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Sex and death in streetcar
Symbolism in a streetcar named desire
Symbolism in streetcar named desire
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Both of these characters was characteristic in the film as a very dominant women and proud of themselves. Stella, at the initial part of the movie shown a strong disagreement on Jeff’s impulsive behaviour “ we’ve become the race of peeping tom, what people ought to do is to get outside their window “ -stella. This quote suggest that voyeurism is a not a good thing. But, Hitchcock’s wants to illustrates that these behaviour is unacceptable but if we look deeper and think outside the box the actions may lead into many positive benefits because were going to become observes and creates a broad understanding about human quality like what Jeff’s action did throughout the movie. As the result at this, stella become more enthusiastic ajd more aggressive at the end of the film and contribute to the overall effort in solving the murder case.
This is demonstrated through the characters who struggle with unresolved trauma, precisely because they lack the support and emotional connection provided by familial relationships. These characters serve as a contrast to those who are able to overcome their trauma through the support of family members, further emphasizing the importance of familial connections in the healing process. Stella, the first character introduced in the story, struggles with trauma following the death of her mother. Quotes from the text reveal that she appears "pretty rough, like depressed, or postpartum" (Vermette 246), indicating that her mother's death is still fresh and causing her pain. This is attributed to her lack of connection with her family members, as she admits that “It has been months since she's seen her family” (Vermette 87).
Stella had not visited her family since she and her husband moved houses across town because her husband was not comfortable with Stella going to what he considered a sketchier part of town. Stella recognizes that she can make her own decisions though, and that family is a huge part of her life she had been missing so despite what her husband says, she goes to visit her family. Once she arrives she calls her husband and tells him, “Jeff, I’m at Kookoo’s and we’re going to stay here” (Vermette 207). Stella finally recognizes and allows herself to do what is best for her, being with and taking care of her family, and she finally regains her self-worth.
The author Louise Erdrich by depicting Marie's adoption of June she is trying to prove a point that as you open your heart up to someone you see past their negative qualities and end up seeing the goodness inside of them but in the process you tend to forget those negative qualities which may end up getting you hurt. Marie is shocked to see her niece,who she probably didn’t know too well show up at her house in mysterious circumstances, the Lazares that found her came and then went “stumbling off, holding each others sagging weighted arms.” The author aids to the circumstance by using parallel structure and similar syntax to show the fast and awkward manner they arrived and left when they had came to drop June off from Marie to
Stella lives in a state of denial regarding the truth
Injustice is lack of fairness or justice. In the book To Kill A Mockingbird, by Harper Lee, there are many examples injustice. As Scout Finch grows up in Maycomb County, she is surrounded by injustice. She grows up with her brother Jem and her cook Calpurnia. Dill becomes their friend along the way and with him comes the idea to get Boo Radley out of his house.
Whitaker. Stella does this when both of them are in Stella’s room. Stella-Rondo talks about methods Mr. Whitaker used in photographing her in the kimono. She tells Sister of how nervous she was in having to hang up her negligee and brags to her about how many photos were taken, “several dozen” (96) . This is an example in the opposite form, that to get Sister riled up and possibly instigate another fight from her.
One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.
Stella is resentful and angry. She does not try to escape the reality she is faced with but allows it to negatively affect her attitude towards her sister and her mother. For example Ozick explains “Then Stella took the shawl away and made Magda die. Afterward Stella said: ”I was cold.” And Afterward she was always cold, always.
“Sometimes a man’s mind makes him see strange sights. What he sees can make him do terrible things to those too weak to resist. But in the end, sometimes the weak get revenge. ”- Edgar Allan Poe.
When he is questioned by Blanche in front of his friends he throws a fit, in a way that could be interpreted into showing off for his friends. He takes his anger out on Stella and hits her. After Stella leaves with Blanche, he calls for her nonstop until she finally comes back to him. He needs Stella just as much as she needs
A Daily Joy to Be A Streetcar Named Desire Our identities can be limited by our past experiences. A Streetcar Named Desire is a southern gothic play by Tennessee Williams and “A Daily Joy to Be Alive” by Jimmy Santiago Baca has a dark but hopeful mood. A Streetcar Named Desire follows Blanche Dubois as she attempts to reinvent a new identity for herself when moves in with her sister and her husband, but she ends up making trouble for everyone down in New Orleans.
A Streetcar named Desire written by American playwright Tennessee Williams is a Marxist play that depicts the socio economic status of the characters and people living during that time. The play was written in 1947, two years after the second world war. The historical time leading up to the Second World War known as the Interwar period from 1918-1939 was an era classified with economical difficulties for a majority of American citizens. After the new economic system based upon capital emerged succeeding the Industrial Revolution, the United States saw a massive prosperity in the early twentieth century only to be demolished by the stock market crash of 1929 also known as Black Tuesday (source). These unsuccessful stock markets were one of the signs that showed that the new system, which depended on an extensive labor force and an open and unregulated market, was not as reliable as previously thought, this period was known as the Depression.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
Cinco de Mayo “Under the Volcano” by Malcolm Lowry is a flashback of the last day he had with his friend Geoffrey Firmin, before his death in the small town of Mexico on the day of Cinco de Mayo. Geoffrey Firmin is also known as the Consul who is the main character that was driven by alcohol. Fighting against his elemental forces, Geoffrey was pushed to the destruction of his life accompanied by Yvonne. Time and location play a large role within this story by being on the day of Cinco de Mayo, November 1939; in its origin country, Mexico. Point of view is transported by traveling from present to past, with the change of who is speaking, emphasizing this stories main point which is the meaning of this man’s struggle in life that destroys him.