Straight Outta Shilly Analysis
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INART 005
Straight Outta Philly Review
On a Friday night, something came “Straight Outta Philly” into State College and I’m not talking about Cheesesteak or Rocky Balboa. I’m talking about a performance. Presented in Eisenhower theater, Straight Outta Philly (a hip-hop/dance performance) showcases social and political issues through dance. Sadly, it doesn’t communicate Its intentions thoroughly. The performance lacks in many areas including but not limited to music choice, diversity, and modernism.
Music throughout the night was disappointing and simple. An example of this is in the beginning of the performance when the lights dimmed and the crowd “oohed” and “awed”. The first thing to attack their vulnerable senses was the music.
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The orchestra maintained the musical score and provided ornamentation and emphasized the melodic contour of the singer’s vocal line. Without reading the subtitles, there is such emotion and energy in the male singer’s performance that it is easy to see, along with the physical positioning and facial expressions of the female performer, that there is an impassioned dialogue being given from him to
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so it was easier to pick out certain aspects like melody, tempo, and dynamics for example. Overall, this concert was very enjoyable and performed
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From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.
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