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The status of women in ancient China
The status of women in ancient China
The status of women in ancient China
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This story that Suyuan Woo tells her daughter shows how deeply the Japanese invasion of China affected the identity of many Chinese people. They were forced to flee their homes and their lives with only a few of their valuables, but eventually they had to give up those up too. Those few items were all that they had left to define themselves and remind them who they were so when they lost them they lost a significant part of who they were. Suyuan Woo lost more than just her past identity, she actually had to leave her twin babies on the side of the road in the hopes that someone could save them. This shaped her identity because throughout the remainder of her life she had to wonder if leaving them behind was the right choice and if they were
There daughters were always ashamed of and resented their mothers, especially while they were young. The daughters felt this way because of the way their mothers raised them. The mothers were very hard on their daughters, and pushed them towards successful, sometimes causing their daughter to feel overwhelmed. The mothers wanted their daughters to keep their Chinese heritage and culture, but also take advantage of the opportunities they have in America. The daughters were often ashamed of their Chinese heritage, and the way that their mothers acted.
Tan expresses the life experiences of Chinese immigrants to the United States and attempts to depict the relationship of a mother and daughter through her significant piece of writing ‘The Joy Club’. Therefore, all these authors somehow portrayed their early struggles and their view point towards life from their literary
She was a Puritan and her religious beliefs are woven throughout her story. Throughout her writings, she references the scriptures. She writes of Psalm 37.5 - “Commit thy way unto the LORD; Trust also in Him, and He will bring it to
The Rebellious Daughter: Analyzing the Theme of Amy Tan’s “Two Kinds” The story “Two Kinds” by Amy Tan explores the deep familial emotions between a mother and her daughter. Jing-Mei’s mother had left China to come to America after losing her family, and had been raising Jing-Mei in America with her second husband. Despite her mother’s grand hopes for Jing-Mei to become successful in America by becoming a child prodigy, Jing-Mei did not share the same opinions.
She wanted to follow her own path and do what she thought was
“Her actions remind me that, even under unbearable circumstances, one can still believe in justice,” in David Henry Hwang’s foreword, in Ji-Li Jiang’s memoir Red Scarf Girl, commemorated even during the Great Proletarian Cultural Revolution anyone can overcome adversity (9). Ji-Li Jiang was a young teenager at the beginning of the Cultural Revolution, and living through a very political time in China’s history made Ji-Li into the person she is today. Ji-Li’s intelligence, her choices, and family devotion made her into the headstrong and successful person she is today. Even when Ji-li thought she was unintelligent, others saw she was wise. There were many moments when Ji-Li was reminded she was very smart.
Unlike the last chapter, where silence was encouraged, this chapter shared that success is achievable for women, specifically Chinese women. Kingston had also felt a deep connection to Fa Mu Lan. This is a significant part of the novel, as it is the fist time the aspect of “The Woman Warrior” was introduced. Kingston tells the story of the woman warrior as if it was her own childhood. Although Kingston has never actually been to China herself, she paints this fantasy of China in her head.
Activity: I don’t favor one girl over the other based on what side they had presented. Since they were assigned the topic, there could be no correlation between whether or not I have a preference between Trinae and Dayna. I listened to both arguments with equal attention. Both girls seemed to present adequate amount of facts and support to back up their chosen stance. Trinae presented the anti-abortion side.
In Maxine Hong Kingston’s 1976 novel The Woman Warrior, Hong Kingston, through several novellas, illustrates key moments and stories from her life, including stories of great female warriors like Fa Mulan, and even her own mother, who overcomes adversity and danger, both literal and metaphorical. Through the vehicle of these autobiographical moments and “talk-stories”, Hong Kingston reveals her views on feminism and her views on individual the role and individual liberty of Women in Chinese culture. As a first-generation Chinese-American, she had a very different perspective on her role as a person than her parents, during a time when second-wave feminism was affecting swathes of American cultural ideals. Hong Kingston’s ideas echo many of the key features of this movement, like independence from men, seeking out your own education, and not needing the approval of a man or family to be successful.
The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms. A mother’s typical role in a mother-daughter relationship is one of guidance and leadership. Parents are responsible for teaching a child right from wrong and good from evil.
It came to dominate my understanding of the discussion on the social and historical scene and to restrict my ability to participate in that discussion.(444) If we go back and use the reference again of the electronic tool we can see the struggle of being at home and communicating with her family and having an influence of capitalistic viewpoints and living the life of a capitalist, then immediately having to communicate in a different language at school and being surrounded by socialistic views and living the life of a socialist. Her thoughts were constantly flip-flopping and this became very frustrating for her. If we bring all these struggles into one main purpose, Min-Zhan Lu’s mother falls into silence two months before her death and Min-Zhan Lu attempts to “fill up that silence with words that I have since come to by reflecting on my earlier experience as a student in China.(437) The struggles that she faced growing up in China as a student and her past experiences have really helped her overcome life obstacles and develop her as a better reader and writer.
Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.
Between the late 1950’s and early 1960’s the “second generation” of abstract expressionists came around. While females of the first generation faced issues of being left out of the narrative and not getting credit or recognition for a movement they helped found, women of the second generation had an entirely new issue. Since the cannon of abstract expressionism was already established, female artists in this new era were constantly being compared to “the greats” of the first generation, even though these women were making new and exciting work. Grace Hartigan is a prime example of a female artist subjected to this bias. Hartigan moved to New York to pursue an artistic career in 1945.
This peculiarly specific list showed that as a first-generation American, she was constantly scrutinizing the small actions that her mother demonstrated, and she was embarrassed, although it is not likely anyone else ever noticed. However, as she got older, Jing-Mei realized the fact that she was “becoming Chinese.” She still did not truly understand her mother or the beauty of Chinese culture, but her acceptance was the first step of the long excursion of
