Situated near the U.S.-Mexico border during the early twentieth century is the fictional setting of Fort Jones, the outskirts of which is where Americo Paredes’ short story “Macaria’s Daughter” takes place. Emblematic of the disappropriation of Mexican land, as well as the increased marginalization of the Mexican people, the overbearing presence of Fort Jones reveals the struggle for preservation that characterizes the Mexican-American community of the story. “Macaria’s Daughter” is the tragic account of what happens in a small community when the upholding of Mexican values and institutions, and opposition to Anglo-American culture, become more important than a young woman’s life. In this essay, I will argue that “Macaria’s Daughter” is a text
This story defies the image of immigrants in America because we are all merely humans. Limón invokes the borderlands theory presented by Gloria Anzaldúa to further enhance this new story.
The book, The Book of Isaias: A Child of Hispanic Immigrants Seeks His Own America, by Daniel Connolly, tells a powerful story about Isaias Ramos, who is the son of illegal immigrants from Mexico. Daniel Connolly spent five years reporting and writing about Isaias Ramos and his friends. Isaias is a bright 18-year-old high school senior who enjoys playing in a punk rock group called Los Psychosis and dreams of attending college and majoring in audio recording. He struggles with the decision to apply to Ivy leagues or work with his parents as a painter. His counselor recognizes his potential to go to postsecondary school, as he is ranked sixth in his class and scored a 29 on the ACT.
Cohen’s fourth thesis talks about the differences among groups of people in areas of race, gender, etc. and how those differences can create monsters in society. Unauthorized immigrants often get placed into a “different” or “unwanted” group and that causes them to face unfairness in society. “How Immigrants Become ‘Other’” correlates to Cohen’s thesis because unauthorized immigrants can be made into monsters due to differences in race and legal status. The group of unauthorized immigrants can become alienated in society, and the people themselves are sometimes referred to as “illegal aliens.”
Anzaldúa was a Mexican American who was a well-known writer and had a major impact on the fields of queer, feminist, and cultural theory. Her most famous work is Borderlands/La Frontera: The New Mestiza which includes poems, essays, and short stories. Anzaldúa was no stranger to the use of literary theories in her writing, which is evident in her short story “How to Tame a Wild Tongue.” Here, the author uses a combination of feminist, reader-response, and psychoanalytic theory to show the struggle of being oneself when they’re Mexican-American. Through the use of feminist theory, she explains how a female is labeled as an “habladora” when she tries to voice out her opinion about something; reader-response theory provides the reader with an understanding of the struggles of self-identity, which they are able to relate to, especially Mexican-Americans; and lastly, psychoanalytic theory illuminates on her childhood experiences, which could explain why Anzaldúa believes in what she does, such as the idea that Anglo people have tried to tame her tongue—in other words, her language.
The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature
One of the social issues in the film El Norte is losing one’s identity. The identity of Rosa and Enrique were continuously challenged by their community. Rosa and Enrique had to give up their identity as they migrate to El Norte for the purpose of safety and security. At El Norte, both Rosa and Enrique adapted new values deemed appropriate and essential in their new community. Their effort to adapt new values is highlighted, especially when Enrique had to choose between working out of states or staying with Rosa.
In Leo R. Chavez’s ethnography, The Latino Threat: Constructing Immigrants, Citizens, and the Nation, the claimed problem of Latino immigration, specifically Mexicans, is tackled using interviews, statistics, and other works of literature. Chavez’s ethnography not only discusses Latino immigration but Latino invasion, integration, organ transplants and even Latina fertilization. One of Chavez’s big topics is on how the media influences the public to believe that Latinos are planning an invasion or take-over in order to gain the land that was originally Mexico’s. The topic of Latina reproduction and fertilization comes up multiple times through Chavez’s ethnography. Another main topic that plays a part in Chavez’s argument is the Latino role in public marches and the citizenship aspect of their actions.
The Back of a Nonexistent Line In the film Documented and The New York Times article “My Life as an Undocumented Immigrant,” Jose Antonio Vargas describes his experience as an undocumented immigrant in the United States and provides a passionate argument for creating a pathway to citizenship for others like Vargas, who are undocumented as well. Although both the film and article give the viewers and readers an insight into Vargas’ difficult journey, a particular scene in the film sends an unspoken message about the United States as a whole. In Documented, the scene in which Jose Antonio Vargas attends a Mitt Romney campaign rally is detrimental to the immigration debate because it demonstrates the need for Americans to be educated about undocumented
What does it mean to be American? Is it a who-got-here-first contest among nationalities? Or is it an individual’s realization of the American Dream- satisfied by coming to a land of opportunity and seizing the chance to make their dreams come true? Kathryn Schulz successfully tackles this issue in a beautifully curated nonfiction telling of the immigrant story in “Citizen Khan”. “Citizen Khan” recalls the life story of Zarif Khan, an Afghan immigrant who came to the US in 1907 at the speculated age of twelve and became a local legend in the small town of Sheridan, Wyoming by selling tamales.
Many stories embody the cultural aspects of Mexican-Americans and their struggles with living in a discriminatory society. Stories like With
Cofer addresses the cultural barriers and challenges that Latinos experience through emotional appeal, anecdotal imagery, parallelism and the use of effective periodic sentences. In her article, Cofer assesses the difficult cultural hurdles of Latin Americans with emotional appeal. She provides insight on her cultural barriers by first conveying the way she had to dress and her struggle, as it shows in this piece of text, “That morning I had organized… which to base my decision” (Cofer 5). This poignancy works to stress an agonizing feeling of uncertainty and restraint towards the author.
The majority of illegal immigrant’s chances for success is limited. It is more likely for people who have already been successful in life to achieve their dream than those have not had the chance to. The Tortilla Curtain illustrates the hardships and the discriminations illegal immigrants face with higher class Americans. The coyotes symbolize the immigrant’s lifestyle and how they are viewed with disdain and mistrust. The Arroyo Blanco community presents those who view the immigrants as such, and how difficult it is to break down ignorance barriers to be accepted into it.
Gloria Anzaldúa’s “La Prieta” tell her struggles with identity by talking about prejudices she dealt with while growing up. These prejudices, such as colorism, sexism, and heteronormativity, were not only held by people outside her social groups but within them as well. Anzaldúa goes on to explain the way identity is formed by intersecting factors and not only one aspect of someone’s life therefore denying one factor of identity can cause isolation and self-hatred. The fact that Anzaldúa developed faster than is deemed normal the first struggle in forming her identity.
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.
