The artwork that I have chosen to visually analyze is Town of Harrisonburg, VA by Emma Lyon Bryan. It was created in 1867 and is an oil on canvas painting. This artwork is located in the Duke Hall Gallery of Fine Art at James Madison University and is around 36” long and 24” high. This piece is a depiction of what Harrisonburg looked like in 1867. Bryan’s artwork is held in a wooden glass frame with a gold border and displays the buildings of the town, dirt roads, open land, mountains, and many other small details.
This image is a representation of the individual as it is of two people, however this painting could be a precursor of the enlightenment
It is a painting by William Henry Powell. It was about the Committee of Congress at Valley Forge. The painting shows how sick and poor
John Singleton Copley was a painter in America. He was born in Boston, Massachusetts to Richard and Mary Singleton Copley. He became famous as his work consisted of portrait paintings of important figures in colonial New England. His works often depicted certain middle-class subjects. His quick climb and prolonged fame were the result of a natural skill to handle paint and be able to manufacture pictures that obscured anything created by his forerunners in America.
Paul Revere, by John Singleton Copley, is an oil on canvas of Paul Revere sitting for a portrait painting during the Colonial period. Paul Revere is sitting in a dark room at a craftsman’s table. He is wearing a dark probably leather vest with a ruffled white shirt underneath. Upon closer inspection, he is holding a teapot which appears to be one that he made. The teapot is silver with a black handle with what look like the reflection of a window on the face of the silver teapot.
On 25 Nov. 1680 Captain Samuel Bourne of Calvert Co. exhibited the bond of Judith Painter, relict and administrix of William Parker with sureties Robert Franklin and William Gwither who were likely members of her own natal family (more data needed). Nicholas Painter, gent of AA Co., was age 23 in 1678 (deposed 19
Barbara Cage once said, “A grandma is warm hugs and sweet memories. She remembers all of your accomplishments and forgets all of your mistakes.” In ‘The Secret of Sarah Revere’ by Ann Rinaldi, Grandma Revere is the complete opposite of the kind-hearted grandma that makes you cookies. She is strict and disrespectful to all her grandchildren. In the novel the narrator Sarah Revere will do anything to get away from her sister Debbie and their grandmother.
The painting has two messages, one relates to the colonial history of the United States and the other with the Old Testament. In the foreground is a congregation of animals and children, related to Isaiah 11:6.9 and in the background, appears William Penn concludes their treaty with the Indians, given the facts that the peace between the human and nature make a perfect
The detail was changed by Revere most likely to make the viewers of the engraving to feel bad for colonists and see the soldiers as blood
Viewing Emanuel Leutze’s Washington Crossing the Delaware painting evoked a great deal of emotion. Upon walking into the room filled with American landscape paintings, the enormous size demanded all my attention temporarily making me forget about the rest of the paintings. The longer I gazed at the artist’s magnificent triumph, the more I felt a part of this historic venture. The painting is oil-on-canvas, and it’s not the only painting Leutze made. The first version of this painting was damaged by a fire, and the second painting, which is a full-sized replica of the first, was begun shortly after the first version was damaged.
Paintings of the Hudson River Valley, Connecticut River, and White Mountains became very influential. Genre artists like John Quidor, who painted landscapes and figures from literature, also had a strong liking of the ideals in the Romanticism movement, which influenced his paintings toward a nationalistic impression as well. Quidor was known for being one of the founding fathers of American art. Even though he was never appreciated for his works when he was alive, he changed America’s perspectives on art forever. Both the Hudson River School students and Quidor expressed their paints in a unique “American” way, as they tended to ignore British ideals of art.
Step 1: Analyze each source. Source 1: The French Revolution Era, 1792 - A chained member of the Third Estate rises up against the clergy and nobility. How does the source depict the identity and character of individuals during this era? ** This source depicts individuals during the French Revolution as oppressed yet determined.
Visual representations, such as Paul Revere's engraving, "The Bloody Massacre Perpetrated in King Street," had a profound impact on how the event was perceived. Revere's engraving depicted a chaotic scene with British soldiers firing into an unarmed crowd, reinforcing the colonists' perspective of a deliberate massacre. The image circulated widely and stirred public outrage, solidifying the colonists' perception of the event (The Library of Congress's collection on John Adams and the Boston Massacre Trial of 1770). The power of visual representation in shaping historical memory is evident in how Revere's engraving influenced public opinion and perpetuated a particular narrative of the Boston
The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face.
This romantic style painting showcases the drafting committee of the Declaration of Independence on June 28th, 1776, commonly thought to be the signing, which took place at a later date. In this painting, five men present a draft of the declaration to Congress. John Adams, Thomas Jefferson, and Benjamin Franklin were painted from memory. John never met Robert Livingston or Roger Sherman, but they are also prominently featured in the painting. Several other members of the Congress are featured in the background.
