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Summary Of Blood By Truman Capote

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In this chapter, Truman Capote introduces several different characters. He introduces Herb Clutter, father of the Clutter family. Herb is married to Bonnie, and they have four children, the two youngest still living at home with their parents. Herb started a small farm and would slowly make his way up, making the Clutter family wealthy. His wife, Bonnie Clutter suffers from depression and other mental illnesses, so she at home for a majority of the time. Their youngest daughter, Nancy, is extremely organized and intelligent. The youngest child, Kenyon, is a 15 year old boy who spends most of his time with electronics. Capote also introduces the two men who murdered the Clutter family, Perry Smith and Richard Hickock, often referred to as “Dick”. …show more content…

Perry was the one who actually killed the Clutters, and Dick was just a bystander. Initially, Dick is the one comes up with the plan to kill the Clutters and when it’s time to kill the Clutters, he backs out. As the Clutters are going on with their everyday lives, the two men are driving to the town of Holcomb, where the family lives. A friend of Nancy’s from school, Nancy Ewalt, was dropped off at the Clutter’s to go to church. Upon entering the home, Nancy and Mrs. Kidwell, who works at the teacherage, realize the Clutters have not done anything they normally did on Sunday mornings. Mrs. Kidwell walks into Nancy’s room and realizes the whole family is dead. At the same time Dick and Perry are 400 miles away, Dick eating at his parents’ house and Perry asleep in a hotel

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Although Dick were partners in the murder of the Clutter family, Capote primarily wants to reveal the emotional gap between Dick and Perry; therefore, Capote’s depicts Perry as more sentimental than Dick. When Perry and Dick were stopped at the picnic area in the mountains Capote uses euphemism when Dick and Perry are in a discussion about the murder. “I think there must be something wrong with us. To do what we did” (Capote 108).

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Truman Capote uses variety of language devices such as diction, similes and symbolism to vividly develop Perry Smith in his novel In Cold Blood. Truman Capote uses diction to develop Perry Smith’s character. When Perry explains what happened that night at the Clutter family home, he tells agent Alvin Dewey about his moment with Nancy Clutter. " [He] pulled up the covers, tucked her in till just her head showed…" the use of ‘tucked her in’ expresses a calm and cozy tone which contrasts with the situation. This implies that even though Perry will murder her in cold blood, he still is considerate enough to make her feel at home. "

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How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

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He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).

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