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Essay about canadian identity in 19th century
Essay about canadian identity in 19th century
Canadian history in 1920
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Greer makes it apparent that the lives of the French and Natives were interwoven and it unloads the cultures of both and how they interlaced with one another. The dual biography gives insight to the live of a Native and the lives of the French. Catherine’s biography exemplifies the struggles the Natives went through. “Death is a prominent theme in the history of the Jesuit mission to the Indians of New France,” this is why the Jesuits believed it was necessary from them to save the savages from their sins (6). Greer displays this through the examples of the priest baptizing the ill in secret in order for them to be saved.
In the early years of New France men vastly outnumbered women in the colony. With a lack of women, many men returned to France, consequently hindering the growth of the Canadienne population. To combat this, Louis XIV sent hundreds of women to New France in hopes supply marriageable women for men. These women are now known as the filles du roi. In Imbalance, Les Filles du Roi, and the Choice of Spouse in New France Yves Landry, the author, exhibits how the marriages of the filles du roi diverged greatly not only from the French counterparts but also the common practice of marriage in the seventeenth century in New France as well.
Martin Guerre’s Return Natalie Zemon Davis wrote about a sixteenth century infamous court case of the question of the identity of Martin Guerre. She uses two sources for her essay which were Jean de Coras and Guillaume Le Sueur. Coras was one of the judges at the Criminal Chamber at the Parlement of Toulouse and Le Sueur was training at Toulouse to work in civil law (72, 94). She argues on the marite of Bertrande de Rols’ defense of her ignorance of the impostor Arnaud du Tilh as her husband. Davis was correct to conclude Bertrande and Arnaud colluded to create what she calls the “invented marriage.”
Slavery was the dominate social institution in the Pays d’en Haut. It dictated social interaction between native peoples from family, to trade, to war, to alliances. Dr. Brett Rushforth’s book Bonds of Alliance: Indigenous & Atlantic Slaveries in New France is a detailed account of the practice, its effect on both the native population and French colonials during the European imperial centuries. Drawing on varied sources such as Jesuit writings, and archaeological evidence, Dr. Rushforth brings voice to the voiceless. Writing in the last sentence of the prologue Rushforth said of his work , “It reflects an ethical commitment to recognize the humanity of the enslaved, something that masters sough to deny.
On September 16th, 1560, a man named Arnaud du Tilh was executed for adultery and fraud. This execution does not appear to be too unusual a crime for 16th century France until one notes the extraordinary events that preceded it. The common literature on this unusual event maintained that Tilh managed to trick an entire village that he was the peasant Martin Guerre, even the wife (Bertrande) of the man he was imitating. Historian Natalie Zemon Davis sought to analyze the social and cultural conditions that could yield such an apparently strange and fraudulent act. Through her research, she surmised that Bertrande was not simply duped by Arnaud, as previous writers have assumed, but rather, she was a willing collaborator in the marriage deception.
Topic: Bertrande’s position as a woman in a patriarchal society makes her choices impossible. Discuss. Janet Lewis’ novella, The Wife of Martin Guerre presents a hierarchical society that disregards the voice of women in society who seek justice. Throughout the novel, Bertrande is depicted as a strong, independent women however, her ability to express her objections is restricted due to feudal system being an important part of the 16th century. Furthermore, although the French parochial lives under the patriarchal system, Bertrande is able to strongly express her decisions when taking the case of Arnuad du Tilh in court.
Duchess of Aquitaine, Queen of France, Duchess of Normandy, and Queen of England; Eleanor of Aquitaine was arguably the most influential woman in history. After her father died in the early 1100s when she was fifteen, Eleanor became Duchess of Aquitaine, perhaps the most powerful Duchy in France at the time. She had been raised with almost no guidance after her mother died when she was a young child and because of this, she became very independent. After her father died, she immediately married Prince Louis of France at the King’s order. Soon after that the king died and she became Queen of France while still at age fifteen.
The lack of traditional sources pertaining to the lives of the ordinary people at social historians’ disposal, combined with the gendered expectations deeply embedded in eighteenth century European society, truncates one’s understanding of the lives of ordinary women. Regardless of where such a method falls short with men, there is little to be gleaned from examining the reading habits of women, as, despite the surge in literacy from 1600 to 1800, women “lagged behind men in most countries”(McKay 669). There is even less clarity in Darnton’s Great Cat Massacre, as the closest Darnton gets to unearthing the lives of eighteenth century French women occurs in the connection he finds between cats and female sexuality (Darnton 95). Albeit this connection
ideas, from God. In this period the ancient Latin expression infirmitas consilii, that means weak judgment, was used to label women. When we jump into Modern Ages (XVI-XVIII centuries), we still observe the conviction of the simplicity and weakness of the female sex. We can even find philosophical treatises and works of literature, which develop these ideas.
A significant theme that Lynn Hunt explores is representational culture. Specifically, how the family and individual members of the family are depicted through the arts and literature in the advent of the printing revolution. This is a broader theme explored throughout the monograph. Representations of the fallen King, the Band of Brothers, and the Bad Mother through the despised Marie Antoinette. While this is not the main theme of the book, it gives the reader a good idea about the pervading political climate of 18th century France.
In 18th-Century Paris, St. Andre des Art was a neighborhood situated between Rue St. Jacques and “les rues du petit Pont,” its eastern borders, and Rue Dauphine, its western border. To the south, “les rues nerve des losses S. Germain des Pres, des bosses de M. le Prince, des Franc-Bourgeois, la Place Saint Michel, [and] rue S. Hyacinthe” enclose the neighborhood (218). As religious organizations played a predominate role in shaping the culture of this neighborhood in the medieval times, its legacy has lived on and continued to influence the common people in this area in the 18th Century. Churches and convents — les Chanoines Réguliers Premontres, l’Eglise des Corderliers, couvent des Grands Augustins, la chapelle de S. Sevrein— distribute across the neighborhood and were frequented by politicians, the kings, and artists. Some churches also actively engaged in the life of the locals.
The French salon was the “dominant public entertainment in the city” just like ArtPrize is for Grand Rapids (Crow 1). The Salon also brought together a “broad mix of classes and social types” (Crow 1). I passed people of all different ages and backgrounds. Families, couples, the elderly, children, people with disabilities, everyone was there to see the fascinating artwork and talk to the artists. Prior to the eighteenth century and the
Many factors such as a poor harvest, caused the price of bread to rise, keeping working class Parisians from feeding their families (Rose 46). Despite efforts made by the French government to have grain imported, Paris suffered a bread shortage, causing families to wait in long lines outside of bakeries (Kropotkin 149). Rumors for the bread shortage spread, and one newspaper even claimed that ‘the aristocrats destroyed corn before it was ripe, paid the bakers not to work, suspended trade, and threw flour into the rivers’ (Rose 47). Thus, the women in Paris were infuriated—not only were the women unable to eat, but traditionally, it was a woman’s responsibility to keep her family fed. However, with the bread shortage, they were unable to do this.
This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.
Final Assignment of English Literature Reading BY YANG ZONGYOU, D01 “The False Gems”by the great writer Guy de Maupassant is a miracle that draws a delicate and precise image of France in the late 19th century. Written in an objective view, woven with sarcasm, this little piece of art reflects the truth of the society and humanity in its era without any obvious rhetoric, like a real old gem that shimmers constantly and gorgeously, leaving an ample space of ambiguity for readers to ponder over and over again. “The False Gems” seems to be objective, however, on the contrary, the plot of the story itself is a barrel of irony, in which the author 's opinion and emotion lies deeply — the genuine ones are found fake, while the false ones turn out to be real; knowing everything is not always good. Mrs. Lantin 's before-and-after contrary is ironic. At the very beginning of the story, everyone is convinced that Mrs. Lantin was a virtuous woman.
