when entering the Congo. Kurtz’s description of the situation as “an exotic Immensity ruled by an august Benevolence” is sharply contrasted by his statement to “exterminate all the brutes” in his report (Conrad 50-51). In Heart of Darkness, the western view of the Congo is drastically false; they believe that the natives are naive and savage. This idea, similar to that of the Americans, highlights the major differences in culture. The people of the Congo think that Kurtz is some sort of god even though he wants to eliminate them from their home. After having spent time with the natives, however, Kurtz flips his viewpoint and wants to become part of their wild and uncivilized life. The Poisonwood Bible introduces a similar contradiction in the American ideals of democracy being transferred into Africa and the natives’ belief that they are superior because of America’s power in the world. Anatole describes that “most of [the natives] believe white people know how to turn the sun on and off and make the river flow backward [...] They think [the white people] represent a greedy nation” (Kingsolver 281) which further emphasizes the importance of contrasting viewpoints to portray the cultural differences of both America and the Congo. This also presents the assumptions the Congolese people make based on white stereotypes. Contrary to how the Americans think of the Congolese as cannibalistic or naive, the Congolese believe that Americans are greedy, superhuman

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Analysis Of King Leopold's Ghost

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Summary of the text: Adam Hochschild’s King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa is a historical fiction published in 1998 (Hochschild, 1998). It comprises a myriad of evidence to testify the Belgian King Leopold II’s atrocities in Congo between 1885 and 1908 for the sake of capturing the attention of various readers towards the Belgian imperialist delinquencies through a detailed narration of a number of main characters’, including George Washington Williams and William Henry Sheppard, experiences in Belgian Congo (Hochschild, 1998). In this excerpt, it illustrates William’s peaceful exploration in Congo as the first American-Black missionary. During his journey, not only did he explore the Congolese culture,

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Inconclusive endings can allow the reader to expand their mind beyond the story, and imagine their own ending. The Poisonwood Bible, written by Barbara Kingsolver, is a novel following a missionary family in the Congo, and each chapter is written from a different member of the family’s perspective. The ending provides the reader with multiple ways to interpret the ending. One ending is more satisfactory than the other because everything comes full circle. One of Orleana’s children, Ruth May, dies tragically in Africa after surviving a terrible illness.

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The Poisonwood Bible By Barbara Kingsolver

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This becomes apparent when Adah notices, “The king of America wants a tall, thin man in the Congo dead… By this secret: the smiling bald man with the grandfather face has another face” (Kingsolver 297). Thus, Adah recognizes the irony behind Eisenhower ordering the assassination of the Congo’s President as Americans were largely responsible for the democratic election of the President in question. As a result, Adah comes to the decision that Eisenhower is more a king than a President, as he seeks to control the Congo without Congolese democracy interfering. This critical view of Eisenhower, and America by extension, mirrors the view of the Congolese, who appear just as weary and critical of the invasion of western culture in their country.

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The easiest way to find light at the end of the tunnel is to find humor in the most terrifying situations that humans can encounter. Death, is something that’s bound to happen, but no one ever expects. In the novel, Kingsolver attempts to create a new 'Bible' that would show western imperialism from the point of view of those that experienced it; which were the women. In “The Poisonwood Bible” Barbara Kingslover creates a situation where the characters go to Congo in order to bring people closer to God and deliver salvation, however it’s actually the family who needs deliverance, who needs salvation; and it’s all within themselves.

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The book serves as a sharp contrast with the deception of Colonists as well as a symbol of solid realness within a fantastical dream where truth is impossible. When describing the book, Marlow’s diction are highly positive, using words like “honest”, “humble” and “simple”. The direct expression and singleness of intention serves as a contrast with the lies the Colonists tell to conceal the reality in Africa. Europeans justify their bloodthirsty conquest as something they did for a greater cause. In 1876, at the Geographical Conference on Central Africa, King Leopold justified “To open to civilization the only part of our globe which it has not yet penetrated, to pierce the darkness which hangs over entire peoples, is, I dare say, a crusade worthy of this century of progress” (Cleary).

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Snyder and Kingsoler: Analysis of The Poisonwood Bible Critic Carey Snyder delivers an analysis of Kingsolver’s The Poisonwood Bible, picking apart the various narrative elements utilized to establish the novel’s anti-imperialist themes. Spanning a wide range of literary elements within the work, Snyder first begins with her views of Nathan, an ethnocentric patriarch and embodiment of American arrogance, defined as much by his zealotry as by his failure to achieve his goals. Building off this, she uses Nathan’s role in the novel to expound upon his lack of a perspective in the novel’s narrative, examining the thematic consequences of viewpoints from all the female Prices, particularly in regard to the chronological divide between Orleanna’s

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In the novel The Poisonwood Bible, by Barbara Kingsolver, Leah Price moves to the Congo with her family as part of a missionary. Through their experiences in the Congo, and living amongst a community with many political conflicts, Leah discovers the importance of justice and selflessness. Kingsolver uses assertive and benevolent tones, and symbolism throughout the story to portray the voice of Leah, illustrating Leah’s determination to adamantly strive for justice and equality for Africa and its people, rather than believing that her heritage, her father and God are superior to those around her. Her father’s authority and idealism overshadows her point of view, as she is highly set on her father’s approval and ultimately, God’s approval too. By using phrases such as “But my father needs permission only from the Saviour, who obviously is all in favor of subduing the untamed wilderness for a garden (36)”, Kingsolver establishes Leah’s narrow-minded belief that her father is ‘A Chosen One from God’ and he will pacify the Congolese.

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1297 Words | 6 Pages

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