Intro: Nathaniel Hawthorne’s fictional short story “The Birthmark” and The Twilight Zone’s darkly romantic episode “Eye of the Beholder” both use gothic elements and delve into the realm of science to explore concepts of beauty and perfection. Through their contrasting characterizations of the scientist and employments of irony and allusions, each work comes to its own conclusions about how to define and treat beauty. Body #1: The Birthmark From the very first paragraph, Hawthorne’s story revolves around Aylmer, a scientist who supposedly gives up his career to marry the beautiful woman of his dreams, Georgiana.
Nobody is perfect and no one ever will be. This theme shows up often in Nathaniel Hawthorne’s short story, The Birthmark. In this story, a scientist named Aylmer becomes obsessed with removing a hand-shaped birthmark from his wife’s, Georgiana, visage. After a series of tests, he is successful, but Georgiana becomes perfect and can no longer stay in the mortal world, so she dies. The Birthmark demonstrates how foolish it is to strive for perfection and this is revealed throughout the story using narration.
The birthmark itself symbolizes morality. Aylmer, this brilliant scientist and husband to Georgiana, sees it has as fatal flaw. It also represents this imperfection of human nature. Nothing is perfect in nature, but science can help improve to make it seem flawless.
The tragedy of flaws Two tragedies, two stories of women who were in otherwise normal marriages. The Birthmark by Nathaniel Hawthorne is a short story about scientist named Aylmer who becomes obsessed with perfecting the beauty of his wife Georgiana (Nathaniel Hawthorne 113). Georgiana has a small birthmark on her cheek that resembles a small hand. Over time Aylmer’s negative reactions to the sight of the birthmark pushes Georgiana emotionally to give in and go through the dangerous process of it’s removal, which ultimately cost Georgiana her life. The story of an Hour by Kate Chopin is about a woman Louise who has a heart condition and is married to a man named Brently Mallard.
Francisco Villegas Dr. Richard Coronado English 2326 September 29, 2014 Perfection Is Not A Goal Worth Pursuing In Nathaniel Hawthorne’s short story, “The Birth-Mark,” Aylmer apparently after getting married with Georgiana noticed the birthmark Georgiana had in her left cheek. Aylmer is very troubled how the birthmark resembles in Georgiana’s face. He proclaimed that it is a natural flaw that has affected her vivid human perfection. Since Aylmer is a scientist he propose to Georgiana to get rid of her birthmark once and for all. At first she angrily questions Aylmer’s proposition, but her love for him changes her thoughts and she accepts to permanently get rid of the birthmark.
Symbolism in “The Birthmark” In “The Birthmark” Nathaniel Hawthorne gives us a story that is telling us on some level to accept your own, as well as other people's imperfections or it could destroy not only your relationship with them, but also your relationship with yourself. In this story Hawthorne uses symbolism to show us exactly how this kind of behavior can lead to not just ruining relationships, but in this case even death. In “The Birthmark” Hawthorne uses a wide variety of objects and people such as a withering flower, a birthmark, poison, Aylmer's dream and Georgiana's death, and even a character named Aminidab to symbolize that nobody is in fact perfect and we all must accept each others flaws in order to have good and healthy relationships.
In the story “The Birthmark” by Nathaniel Hawthorne, he uses several techniques to help build his story. Hawthorne tells a story of a man of science whose name was Aylmer. He married a beautiful women named Georgiana, although she was quite beautiful she had a birthmark on her face which, in Aylmer’s eyes was an imperfection. Aylmer tries to perfect Georgiana, but in the end Aylmer’s attempts to change Georgiana causes him to lose her. Aylmer does not accept the idea of imperfections in people.
It shows that our flaws make up a large part of who we are which make it very difficult to separate the two. To remove it would only result in failure. Aylmer finally is able to remove “the last crimson tint of the birthmark -- that sole token of human imperfection” (13). The mark shows that people are inherently imperfect and it’s what makes us human. Once Aylmer removes that imperfection, Georgiana dies because it is impossible to obtain perfection as a person.
The author does this to give us the impression that the birthmark is no ordinary birthmark, but that it has some sort of mystical tie to Georgiana. Another example is how the story talks of how Georgiana was like a celestial being after Aylmer had relieved her of her only flaw but he regretted removing it for it also ridded
In The Birthmark, Hawthorne depicts the obsession for perfection, the tole it takes on one and the consequences it has. The quest for perfection is unrealistic and unobtainable as we are only mere humans incapable of reconstructing our DNA. In The Birthmark, Hawthorne tells the story of a woman named Georgiana and her scientist husband Aylmer, who are both fixated on a birthmark similar to the look of a tiny human hand. Aylmer is disgusted by Georgiana’s birthmark, wanting to please her husband Georgiana is willing to do anything for him to look at her in a normal manner “Danger is nothing to me;for life which this hateful mark
At the end of the story Aylmer regretted pressuring his wife to change herself and feels remorseful for what he did. The Birthmark follows the struggles of man versus nature and man versus self. The main character Aylmer suffered no not being about to accept the flaws of his wife but also the fact that he cannot do everything, mostly because it is not his place to do these things. As the story develops the need for Aylmer to reach perfection grows stronger and later kills his wife.
In “The Birthmark”, Aylmer is bothered in seeing a birthmark on his wife Georgiana’s cheek. I believe that Aylmer was truly evil in the way he manipulated Georgiana in thinking he truly cared about her. Aylmer’s ideas of perfection were the most dangerous thing about him and even led him to kill. When Georgiana learned of her husband’s disdain towards her birthmark she was devastated. Slowly, Aylmer manipulated Georgiana into believing that this mark would need to be removed.
The phrase “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection”(212) was used to illustrate a point of Aylmer's obsession with the mark and how he is not satisfied with his wife's current aesthetics. Aylmer loves Georgiana
As Georgiana reveals her true sentiments about her stigma, she states with a sense of pride, “To tell you the truth, it has been so often called a charm, that I was simple enough to imagine it might be so” (Hawthorne 378). In expressing this sense of pride, Georgiana exudes her initial happiness with her birthmark, as she rebuttals with Aylmer. Even in this moment, Hawthorne extracts the mission of Aylmer, as he says, “Until now he had not been aware of the tyrannizing influence acquired by one idea over his mind, and the lengths which he might find in his heart to go, for the sake of giving himself peace” (Hawthorne 380). This selfish statement, causes for readers to recognize that Aylmer was aware that it would be no simple task to convince his muse that it is necessary to change her indifference.
Here is a story of Aylmer, “a man of science,” who had a wife who was known for her beauty and her “hand-shaped birthmark.” Although perfect in the eyes of her admirers, her husband did not agree for the birthmark grew more and more intolerable for him in their lives together. As the days went on, Georgina became bothered by the way her husband would react towards her presence, towards the mark upon her cheek. She then agrees to allow Aylmer to remove her birthmark, even after reading his past experiment failures. This mistake brings his “peerless bride,” Georgiana, to her demise (Hawthorne 350).
