Summary Of Keats's Hydion And The Fall Of Hyperion
Essay Outline (5%) 1. (Introduction) a) Thesis statement: In her poem “Nineteen”, in which she remembers about one summer, Elizabeth Alexander mentions the need for continuous psychological transformations, which are triggered by the curiosity of differences and the desire of learning from others. b) Plan of development: Through the use of symbolism, tone and contrast, Alexander puts the emphasis on the coming-of-age of the persona, which is significant regarding her personal growth. 2.
The selections Bless Me, Ultima, The House on Mango Street, and A Midsummer’s Night Dream share the common theme of “People often make illogical decisions against reason when they ambitiously pursue a goal and are blinded from seeing reality.” In Bless Me, Ultima the characters illustrate the struggle which arises from the conflict between their personal dreams and their unseen reality. Likewise, in The House on Mango Street, the main character’s hopes and dreams for the future blinds her from seeing and appreciating her current life. Moreover, in A Midsummer’s Night Dream the characters’ actions demonstrate how love and ambition can blind people from the concerns of others and cause them to make irrational decisions. With common themes binding works of different genres and eras, it is mesmerizing to see how certain life truths do not vary, even over great times and
“Beauty is not in the face; beauty is a light in the heart.-Kahlil Gibran.” Inner beauty is more important than any other characteristics or features of you, for it is everlasting. This theme can be seen repeatedly throughout history, and specifically in Edmond Rostand’s“ Cyrano De Bergerac” and world-renowned William Shakespeare’s“ Sonnet 18.” Both the selections use different techniques to emphasize inner beauty. The book has a constant use of poetry to establish romanticism, and the poem uses metaphors to bring out rare and loving characteristics.
In her piece the idea of tranquility and anger were eminent through out. Whether they encompassed you whole or only possessed slight significance were based of the over-lapping, shadows, and light. Overall, this piece has uniqueness that separates itself from solely a literal
The freeing sense of a bird’s flight and the vast expanse of the ocean’s opportunity are both liberating concepts for someone who feels trapped. Edna Pontellier in Kate Chopin’s The Awakening over time starts to feel trapped in her marriage and the social standards that come along with being a mother during the late 1800s. She starts to gain more freedom and independence as she searches for love with other men, particularly Robert Lebrun. Along with this journey for love and freedom, symbols of flight and water are presented to represent her evolution as a woman.
The surgical operation he had gone in his forehead makes him lose his status as a hero in the emotional reaction of despair as other prisoners watch. In analyzing this poem, the main point of focus is that the poet achieves a contemplative mood by listing surface events that are emotional in nature. Looking at the structure of the poem first, the poem has 42 lines or sentences. Most of the sentences are complicated with the poem employing the use of verb-nouns in a normal way. The poet also includes some enjambment, some end-stopped lines and a title that precisely explains what is going on in the poem.
Kaitlyn Coleman Mr. Edwards ENGL 2130 9 March 2018 Nature’s Role in Realism Literary naturalism uses raw and natural emotions to express the importance of nature in literature, and it is a branch of realism. Literary naturalists relate humans to their animalistic characteristics. By doing so, the author shows that humans and animals are the same, and a humans ontology is irrelevant.
Chapter one 'The Crisis of the Age of Reason ', deals with the beginnings of romanticism, the radical shift it caused from an unoriginal event to an expressive visual, how it led to the cult of the artist genius and these same
Stillinger recalls Keats’s agnosticism sonnet and letter of “the pious frauds of Religion” (611), the hoodwink dreamer of the poem before meeting Madeline is the old beadsman, who is engrossed in an ascetic ritual and is separating himself from the joys of life: “But no… The joys of all his life were said and sung:/ His was harsh penance on St. Agnes’ Eve” (611). A feminist viewpoint of isolation is present. Madeline and the beadsman are both “isolated from the crowd and from actuality” (611) as they are concerned with prayer and a ritual; Madeline sets herself apart from the revelers in the poem. Feminism is associated with change and change is present and noted with Stillinger. He states, “It is a notable part of Keats's wisdom that he never lost touch with reality, that he reproved his hoodwinked dreamers who would shut out the world, that he recognized life as a complexity of pleasure and pain, and laid down a rule for action: achievement of the ripest, fullest experience that one is capable of” (614).
In comparison to the rigid patriarchal society portrayed in “My Last Duchess”, Keats’ “La Belle Dame sans Merci” illustrates how the freedom of individual expression in the romantic period affects people’s perspective on love. While the narrative persona in “My Last Duchess” demands his wife to devote her love to him, the protagonist of “La Belle Dame sans Merci” devotes to the woman he loves even though the love is unrequited. This is evident through the repetition of the line “On the cold hill side.” throughout the poem. The noun phrase “cold hill” suggests that the knight is lonely and depressed when he waits for the woman solely, however unlike the narrative persona of “My Last Duchess”, he would not demand the woman to love him instead he would wait patiently until the day his affection towards her is accepted.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.
“A ‘fairy-story’ is one which touches on or uses Faerie, whatever its own main purpose may be: satire, adventure, morality, fantasy. Faerie itself may perhaps most nearly be translated by Magic — but it is magic of a peculiar mood and power, at the furthest pole from the vulgar devices of the laborious, scientific, magician. There is one provision: if there is any satire present in the tale, one thing must not be made fun of, the magic itself. That must in that story be taken seriously, neither laughed at nor explained away.” - J.R.R. Tolkien 's 1939 essay "On Fairy Stories"
This essay will approach the poem My Last Duchess, by Robert Browning, from two perspectives: Masculinity and femininity. The essay will illustrate how the abundant details of this poem can be clear representations of many of the concepts of masculinity and femininity contained in the pertaining theories. Among the theorists that will be used or referred to are Kate Millet,Janet Saltzman Chaves, Helene Cixous and Michel Foucault.
Modern poetry is in open form and free verse. It is pessimistic in tone, portraying loss in faith and psychological struggle which is quite different from the fixed forms and meters of traditional poetry. Secondly, modern poetry is fragmented in nature, containing juxtaposition, inter-textuality and allusion. It has no proper beginning, middle or end. Thirdly, modern poetry is predominantly intellectual in its appeal, rather than emotive.
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