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Techniques hitchcock used in psycho
Norman Bates psycho character analysis
The use of camera techniques in Hitchcock's films
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Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.
Before Hitchcock’s film Psycho in 1960, many individuals watched the movies from beginning to end as if it were non important. Alfred Hitchcock grabbed the the audiences minds and created suspense, anxiety, horror, and leaving the viewers at the edge of their seats wanting more. Because of this newfound view of films, Alfred Hitchcock’s ideas inspired some of the scariest movies known today which you may know as The Exorcist, Halloween, The Shining, and more.
A good way of creating a suspenseful mood for the reader is to through the setting. And, looking at how Richard Connell described the
Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.
Suspense is used in literature to give off a feeling of uncertainty. In W.F. Harvey’s story “August Heat”, he writes about our protagonist James and how he meets a bizarre character named Mr.Atkinson who he feels is an unnatural person and feels uneasy with him. Later when he is invited to stay the night, Harvey finished the story off with James saying he will “be gone in less than an
After watching The 39 Steps (1935), I realized that Alfred Hitchcock really did have a talent for establishing suspense through films. Even though suspense was the primary focus, Hitchcock managed to effectively and intelligently mix humor, romance, and thriller. He uses a variety of techniques to convey these feelings to the audience. According, to some of his interviews with Francois Truffaut, Hitchcock mentions his love for The 39 Steps, specifically about the techniques he uses to create a bewitching experience throughout the film. In this film, he uses a variety of themes that he continued to constantly use throughout his later films.
Even though Hitchcock used these techniques in completely different ways, the end result for both was a timeless, suspenseful
To the unknown eye, Hitchcock has carefully and skillfully used Mise-en-scene to his advantage, causing the audience to feel fear and a sense of caution towards the character of Norman Bates. It isn’t until we reflect back on the scene and notice how intelligently Hitchcock uses the positioning of props and the characters, lighting, camera angle and staging, that we notice how he has added meaning to his characters but has also to the film, creating suspense and fear from one scene to the end of the film. Ultimately proving the point that Hitchcock “the master of suspense” uses Mise-en-scene to not only help make a brilliant film but also uses it as his disposal to add meaning in his
Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him.
supernatural. Hitchcock’s manipulation of reality already included the use of special effects, character development or lack thereof, and hiding truths, but by using supernatural aspects it allowed the ending of the story to be played out in a very specific way. When Scottie was first introduced to the job Gavin offers him, he was told that Madeleine was possessed by a spirit. The reason being was so Gavin’s elaborate plan of killing his wife had a reason to end with her suicide. Although this was the direct reason for the use of ghosts I also think it was used so the audience realises that supernatural ideas are going to be used in the film, and this was a way to ease into it without it being cheesy.
He attacks his victims when they are most vulnerable, giving them no chance of survival. Hitchcock terrorizes his audience by having Psycho take place in an “arbitrary place, date, and time, and now an apparently arbitrary window: the effect is of random selection: this could be any place, any date, any time, any room: it could be us” (“Psycho” 39). As viewers watch Psycho, they can easily make connections between their own life and the setting of the movie. The film gives the viewer a sense that this could be their town, and the victim could be them and the monster could be someone that they see everyday. The connection the viewer makes to Norman that anyone can be a monster is heightened when norman states, “we all go a little mad sometimes.”
His editing in films show a different point of view shot when he cuts back and forth from the main character to an object repeatedly. For example, in Rear Window, he will show an objective shot of Jeff when he looks out the window at one of his neighbors. Then, he will switch to the subjective point-of-view shot, showing us the character's perception of what he sees out the window. Lastly, Hitchcock will switch back to an objective view of the character, so that we may see their reaction to what they have just witnessed. He has a bold and effective montage editing from his famous Psycho shower scene where Marion gets stabbed by Mrs. Bates.
Hitchcock loves suspense and perfects it in his craft. The sound of just the water and Janet cleaning herself leads you and her into a false sense of security while making the audience question why the scene is taking so long with her just showering. Then Hitchcock shows the door bing opened but on the other side of the shower curtain building up tension and making the audience wonder what is going to happen. Then as was see the shadowy figure open out the shower and hold the knife, the ear shrieking music starts to help surprise the audience. Then the rapid shot progressing at various angles helps surprise the audience with low and eye level shots of the killer making him seem powerful and then neutral.
Psycho (1960) Alfred Hitchcocks powerful and complex psychological thriller, horror film “Psycho” (1960) was classes as the first sub genre of horror, the slasher. The film ushered in the era of slashes with graphic content of blood-letting and shocking killings of the time. Although this was Hitchcock’s first horror film, he was labelled as a horror film director ever since. The film contains disturbing themes of corruptibility, confused identities, voyeurism, human vulnerabilities and victimisation. These themes symbolise the effects of money, oedipal murder and the dark histories.
In the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.