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Portrayal of Hip Hop music of black women
Women's influence on hip hop
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Recommended: Portrayal of Hip Hop music of black women
As Hunter mentions, “By the end of the (19th) century, African Americans had deployed a multitude of strategies in the workplace, in their neighborhoods, and in the political arena to protect their personal dignity and the integrity of their families and communities”. In order to address these topics, she recurs to newspaper articles, personal testimonies, historical documents, and photographs, among others; in order to compile a series of life experiences that give proof about the complex situations that African American communities faced and their relation to the organizing process of African American
It didn’t matter what the whites did to them to try to keep them down, they would still work just as hard as the white man to be socially equal. In this journal entry, I’ve talked about Ralph Ellison, A novelist and scholar, I also wrote about one of the main building blocks of fiction, which is symbol, in the short story “Battle Royal”. This important building block of fiction is what makes this short story so empowering and moving. This story gives us an insight on how hard it was being an African American male in the 1900s.
This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.
In Zora Neale Hurston’s short story “Sweat” and her essay “How It Feels to Be Colored Me” the African American social group is being represented in many ways. The texts have similar ways that African Americans are represented for the time period. The African Americans or “colored people” are represented in an aspect that comes from the author's point of view. The African Americans are represented as being unbothered, growing up in a closed community, playing the game with whites, and optimistic.
Ernest Papanek, a psychologist and the director of the Wiltwyck School for deprived and emotionally disturbed boys, as the author playfully expresses “probably the smartest and the deepest cat I had ever met” (Brown 1965). A child that has seen the struggles of his parents and grandparents, having traveled from the newly freed south to this so called promised land of New Your City. Was this bad kid just trying to reinvigorate the masculinity stolen from the ancestors on the journey here. A subject not ignored by the modern day African American entertainment community. In a dissertation aimed to highlight how rappers or entertainers posture themselves to project a strong, assertive, masculine image.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
The progression of materialism in the media and advertising has a major affect on young African Americans which can cause poor money issues. In a materialistic society, young African Americans aim to gain a sense of importance through buying expensive things and owning the latest whether it be celebrity shoes, pricy clothing, high-tech electronics, or luxury cars, that we can show off to our peers in hopes of impressing them. It is almost as if young African Americans are brainwashed to not only have the best, but to drag one another into competition, boasting about what they have and daring the next to top it. As a result of that competition, young African Americans who do not meet the “expectations” of their peers are humiliated and ridiculed so harshly because they do not own a pair of four hundred dollar jeans or two hundred dollar shoes. Today’s society is so brainwashed by what they see on social media and advertising that they will spend their last just to fit in or try to look like something or
In Gerald Early’s essay “Life with Daughters: Watching the Miss America pageant,” Early talks about his experience of watching Miss America pageants with his family. The issue explored in his essay is the way black culture in society is affected by America’s standard of beauty and the difficulties black women experiences when trying to find one’s identity because of this. Early believes that America’s standard of beauty is white, the look that is most praised in the beauty pageants. He uses rhetorical strategies such as allusion, ethical persuasion, and emotional persuasion to emphasize that America's standard of beauty has an effect on black women.
Some of the main cores of Beat Street are the music, dancing, and graffiti art works – all of which are part of hip-hop culture. Scholars note that hip-hop as a movement originated in roots from African American traditions and are mainly used to express their culture as well as identity (Blanchard 24). Rap music, for example, comes from West Africa’s “nommo.” This idea refers to the power to deliver words to act upon objects and to bring it to life. The historical and traditional underpinning of rap, therefore, becomes representative of the rich and distinctive culture of African Americans.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.