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Sound Used In The Movie Up

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Recommended: Music and narrative in film

Silence may be deafening, however, the right use of sound and music can create a difference in setting the tone and creating a beautiful film. A notable example of sound and music creating this beauty can be found in Pete Docter’s movie, Up from 2009. In the montage from Docter’s Up (2009), sound and music are used effectively to develop mood through the use of musical score as well as sound mixing. To begin, the mood is reinforced through Docter’s efficacious use of musical score. In the film Up, there is a scene that shows Ellie (Carl’s wife) in a hospital, laying in a bed, in this scene the intentional mood is melancholy (Up 3:33-4:00). The musical score from this scene in the montage creates a melancholic mood by augmenting the emotional …show more content…

As Ellie lies in the hospital bed while grasping Carl’s hand, the pace of the song decelerates, demonstrating the somber feeling between both characters, and enriching the emotional impact of the scene. In the musical score during this scene, the song returns to the original chorus and the melody increases twice and then decreases. Along with the smiles of the couple, the arpeggio of the melody helps show the reminiscence of their marriage and their gratitude for one another. The deceleration of the pace and the arpeggio aspects of the musical score collaborate to convey the melancholic mood of the scene by enhancing the sadness of the scene while hinting at gratitude and joy between the characters in the heartbreaking scene. Through the use of sound and music, the musical score can demonstrate the mood of the montage. In addition, sound and music also successfully develop the mood of the montage through sound mixing. During the montage of Carl and Ellie’s married life, after Ellie’s miscarriage, there is a scene showing Carl and Ellie depositing coins into a jar which helps demonstrate the optimistic mood of the

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Besides their content, the clips are abrupt and contain many clashing neon colors. However when the final chorus is sung, the imagery changes dramatically. A field of wheat, a beautiful sunset, and soothing ocean waves are shown. Besides their content, the clips are slower and contain a variety of warm, pastel colors gently mixed together. The difference between the two types of imagery furthers the difference between good and bad sounds.

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Children laughing showing the happiness that is supposed to occur in youth. Even the lack of sound in the movie theatre gives you the impression of contentedness as the crowd watches a film. All these sounds add emotional depth to the scene that cinematography

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Every song of Kimya Dawson’s on the soundtrack plays during the important parts of Juno. Her lighthearted sound contrasts with each moment it plays during; when Juno experiences life changing events, the casual, happy-go-lucky music blares in the background. This creates irony that may make the audience ask: Why am I watching life-changing news, but listening to cheery music? The contrast between the events of the film and the music that plays lightens the mood of the reality that is happening, whether it be a good reality or a bad

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The arrangement changes to a slow, melodic, heartfelt tone to emphasize their emotions. Still hitting on visual changes. The scene and music help show them the severity they face. Showing that they must continue forward in their long journey of

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Callie’s accident represents death. The miraculous first breathe of Callie’s premature baby displays the shows value of life. Such sad songs allow the audience to formulate moods and a better understanding of real life experiences. The songs depict real life values that come into

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As the film progresses, the sound becomes increasingly chaotic and intense, mirroring the escalating danger and tension faced by the soldiers. This creates a sense of unease and anxiety in the viewer, emphasizing the terror of war and the physical and emotional toll it takes on those who experience it. In contrast, the scenes on the civilian boats are marked by a decrease in sound, creating a sense of calmness and relief that emphasizes the impact of the rescue mission and the hope it brings. This contrast creates an emotional release for the viewer, underscoring the importance of the rescue mission and the sacrifice made by those

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The score gradually increases in volume and builds tension as the camera pans over a beautiful countryside landscape, including hills, trees, and a large estate. The non-diegetic score then fades out to be replaced by diegetic sound as a man and woman's voices are heard.

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Sound Created drama for this picture. For example, when the kids where singing at the beginning of the movie, this created a spooky aroma. The angelic kids are playing like kind, gentle little ones but are singing a very awful song of the adolescent murderer. Just seeing these sweet progenies sing a scary song like that brings chills down your spin. This is a perfect example of the old children song Ring a Ring o

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It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a

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This same music allows for the director to try to use pathos on the audience. Trying to get them to have a very uneasy or unsettling feeling. As if something was wrong or different than is should be. This allows the audience to feel more as if something is wrong in the video or as if something that they are watching should be different then it is. Or, as if something is wrong in the world around them, something that needs to be changed.

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And again at measure 72 with the decrescendo into measure 73. However the beginning of the song was loud with no attempt at dynamics. The style was joyous and happy like a celebration in measure 13 with the slurred notes of the saxophones or measure 41 with the staccato notes from the band. The tribute section of the song (measure 54) was played very nicely accenting the sad mood of the literature. The tempo got rough at measure 91 with the change as the drummers, the director, and the band were not entirely together for a few measures.

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