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Sprits Surround Me Analysis

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Recommended: Elements of film mise en scene

In the beginning of the movie, the first example that applies the “box” concept of the film is the scene where Francis and a man are sitting on a bench, having a discussion in the middle of a garden. The use of mise en scene is the setting of the place because it is unreal and the tribute entrance of one of the characters Jane. Her movements and gestures is like ghost that is all dressed in white. One of the first sentences portrayed in this film is, “Sprits surround me”. Straightaway we feel the tension and suspense all around us. The lighting in this scene is dark, shadowy and mysterious, but there is light glowing from the characters faces. The second example that applies the “box” concept is the scene when Alan is murdered. The use of mis en scene in this scene is implied through setting and lighting. The scene before is when Alan gets his fortune from Cesar; it foreshadows Alan’s death and who was going to kill him. This scene displays Alan sleeping and Cesar kills him with a knife. Cesar isn’t shown, but we see his shadow. We see his dark shadow appear over Alan’s white, smooth lean bed. The setting in this scene focuses on Cesar killing Alan in a shadowy figure. The lighting is displayed on …show more content…

Hoping to find Cesar, Francis realizes that the director of the asylum is none other than Dr. Cagliari. Later on in the film, we find out that both Francis and Cesar are patients in the insane asylum. The use of mis en scene is portrayed through the setting and lighting of this scene. The setting of the scene is set in the insane asylum, so suspense and paranoid starts to build up. The lighting of the scene brings out the setting and through the use of the characters. The lighting is portrayed as a vivid, dark and mystery all around. The insane asylum is meant to be mysterious and uncomfortable when a visitor

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The crime scene at the beginning of the film, for example, used a low angle view to show the body floating from underwater. Low key lighting is often represented when scenes are shot inside Norma’s home. The interior shots are also tightly framed shots with extreme camera angles it gives off a depressed, claustrophobic environment. In the exterior shot, the scenes are in high key lighting and use realistic lighting to give off a lively atmosphere that Joe does not experience while inside the home.

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BLOOD SIMPLE’s mise-en-scene starts off with the lighting of the car ride, it is dark, the characters’ are draped in shadows, the outside world is a blur, and the mood is being set for the follow on scenes. BLOOD SIMPLE’s opening composition also establishes a central theme for the audience that this movie will be gloomy, have immoral implications and be filled with betrayal. The lighting in the movie is constant throughout with heavy shadows, low backlighting, which is until the last scene where the light brightens as the action falls. Key props were found throughout the film, however one of the major props was Abby’s hand gun.

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By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of

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Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

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It was a gray day. The sun did not shine; it could not pierce the layers of powdery black skies along with the fog. The thick mist that was not really rain, or fog covered the southeastern corner of New Jersey. It was depressing, just like most days in the area surrounding the Overbrook Asylum. On the outside, Overbrook was a welcoming place where patients were treated with care along with respect; the inside was very different.

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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The box or chest is simply drawers and cabinets and boxes that contain the makeup and age defying “potions”. They hold the things that make people more beautiful in the eyes of society and cover up the ugliness. The medicine given to people has a list of ingredients that was written by doctors, which is written in a different code that only people in that industry understand. Men scrape and lacerate their faces because they have to shave them. When women go to the hair salon they sometimes have to put their heads under a dome that heats and dries your hair.

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The most memorable scene in the film is the opening scene of the movie which is also my choice of scene to elaborate on mise-en-scene.

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As for the box, it is vividly described, hinting around the

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