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Sleeping In The Forest Analysis

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“Sleeping in the Forest” verses “Ode to Enchanted Light” Light can enhance the beauty of nature. On the other hand, light ruins the beauty of the night. Even though these two views are very different the beauty of nature connects them. “Ode to Enchanted Light” is about how the light looks when it is shining through the trees and enhancing nature. “Sleeping in the Forest” is about the speaker’s night in the forest and how the speaker did not want it to end with the morning light. “Ode to Enchanted Light” by Pablo Neruda and “Sleeping in the Forest” by Mary Oliver both describe nature as life-giving in a peaceful mood, but the authors portray light very differently. In both “Ode to Enchanted Light” and “Sleeping in the Forest” the authors describe nature as life-giving using figurative language. Neruda, in “Ode to Enchanted Light” uses a metaphor to describe the life-giving characteristic of nature. The author writes, “the world is a glass overflowing with water” (Neruda 13-15). Neruda is saying that the world …show more content…

In “Ode to Enchanted Light,” the speaker describes how the light is, “drifting down like clean / white sand” (Neruda 8-9). This calms people by putting a peaceful image into their minds. The image of “clean white sand” seems to suggests a beach with warm sun and blue water. The word “drifting” is also calming because it describes a slow, peaceful movement. Oliver also uses descriptive words to give a calming mood to her poem. In the poem “Sleeping in the Forest” the speaker describes how her thoughts, “floated / light as moths among the branches / of the perfect trees” (Oliver 9-11). This also creates a calming picture in people’s minds. The words “floated” and “light” suggest a slow and calming movement. The peaceful mood in “Ode to Enchanted Light,” and “Sleeping in the Forest” are both shown with words that describe a slow and peaceful

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In Fahrenheit 451, Ray Bradbury uses Clarisse’s connection to nature and Mildred's and her friends connection to technology to teach the reader the importance of being connected to nature and how technology is destructive and encourages emotional disengagement. Ray Bradbury uses the character Clarisse and her connection to nature to show that nature is very calming and can lead to happiness. Late one night when Montag was coming home from work, he turned the corner and almost ran into Clarisse. Montag and Clarisse began to talk to each other and then,” They walked in the warm-cool blowing night on the silvered pavement and there was the faintest breath of fresh apricots and strawberries in the air” (Bradbury 10).

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What is human nature and how do young people overcome or accept it? This is the question that T. Boyle’s “Greasy Lake” asks. Between the misconstrued thoughts of adulthood and superficial attempts of establishing independence, the story walks through a short period of time where the Narrator is caught in the middle of such occurrences and through this the literary elements of setting and perspective truly shine. However, before looking into the underlying meaning of the piece, examining the plot at a surface glance is a crucial place to start.

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Imagery and tone plays a huge role for the author in this poem. It’s in every stanza and line in this poem. The tone is very passionate, joyful and tranquil.

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The poems Untitled by Emily Dickinson and Acquainted With The Night by Robert Frost both deal with the themes of darkness and night. While on the surface they seem similar, they have very different meanings, which are made clear through devices such as diction, imagery, symbolism and irony. Robert Frost’s poem uses darkness as a metaphor for depression, while Dickinson uses the same symbol to mean ignorance. Both poems are told from a first-person perspective. However, Dickinson favors the pronoun “we” while Frost uses “I” almost to the point of excess.

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In A.S Byatt’s “The Thing in the Forest”, the author uses the elements of a short story to craft a dark, mature fairytale. The title of the story, “The Thing in the Forest”, in the sense that it foreshadows the main idea of the story. The audience expects more than just a "thing", as listed in the title. Byatt emphasizes through figurative language that the main characters, Penny and Primrose, are dealing with more than just a creature in the forest that affected them for the rest of their lives, and that with this use of symbols to express a larger meaning to objects in the story. A.S Byatt emphasizes more on plot and setting, characters, theme and symbols.

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As if she was held there against her own will, she uses the word fast to signify that she was eager to leave. Gravitating towards a natural setting, she could appease her endless curiosity of what truly mattered to her. The garden is placed in between the schoolhouse and the forest to exemplify her transition between the controlled, man-made school and the unregimented forest. The forest provides a place of freedom of the mind, which often leads to curiosity. Broken up into short phrases, in stanza 2 Oliver creates a list of what she spent all summer trying to forget, “...how to be modest and useful, and how to succeed and so forth,

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The earth seems to comfort the speaker as they go through a series of gentle, calm events to help them sleep. Although both poems glorify nature, one specifically celebrates light while the other shares the speaker’s relationship with the earth. Both poems perform different methods to evaluate and share its purpose.

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Nature is a beautiful component of planet earth which most of us are fortunate to experience; Ralph Waldo Emerson writes about his passion towards the great outdoors in a passage called Nature. Emerson employs metaphors and analogies to portray his emotions towards nature. Emerson begins by writing, “Our age is retrospective. It builds the sepulchres of the fathers.” , this is a metaphor for how we think; all our knowledge is based on what is recorded in the olden days and a majority of our experiences are vicarious instead of firsthand encounters.

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Two scholarly writers brilliantly conveyed nature in their own opinion, an essay written by John Miller called, ”The Calypso Borealis," and a poem by William Wordsworth called, "I Wandered Lonely as a Cloud.” Both authors created work that acquires their idea of the beauty of nature while showing their compassion and love for nature. They each endured the essence in their own way. Each author also used their memory as descriptive imagery to creative share the scenery and amazement of their experience. Each individual has their own personal opinion about nature and how they decide to express their feelings can be diverse, and both authors, John Muir and William Wordsworth, expressed their compassion and love for nature in their own way.

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Ray Bradbury’s, The Whole Town’s sleeping, is about a woman Lavinia Nebbs, who is going to the theatre with her 2 friends, Francine and Helen. On their way, they find a dead body, which was their other friend Eliza Ramsell’s. Assuming it was the anonymous serial killer, nicknamed “The Lonely One”, they call the police. After the theatre trip, the friends head home. However, Lavinia senses someone is following her.

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At first glance, the two poems seem alike, with many parallels corresponding to the importance of nature and its impact on human beings. Although both poems have different tonal approaches, they both come to the same conclusion that nature is a necessity to all human beings. Wordsworth’s livid tone in “The World is Too Much with us” presents his true feelings towards the materialistic ideals during the Industrialization period whereas “I Wandered Lonely as a Cloud” is more light and simple. Wordsworth begins his poem “The World is Too Much with us” by mentioning that humans are always “getting and spending, we lay waste our powers; little we see in Nature that is ours” (Lines 2-3).

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Although Coleridge reflects on nature as being that “one Life within us and abroad “in most of his other poem, but coming In “Dejection: An Ode” we see more of the dialects between the imagination’s role in creating perception and nature guiding the soul. In the opening stanzas of “Dejection” the flipside to the romantic celebration of nature –the romantic emphasize on subjective experience, individual consciousness, and imagination. If our experience derives from ourselves, then nature can do nothing on its own. Beginning with the fifth stanza, Coleridge suggests that there is a power –personified joy that allows us to reconnect with nature and for it to renew us and that comes both from within and from without: “the spirit and the power, / Which wedding Nature to us gives in dower / A new Earth and new Heaven” (67–69).

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He forgets all his inevitable and depressing and sorrowful conditions in the delightful company of nature. It also developed man’s sense of beauty. It fills man’s heart with heavenly pleasure with he can’t get anywhere under the sun. In the presence of nature a wild delight runs through the man, in spite of real sorrows. Every bit of alternation in the atmosphere in nature gives man happiness.

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The beauty of the natural sound allows him to imagine: Such a soft floating witchery of sound As twilight Elfins make, when they eve Voyage on gentle gales from Fairy-Land, Where Melodies round honey-dropping flowers, Footless and wild, like birds of Paradise (440) The music the aeolian harp makes reminds Coleridge of flowers, and colorful birds. This experience that Coleridge is having is positive and he is enjoying the nature around him. He is creating a perfect mental picture of the beauty he is experiencing through the use of his imagination. While the imagination and nature are often working together, there are instances where the two are in conflict.

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