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Stanley Dubois In A Streetcar Named Desire

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Dubois is a figment of a bygone era: one associated with a magical fantasy of the world, rather than what is a bitter and harsh reality. [Dubois magic vs realism quote]. She’s ruled by her philosophies and finds herself unable to compromise her necessity for illusion with the bitter reality of life. Pitted against on the other end of the spectrum, is the equally transfixed Stanley Kowalski, who finds himself a slave to action and raw instinct. A brutish man with a bit of a cruel streak, Kowalski can be a viewed as somewhat of a champion, in the sense that he is a man of unwavering honesty; all of his words and actions are entirely intended, and nothing infuriates him more than a liar. [insert quote of Stanley talking about glamorous type]. With the constant presence of Dubois, Kowalski finds himself inexorably compelled to out her true colors, similar to how Dubois …show more content…

From another standpoint, A Streetcar Named Desire takes on a tragic structure in the sense that this impassioned conflict between Stanley and Blanche inevitably comes to the sacrifice and pain of those around them. This can be seen most especially when looking at Mitch and Stella, who are the most deeply wounded by the entire affair. In the case of the former, Mitch is as honest a man as Stanley, albeit with a bigger heart and greater capacity to be gentle. With a dying mother, and a biting loneliness, Mitch falls for Blanche’s charms and becomes completely attached to her, making him a vulnerable target for Stanley’s assault on her. In the end, Mitch becomes completely disillusioned with Blanch, and thrusts her out of his heart and mind, in a fantastic confrontation where he tries to get the truth from her but inevitably fails. [quote from confrontation]. Equally detrimental is the situation of Stella, who is forced to stand for her alcoholic sister Blanche, out of compassion for who she once

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Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

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1085 Words | 5 Pages

That is why he hates Blanche because she is not the same as the girls he has seen. He sees her as a threat in the sense that she will ruin the marriage between Stella and Stanley. However, he has feelings of self conscious and feels threatened because he feels like she can ruin him. He hates that Stella and Blanche were always wealthy and he feels as if they look down on him for being poor. He does not feeling submissive which is why he reacts harshly most of the time.

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Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.

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718 Words | 3 Pages

When he is questioned by Blanche in front of his friends he throws a fit, in a way that could be interpreted into showing off for his friends. He takes his anger out on Stella and hits her. After Stella leaves with Blanche, he calls for her nonstop until she finally comes back to him. He needs Stella just as much as she needs

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783 Words | 4 Pages

However the main conflict is Blanche’s inability to accept reality or her inability to let go of her past. Blanche sees herself above her sister’s life and carries a sense of entitlement that no longer fits her environment like it did in her past. Underneath, Blanche is a liar and Stanley is not. Stanley and Stella are able to able to admit what they are while Blanche is constantly trying to hide who she is. She is unable to come to her desire and sees herself superior to the people around her.

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741 Words | 3 Pages

In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence... He sizes women up with a glance, with sexual classifications…” (Williams 25).

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778 Words | 4 Pages

In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.

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Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine. Stanley has the first line in the play and is immediately characterized by Williams with the use of his stage direction “bellowing” (Williams 244; sc. 1). Like a wild animal, Stanley has a desire for unrefinement and

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Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions. While catching her in the midst of her lies she reveals to Blanche that “[he’s] been on to [Blanche] from the start!”

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966 Words | 4 Pages

In A streetcar named Desire, Stella is associated to this stereotypic role, she is an innocent woman and housewife who takes care of her husband by loving him in an outrageous way. Even if Stanley is hitting her, she still loves him. Whereas Blanche acts like a seductress, at first sight she seems to be pure by wearing a “daintily dressed in a white suit with a fluffy bodice” (Williams 3). In reality the authors gives a false impression of her in order to affirm that stereotypes or first impression are not always true. Indeed, after several scenes Blanche uses her power of seduction in order to manipulate men and reach her objectives.

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652 Words | 3 Pages

It also highlights Stella’s submissive nature, and how she conforms to the sexist societal expectations of a helpless and fragile woman. Although the surrounding male characters disregard Stanley’s abuse, the audience is repulsed by it and identifies it as morally wrong. This shows how Williams is criticising the acceptance of this abusive behaviour in society, using Stella’s dilemma as a victim to plea for a change. Stanley is even abusive when displaying his

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1208 Words | 5 Pages

I woke up in the camp tent for the first time to the sound of rifles shooting. I arrived yesterday and I could see the soldiers training, that’s mostly what they do here. From dawn to dusk, until the light is gone, they train. Well, that and gambling of course. I am in Sharpsburg, Maryland and it is September 16, 1862.

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698 Words | 3 Pages

As soon as Blanche steps into the Kowalski household and meets Stanley, it is evident that her appearance is a threat to his superiority. Both characters attempt to establish dominance through their control over Stella, a minor character who exists mainly to deepen the contrast between Blanche and Stanley. In scene four, Blanche advises Stella to leave her abusive husband and attempts to influence her by saying “I have a plan for us both, to get us both—out!” (69).

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1371 Words | 6 Pages

Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.

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608 Words | 3 Pages

he says: “not once did you pull any wool over this boy’s eyes!” Not only Stanley had broken her world of illusion, but also Mitch who is influenced by Stanley and destroys the protection of darkness by exposing her to the bright light. Stanley bringing up the past contributes to how Blanches ends up, alone and insane expressing the theme that what happened in the past determines the present, and illusion and fantasy directly correlate. Though reality triumphs over fantasy in A Streetcar Named Desire, when the truth comes colliding down on Blanche, she has no choice but to go insane ultimately avoiding the acceptance of

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