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Sound In Stanley Kubrick's 2001: A Space Odyssey

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Sound affects how the viewer perceives the reality created in a film. There are many tactics the sound designer can implement for the director to completely change how the visuals of a scene are interpreted or to enhance the interpretation that already exists due to visuals alone. The sound editor and sound designers for films use tools such as dialogue, loudness, pitch, narration, music, and silence to influence the perception of the audience. Even in the silent film era, musical accompaniment played an integral part of the mood created by the movie. Sounds are integral to establishing the audience’s perception of a film’s world.
Music is a versatile tool used in film. Accompanying music was the only tool available in silent films. It was …show more content…

The first 25 minutes and last 20 minutes of the film only has music. There is no narration and no dialogue. The music used is paramount to maintaining the audience’s focus and helping dictate their emotions. The various music used in 2001 uses a variety of different tempos alluding to the visuals presented. Kubrick uses “The Blue Danube” waltz during the satellite docking sequence to parallel the image of the rotating station to the circular motions of the waltz dancers, evoking a distinct sense of rotation and constancy throughout the visual and audio representation. Kubrick also uses music to juxtapose an otherwise calm scene when the music transitions to high pitched and dissonant using Ligeti’s “Atmosphères.” The encounter becomes personal and painful while the scene starts with a wide shot then focuses in as astronauts encounter the monolith on the moon. Varying amplitude is also used to convey intensity and sets the pace for the opening and closing of the film. Hurbis-Cherrier points out that wide dynamic range consisting of the calm the beginning and fortissimo ending of “Also Sprach Zarathustra, Op. 30” establishes the temporal pace that Kubrick wants to convey

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Another movie that uses this cinematic technique is Edward Scissorhands. During the scene where he cuts Joyce's hair there is music playing that is intense/upbeat. This creates the effect for the viewers to feel like it’s a different type of scene. If there was only digetics it would have been less intense feeling and more boring to watch. So as you can see having non-diegetic sounds in shows and movies adds entertainments to what's happening,creates less

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True to Hollywood conventions, the music of the films reinforce the emotional situation of the

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In this scene, lighting is used where a shot reflects on eves face to the farmer in the car on the farm showing how far they are. The scene continues where the lighting used appears too bright and somehow blinding to show the time of day the scene is taking place and the emptiness of the field and the only part left out is Thornhill thus focus is drawn to him and this launches the audience into the attack where the lighting makes it easy to know that he is alone in the barren land which makes him vulnerable and the scene captivating. The editing is utilized in the film where quick and intense scenes are made to be real fast in pace which creates suspense. Sound is also used where the music in the background moves in sync with scenes of suspense where it turns loud and fast making the audience aware of the impending danger (Pernoud, 2015).

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Many a literary critic claims that the strongest aspect of the book 1984 by George Orwell is its plot. Indeed, there is some merit in this conclusion, as the entire purpose of Orwell’s writing of this book was not to create a literary classic, but to warn the public about the dangers of communism if it got out of hand, and what better way to do this than to write an engaging plot? Others may claim that 1984’s greatest strength is in its character development. This aspect, too, is quite strong in the book, as not only are the minor characters effected in serving the dystopian theme, but the major characters are believable and very human in their failings. Winston’s transformation from an oppressed office worker to revolutionary and finally

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Sound is being used to create or sense the mood for the audience. For example, when Kim’s father is outside, diegetic sound is used so the characters hear the baseball game playing in the background which makes the situation exciting for the audience. Edward finishes trimming a bush (the dinosaur) and everyone is amazed. This can appear to create a dramatic and happy effect for the audience. The sound then crescendos to make it seem as if Edward is being cheered on by the crowd.

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Extra-diegetic music plays for the total duration of the clip, adding a sense of suspense, while the whole clip is shot and shown in black and white. What starts as a medium long shot quickly transitions into a medium shot as the two men walk towards the camera. Low key backlighting is present for the duration of the shot. This two shot has a closed frame, leaving the viewer with no information as of far of the world

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Forward tracking shots, often from a point of view shot, also suggest a movement from the painting and it implies an intimate moment between the portrait and its spectator. Even though the visual aspect is important, to play even more on the living aspect of the painting, the filmmakers also use the music. In the museum scene of Vertigo, the magical feeling of the scene is conveyed because of the editing but also because of the score that matches the different cuts of the

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It makes the audience pay close attention to what is about to occur and allows them to prepare for an upcoming event. For example in horror films, music starts playing right before the victim gets attacked, shot, or dies. The music allows the audience to prepare themselves for the gruesome images they are about to

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Tim Burton’s films utilize music to enrich the viewing experience of all of his films. In the introduction of the movie Edward Scissorhands, Tim Burton

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In 1927, the release of Alan Crosland’s film The Jazz Singer revolutionized the movie industry with the first feature length movie to utilize synchronized sound. Prior to this innovative film the industry was primarily focused on what are now known as “silent films,” which would often be accompanied in the theatre with live music or sometimes even a recorded soundtrack. The accompanying music would set the mood for these dialogue-less films, and in many ways convey more intricate aspects of the story that could not be expressed through the cinematography alone with the technology at the time. With the utilization of synchronized sound in cinema, the industry adapted a new type of film known as “talkies,” which were just as often musical movies

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A Clockwork Orange Over the past two weeks we saw, for one more time, that Kubrick has a very distinct and tremendous understanding when it comes to using classical music. For “A Clockwork Orange” the writer of the novel, Anthony Burgess, has some kind of obsession and own taste about classical music, when these two understanding combines we get a unique synthesis, it is mostly Kubrick’s, though. In the following part of this paper, the use of music will be examined in order of the course of events in the movie: Before the first scene, a very mysterious, kind of sad and ominous but hopeful music welcomes us along with a bright red image. It has a very different sound, like it is out of our world. Before we see any of the scenes it is making

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To help explain this analysis I am using the animated movie Wall-E made in 2008 by Ben Burtt as a case study . Ben Burtt is known as “The Father of Modern Sound” (Ciccarellli, 2009) because of his

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When the inventor died in Edward Scissorhands there was music that projected a sad mood. This helps the audience connect with the movie more and intrigues the audience more. As Edward and Kim were talking there was angelic, happy music that becomes louder as Edward and Kim hug. In Charlie and the Chocolate Factory, when Charlie finds the money on the ground, Burton uses happy music to project an exciting and magical feeling to the audience. In Big Fish, Charlie and the Chocolate Factory, and Edward Scissorhands Burton uses camera movements, camera angles, and non-diegetic music to set a certain mood that the audience should feel.

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It can be said the film start with a new style in this field. The orchestral tone is not only broad complex, the sound effects have great boldness, and the music start with strongly compact speed and explosive force, so that both the exciting science fiction music movie and action film music is full of these black colors. The whole film music development based overture describing the action and suspense, gradually the variations become the later tracks in the strange sound. The strong various percussion instruments burst out of the high energy music and bizarre sound effects, the transmission of a peculiar type of future science and technology hallucinations. In addition, the use of the color is also very vocal.

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993 Words | 4 Pages

Silent movies were almost always accompanied by music, from a multipieced pit orchestra to a single piano or even a guitar. This is why silent film audiences seemed perfectly happy with silent movies. There was also technological difficulty of matching sound with visuals so that everyone in the audience could hear. The problems were synchronisation and amplification. A vitaphone was something that produced the first commercially viable sound system.

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