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Summary Of Blood By Truman Capote

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In this chapter, Truman Capote introduces several different characters. He introduces Herb Clutter, father of the Clutter family. Herb is married to Bonnie, and they have four children, the two youngest still living at home with their parents. Herb started a small farm and would slowly make his way up, making the Clutter family wealthy. His wife, Bonnie Clutter suffers from depression and other mental illnesses, so she at home for a majority of the time. Their youngest daughter, Nancy, is extremely organized and intelligent. The youngest child, Kenyon, is a 15 year old boy who spends most of his time with electronics. Capote also introduces the two men who murdered the Clutter family, Perry Smith and Richard Hickock, often referred to as “Dick”. …show more content…

Perry was the one who actually killed the Clutters, and Dick was just a bystander. Initially, Dick is the one comes up with the plan to kill the Clutters and when it’s time to kill the Clutters, he backs out. As the Clutters are going on with their everyday lives, the two men are driving to the town of Holcomb, where the family lives. A friend of Nancy’s from school, Nancy Ewalt, was dropped off at the Clutter’s to go to church. Upon entering the home, Nancy and Mrs. Kidwell, who works at the teacherage, realize the Clutters have not done anything they normally did on Sunday mornings. Mrs. Kidwell walks into Nancy’s room and realizes the whole family is dead. At the same time Dick and Perry are 400 miles away, Dick eating at his parents’ house and Perry asleep in a hotel

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Dick did not have any second thoughts about the murder. He had firmly wanted to walk-in and kill the Clutter family despite their innocence. Dick viewed the Clutters’ as an opportunity that was going to make him rich. There was not any

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Although Dick were partners in the murder of the Clutter family, Capote primarily wants to reveal the emotional gap between Dick and Perry; therefore, Capote’s depicts Perry as more sentimental than Dick. When Perry and Dick were stopped at the picnic area in the mountains Capote uses euphemism when Dick and Perry are in a discussion about the murder. “I think there must be something wrong with us. To do what we did” (Capote 108).

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In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

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The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.

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As presented by Capote in In Cold Blood, anyone is capable of great evil regardless of their background, exhibited by Dick’s life decisions, Perry’s outbursts of rage, and Lowell Lee Andrews conviction. Dick showed that with a background of having advantages in life and a decent childhood, he was still capable of great evil by being involved in the murdering of the Clutter family. With his reputation of being an average likable guy, Perry revealed that he was still capable of great evil demonstrated by his actions of slaughtering the Clutters. Lowell Lee Andrews displayed with his background of being trusted, he was still capable of great evil by slaying his family for greed. All these characters in the novel demonstrated ideas of deception, trust, and security through their actions.

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“He did not smoke, and of course he did not drink; indeed, he had never tasted spirits, and was inclined to avoid people who had—a circumstance that did not shrink his social circle as much as might be supposed, for the center of that circle was supplied by the members of Garden City's First Methodist Church,a congregation totaling seventeen hundred ,most of whom were as abstemious as Mr. Clutter could desire.’’ (10) ( Culture and Community ) Capote used this quote to illustrate the culture of the village of Holcomb, where Mr.Clutter lived and how the social life of a religious family is rooted in their church. This quote represents culture, because is trying to tell us that people in Holcomb should live a life according to their religion ,because their actions affect their social circle and their community.

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Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others

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Dick encourages Perry to drive with him from Olathe all the way to Holcomb to kill Mr.Clutter and his family because their the second richest family in Holcomb. After the killing they plan on moving to Mexico and living life to the fullest with the money they have.

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Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey. From the beginning of the novel, Capote showcases Perry Smith a likable character.

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There, they see an Indian, Joe killing a doctor with a knife. Joe put the knife in the hand of Porter who was on the ground lying drunk. Porter was caught by the police. Tom stood in front of the judge to save old

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Truman Capote uses variety of language devices such as diction, similes and symbolism to vividly develop Perry Smith in his novel In Cold Blood. Truman Capote uses diction to develop Perry Smith’s character. When Perry explains what happened that night at the Clutter family home, he tells agent Alvin Dewey about his moment with Nancy Clutter. " [He] pulled up the covers, tucked her in till just her head showed…" the use of ‘tucked her in’ expresses a calm and cozy tone which contrasts with the situation. This implies that even though Perry will murder her in cold blood, he still is considerate enough to make her feel at home. "

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How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

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1636 Words | 7 Pages

Morrison first introduces us to sisters Frieda and Claudia MacTeer, who are no older than ten years old. It is fall and school has just started for the year. The girls are expected to help out by gathering coal after school. While gathering coal, Claudia becomes sick, making Mrs. MacTeer extremely upset.

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Gomes and Morticia Addams welcome their third child, named Pubert, which siblings Wednesday and Pugsley keeping attempted to eliminate him by tossing him from the roof of the house, dropping an anvil on him, and decapitating him with a guillotine. In true Addams style, little Pubert cheats death and mutilations time and time again, he also amuse himself by shooting flaming arrows from his cradle. The children had ran every single nanny, other than Debbie Jelinsky, that Uncle Fester immediately becomes in love with her. Debbie is a serial killer, who preys on wealthy and lonely men, with that being said: she picks Fester as her next victim. Next Pugsley and Wednesday are sent to Camp Chippewa, they become enemies with the cheerful camp owner and snobby (Gary, Becky Granger and Amanda Buckman), and they are forced to take part in the musical Pocahontas.

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He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).

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