Throughout Toni Morrison’s Song of Solomon, Milkman Dead’s name serves as a constant reminder of his unhealthy relationship with his mother, Ruth Dead, which in itself is a reflection of her deep-rooted issues with her own personal life that are out of Milkman’s control. The significance of Milkman’s name has multiple layers to it. For example, it is important to recall that his real name is Macon because he makes a significant effort to distance himself from Macon Jr. and prove himself to be different from him. Ruth’s breastfeeding him well past his infancy results in his being stuck with the nickname “Milkman” before he is even old enough to understand the situation.
This agent spoke with the Subject, in reference to the House of Ruth(HOR). She was advised that Ms. Danielle Branche, a counselor from the HOR sent a letter reporting that she had two absences from their program. She was instructed not to miss anymore group session and if she accumulated five absences that the Court would be notified. The Subject states that she attended group: however, she was late because of public tranportation and the other absence should have been excused due to medical documentation.
Thereby, his family becomes “a victim of social violence and racism in the hostile south of the USA” and this event leaves a deep impression in Macon’s character (Gomez R. 118). So Macon had never experienced a happy childhood and since his mother died in childbirth, he has never had somebody caring for him. Consequently, Milkman grows up without a model father or loving husband. Solid, rumbling, likely to erupt without prior notice, Macon kept each member of his family awkward with fear. His hatred of his wife glittered and sparked in every world he spoke to her.
Toni Morrison’s Song of Solomon is a novel that is set in the 20th century, Michigan which follows the life of Macon Dead III, who gets the nickname milkman. His sisters are Magdalene, who is called Lena, and First Corinthians. His parents are Ruth and Macon Dead Jr. Unlike most African American families during this time period, the Dead family were financially stable and could afford things that were deemed luxurious. Even though they had money, they still were unhappy with their lives. This shows that you can be living ,but you can also be dead.
She grows old with the self-condemnation of staying with Nathan for as long as she did, for if she mustered up the courage to leave the Congo earlier, Ruth May would not have died. Ruth May’s plea for Orleanna to forgive herself, just as Ruth May has forgiven her, presents the possibility of repentance for anyone, no matter how great of consequence their mistakes are. Though she never passed the age of 6, Ruth May seems to have learned better than most the importance of finding strength from and learning from wrong-doings. Urging her mother to “Move on. Walk forward into the light”, Ruth may passes along her own moral reassessment to anyone whom will listen, telling the error in letting so-called sins weigh down ones self forever
Many of the characters in Song of Solomon are named after individuals in the bible, and Morrison does this in order to reveal a deeper understanding of the characters and their experiences in the novel. For example, the biblical Hagar is Abraham’s concubine Sarah’s handmaiden, and bearer of Abraham's first child who is later ostracized with her son and forced to leave due to Sarah’s jealousy and bitterness (“Hagar”). The Hagar in Song of Solomon has a somewhat similar experience. Her relationship with Milkman starts off strong, but the more she loves him, the more he just uses her to appease his sexual desires instead of establishing a strong, loving relationship with her. Milkman eventually grows out of his former feelings for Hagar, and then abandons her, leaving her distraught and heartbroken.
When Toni Morrison began her novel, Song of Solomon, she introduces her readers to a world in which Caucasian Americans have full power over their African American neighbors. Detailing the pessimistic treatment of African Americans, readers come to believe in the stereotypical “weak, black man,” of African Americans who allow themselves to be dominated, who see the dangers that are forced upon them and bow down to them, obliging to the torture and prejudice they face every day. This portrait of acceptance is broken, torn into a million pieces when Morrison goes in depth into the secondary character of her novel, Guitar, during the sixth chapter. In the previous 154 pages of Song of Solomon, Guitar is elucidated as simply the best friend of the main character, Milkman, as someone who is only present in the tale to listen to the problems of his friend and give knowledgeable advice. Until chapter 6, Guitar is nothing but a clear definition of “best-friend-forever,” someone who helps the main character but does nothing else, while Milkman is the reverse of him as he gets receives all of the attention of Morrison, detailing his character traits and identity.
Despite Milkman being a grown adult, Song of Solomon is a Bildungsroman. In the first half of Song of Solomon, it is evident that Milkman is not yet an adult for he is lost. For all his life, Milkman, as a son, brother, and friend, has been found wanting. Once Milkman leaves Michigan, the work’s meaning is finally uncovered.
Her experience is necessary for her determining who she is and what she hopes to get out of life. Also, her exile precedes her nephew, Milkman's,
It takes Ruth a while to notice the flowers. This may speak to the type of ignorance Ruth may have when it comes to her surroundings, to how people may perceive her. Milkman thinks that his mother should react with some type of elevated sense of surprise or fear even, but she doesn’t. this can be emblematic of the reality of Milkman and Ruth. Ruth does things that do not seem “normal” or “sane” to the
Toni Morrison’s novel Song of Solomon tells the story of Macon “Milkman” Dead, a character completely alienated from his community, his family and his heritage. The readers follow his journey, during which he attempts to find his “inheritance” of gold that his father, Macon Dead, believes was hidden by Pilate Dead. Instead, he travels to the fictional town of Shalimar where his family line began in America in order to fully understand the cultural heritage that has been left for him - in the process experiencing an understanding of the word home. Home is often represented by the motif of cherries, which different people in Milkman’s immediate family - eventually including Milkman encounter throughout the book. Even though these events are
Despite being together for many years, Milkman’s blunt attitude and inability to value love results in their break-up, as well Hagar attempting to murder him. Additionally, there is Milkman’s father, Macon Dead II, also simply known as Macon Dead, who is the wealthiest man in town. Macon constantly feels the need to show off his wealth as well as be the most powerful person he
Without familial ties and history, Milkman lacked the wisdom that comes with knowledge of the past, causing a disconnect between Milkman and his people. Milkman’s journey provides him with the answers to his identity problem allowing his family’s past to provide instruction, and protection, and a certain kind of wisdom necessary in finding his true self. Although Milkman must ultimately define himself, he is also defined by his relationships. He cannot learn these lessons in isolation but only within the context of the present community and relations of
Throughout literature, most novels incorporate an adventure and an exploration theme about the hero journeying to find their path. In the novel Song of Solomon, by Toni Morrison, it begins depicting Milkman as a feeble dependent character that relies on his friends and family for all of his needs. However, as the novel progresses the view of Milkman develops into an independent figure through a journey. Milkman’s personality and mindset shift as the purpose of the journey diverts away from gold and greed. He comes to realize what’s important in the world and begins exploring what really matters; his race, family’s homes, and identity in the world.
She was the sign of misfortune in the entire novel: deprived of sexual interaction with her husband for twenty years, delivering Milkman as a consequence of a shock from a frightening accident, and withstanding the physical violence of her husband even in front of their children. She was never respected or seriously loved by any male characters in the novel—Milkman was ashamed and careless of her, Macon her Husband hated her, and even her father was somewhat embarrassed by their intimacy which Ruth intended. Ironically, she was the daughter of the great Doctor who has a street named after him and the wife of Macon Dead, who is the richest person in town. This contrast emphasizes the tragedy of the character that despite her superior or seemingly advantageous status quo, she still led a miserable life. Morrison quoted that she started the book as an attempt to shatter some of the common stereotypes the 1960s has brought to African American community, which, as she reckons, has left out an enormous portion of the racial character for over-emphasizing the beauty and strength and thereby
