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Southern gothic essay
Characteristics of southern gothic literature
Examples of southern gothic literature
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In the nonfiction novel, “Midnight in the Garden of Good and Evil,” American author, John Berendt, gives his account of a 1981 murder case that took place in Savannah, Georgia. Even though during the 1980s, United States as a whole is heading towards prosperity as the Cold War ends in 1981, he repeatedly touches back on the undercurrent southern racism. Berendt draws a vivid picture of Southern Gothic weirdness to convey, using real life occurrences and characters, the idea of what kind of people exist in the community to readers of all places. The writer uses rhetorical devices such as description, foreshadowing, and dysphemism to successfully depict the occurrences in suspenseful yet humorous tone.
Ron Rash’s novel One Foot in Eden tells a story of murder in a small South Carolina town. However, this novel is more of “why-dunnit” as opposed to the much more common “who-dunnit”. Rash utilizes the viewpoints of multiple characters to tell the story; this feature aids the reader in gaining a more in-depth understanding of the novel. The setting and imagery of this novel also help shape the character’s minds and, therefore, their actions and reactions as well. One Foot in Eden is the epitome of the Southern Gothic novel: it portrays Southern culture and its shortcomings, and the effect that characters have one another.
The freaks’ costumes range from a beard on a lady to a hunchbacked man. The odd costumes that the freaks wear add to the peculiarity of the scenes that take place in the
Southern Gothic is a term used to describe the grotesque feeling of the South. When portraying “Southern Gothic” in photography we see the South in a way that others do not imagine. They include darkness, landscapes, churches, graveyards, moss and water; everything that makes up the south. These pictures depict the social issues and cultural character of the American South. There is deep history in the south that has stayed around to haunt the future.
The novel “The Haunting of Hill House,” written by Shirley Jackson, closely follows the traditional tropes of an American Gothic. The main character of the novel, Eleanor, begins her journey to self growth after accepting an offer to live in a suspected haunted house for the summer. Moreover, Eleanor meets three other people that have an important effect on her development as a person. These characters slowly begin to question their own sanity due to the house’s destructive nature. Jackson appeals to fans of the American gothic through her particular description of the house and how the characters interact with it in order to show the environments foil of an absolute reality.
Flannery O’Connor uses style, tone, and character to tell the story of a family and a band of misfits as they struggle with good over evil in the Southern Gothic short story ‘A Good Man is Hard to Find’ (Kirszner & Mandell, 2012). The style and tone of the characters are depicted in a way that makes it difficult to feel compassion or sympathy for them. The figurative language and style used by the author depicts characters with casual, informal, and extreme Southern stereotypes, diction and attitudes. The tone of the story is ironic in regard to both the characters and plot. O’Connor uses colorful language to describe the characters of the story in a way that allows the reader to vividly see the characters as cartoon like, grotesque, and exaggerated.
This unsettling evokes some of the key features of the Gothic, such as the use of phantasmagoria, transgression, and excesses, all of which disturbed the reader by surrounding them with dark reflections of a reality portrayed through fiction. Pacts with the devil to obtain one’s desires, monks and aristocrats who revel in luxury — even if this means they must stain their hands with blood —, vampires and mad scientists: all corrupt one’s morals, all corrupt the false appearance of serenity. Likewise, the female vampires who torment Jonathan Harker disturb the harmony of the domestic sphere and unsettle the delicate balance between the private and the public domain. These vampiric women are marked by heightened sensuality and tacked to other fatal women that permeate art and European literature at the end of the nineteenth century. In this novel, fear and desire are often confused, a clue modern anxieties surrounding desire toward sensuous but degrading bodies.
Gothic Literature is a genre that was popular between 18th to 19th centuries in North Germany. It is always being associated with Dark Romanticism which the emphasize was more on nature, terror and death, horror and many more. It involves dark and gloomy setting and also unexplainable things that are beyond human senses and reason such as ghosts and monsters. The main characters, on the other hand, are always ineffectual which they do not give much effect on the story plot. This can be seen through Washington Irving’s “Rip van Winkle” and “The Legend of Sleepy Hollow” which can be considered as American gothic work in terms of its description of setting, the involvement of supernatural element in the story and also the characteristics of the main character.
Analyzing Development: “Where is Here?” by Joyce Carol Oates Gothic literature holds an allure that readers and audiences often draw into; its combination of wickedness, mystery, death, and even romance stirs a sensation, a charm no other genre has. Through this charm, Edgar Allan Poe, the "founding voice of American gothic tradition," was able to pioneer interest into many future writers in the American writing industry. Specifically, modern writer Joyce Carol Oates implicated traditional gothic elements from Poe. Using dialogue, diction, and the interaction between characters, Oates carefully establishes the foundations and elements of spookiness into her gothic story—“Where is Here?”
In his book, In Cold Blood, Truman Capote utilizes several rhetorical devices and strategies in pages 246-248 in order to establish a theme for the fourth section of the book, The Corner, and in order to properly end the third section, The Answer. Capote uses metaphor, diction, and tone shift in order to provide a comparison for Dick and Perry, to most effectively transition into the last section of the book, and to establish a grim and dismal mood. Capote uses an extended and extremely detailed metaphor in the first paragraph of page 246 with his reference to the tomcats. “Among Garden City’s Animals are two gray tomcats who are always together ―thin, dirty strays with strange and clever habits(246). This perfects relates to the personalities of Dick and Perry in
Southern gothic is a unique style of writing that takes a certain finesse to utilize. Flannery O’ Connor does it splendidly in her short story, “A Good Man Is Hard to Find”. She takes dark humor, a southern twang and combines them to bring that unique to her southern gothic style. O’Connor graduated from Georgia State College in 1945 and went on to earn her Masters in Fine Art at Iowa State University in 1947. She even went on to go on to win a National Book Award.
A classic element of gothic fiction typically involves a threatening atmosphere and it is very important that this is not just part of the background, but forms a crucial part
Most of the characters have broken personalities which are damaged and delusional. People, places, and events in Southern Gothic literature seem to be ordinary at first, but in the end, they reveal to be odd, disturbing and sometimes very gruesome. "A good man is Hard to Find" is a horrific tale about
The theme in this narrative is supported by various gothic elements, such as the dim and derry setting and the supernatural aspect of this piece of literature. The gothic allusions’ a dark and gloomy setting and supernatural
Godwin, “turned to the gothic and reinvested it with a power that would render his work influential to later writers in the genre as Charles Brockden Brown, Percy Shelley, Charles Robert Maturin ,and his daughter Marry Shelley” . 45 It is impossible to talk about early gothic novels without mentioning Marry Shelley’s Frankenstein (1818), or The Modern Prometheus for it creates anew turn in gothic fiction. Frankenstein is an idealistic scientist believes that he has discovered the secret of life, but he loses control over his experiment. The gothic, in general, tends to break the crucial bounders between life and death, and interested in certain issues – bringing dead to life, obtaining immortality, living as ghost after death, these theme