Through the use of anaphora, metaphor, and informative figurative language, Barry portrays the work of a scientist as challenging and complex. Barry begins by using patterns of repetition and anaphora in the first paragraph. He does this to strengthen the traditional recognition that certainty is good and uncertainty is bad. Providing these antithetical concepts of uncertainty v. certainty, or good v. bad, also strengthen his claim that the work of a scientist is challenging and complex. Next, Barry complicates our understanding of the nature of scientific research through the use of metaphor throughout the essay.
A quote from The Man Who Tasted Shapes comes from the conversation Cytowic had with his coworkers when he first heard about synesthesia. His coworker claimed, “It can't be real without physical signs.” (Cytowic, 1994). In a counseling and clinical setting, synesthesia research can add to the array of information that supports conditions being real despite not having physical signs. This is an extremely important aspect of psychology, as anxiety and depression were regarded in the same manner before the stigma was
1. The line “We lived on a combination of irregular paychecks, hope, fear, and government surplus food” is a hyperbole and zeugma. The word that creates the zeugma is the word lived, as the narrator uses the word lived to mean different things in the same context. The narrator actually lived off of paychecks and government food, but did not literally live off of hope and fear like the line suggests. The line is also a hyperbole because the author did not literally live off of the hope and fear, as you cannot sustain yourself with emotions.
An author’s use of metaphors can either make or break their story. If used too often or too abruptly, it leads to a generic narration, causing a lack of engagement from the audience. If used correctly, it can make for a highly compelling story, one that forces the reader to empathize with the characters and deeply experience the story as opposed to simply reading it. The Face on the Milk Carton by Caroline B. Cooney serves as a phenomenal example of just how spellbinding metaphors can make a novel. The incredible way of portraying emotions and people resonates deeply with any reader, thus proving just how mesmeric metaphorical language can truly be.
“The Writer”, written by Richard Wilbur, is a poem that requires thorough reading before you can understand the real plot. The surface plot of “The Writer” is about a father who hears his daughter furiously typing at a typewriter. He then has a flashback to an incident with a trapped starling and watching it as it fails countless times until it finally succeeds in escaping. The real plot uses the same elements but is artfully hidden in the poem structure, word usage, figurative language, tone and imagery. Richard Wilbur’s use of figurative language help add to the effectiveness of key points: “From her shut door a commotion of typewriter-keys /
Imagery is the sensory details that are used to describe, intrigue emotion, or represent abstractions between things. Imager uses terms related to the five senses which we refer to them as visual, auditory, tactile, gustatory, or olfactory imagery. Examples of visual imagery are “Hell’s wide gaping mouth” and “glowing flames” (108.) This makes the reader visualize what this may look like and causes a sense of fear. Another form of imagery is “You hang by a slender thread, with the flames of divine wrath flashing about it” (110.)
“The Metaphor,” by Budge Wilson, is a short story about a young girl, Charlotte, coming of age. It begins with Charlotte as a seventh grader stuck between the two poles of her life: her teacher and mother. During the course of this bildungsroman, there are many techniques the author uses to strengthen and amplify its theme of growing up. Through the use of motif, juxtaposition, and symbolism, the reader is aware of the protagonist’s growth. In the story, the most potent motif is the metaphor.
Life can really suck sometimes. It can give us the illusion that everything is going to go smoothly as planned, but then it surprises us with tragedy or rough, unexpected circumstances. It is during these times that we just don’t know what to do and feel hopeless. But hope is always there. Sometimes it’s obvious, and sometimes it seems impossible to find, but there is always hope for any situation or circumstance.
Authors use Imagery, Simile and Metaphor to put a clear picture in the reader's head. In the “Pedestrian” Simile, Imagery and metaphor are used to put a clear picture in the reader's head as well as developing the mood at the same time. In the "Pedestrian" Bradbury uses imagery, simile and metaphor to develop the futuristic setting and the mood so that the reader better understands where Mr.Mead is and what he see's.
The speaker's figurative language conveys the author's purpose by using different metaphors to emphasize different points. The speaker says, “ I’ve been kicked around since I was born.” This conveys figurative language because he hasn’t really been kicked around since he was born, but he is using this metaphor to show that he has been throw a lot since early childhood. So metaphorically he use this to show his struggles. The speaker also asserts, “ I get low and I get high
The transformative capacity of metaphors should therefore not be underestimated. Metaphors “do not merely actualize a potential connotation, but establish it ‘as a staple one’; and further, ‘some of the (the object’s) relevant properties can be given a new status as elements of verbal meaning” (ibid). The transformative power of the metaphor lies in the acceptance of its role of ‘logical absurdity’ that helps us recognize the genuinely creative character of the metaphorical meaning. “Logical absurdity creates a situation in which we have the choice of either preserving the literal meaning of the subject and the modifier and hence concluding that the entire sentence is absurd or attributing a new meaning to the modifier so that the sentence
Metaphors are used as a means of comparing one thing to another directly. Moreover, people use metaphors every single day to communicate to others quickly and efficiently. In Teenie Matlock’s lecture on metaphors we explored how metaphors are used in order to convey abstract ideas with simpler, easier words that we can see, touch, or hear. For example, the stream of consciousness is a metaphor that compares water to how psychologist believe our consciousness moves. Almost all people understand and can easily visualize a stream of water, that is flowing and continuous, then the we can use that in order to convey consciousness, which is also flowing and continuous but more abstract than a stream.
Many people around the world interpret dreams and believe in omens as a part of their religion. In “The Alchemist,” by Paulo Coelho, the author centers the novel on the “Soul of the World”, which deals with omens, dreams and the ability to connect with God. The main character, Santiago interprets what the “soul of the world” is telling him and goes in search of his treasure. Throughout the novel Coelho reveals what the “soul of the World” means to him through imagery, personification, simile and metaphors.
Chester uses organic and kinesthetic imagery in “The Cradle Song”. Organic imagery iss when the author “creates a specific feeling or emotion within readers” (Udemy
Nature is a beautiful component of planet earth which most of us are fortunate to experience; Ralph Waldo Emerson writes about his passion towards the great outdoors in a passage called Nature. Emerson employs metaphors and analogies to portray his emotions towards nature. Emerson begins by writing, “Our age is retrospective. It builds the sepulchres of the fathers.” , this is a metaphor for how we think; all our knowledge is based on what is recorded in the olden days and a majority of our experiences are vicarious instead of firsthand encounters.
