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Symbolism In Raymond Carver's Cathedral

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There is a significant theme of “Cathedral”: a narrator who is ignorant to blindness while being oblivious to his own limitations in sight. While the narrator can physical see with his eyes but does not realize the limitations he has placed on himself, and how those hinder him from seeing or wanting anything better in life. Being able to distinguish “the voice we hear (the narrator's) may not be the same as the eyes we see through (the perspective)” (. The story is truly about experiences or existences beyond the limitations of physical things. What Robert has that the narrator lacks is a sight into the wonder of things, the potential for acceptance in humanity, and the desire that can make one truly alive and free even if one is held back …show more content…

Before the narrator draws the cathedral, his world is uncomplicated: he can see, and Robert cannot. But when he attempts to describe the cathedral that’s shown on television, he realizes that Robert will “have to forgive [him], [for he] can’t tell [Robert] what a cathedral looks like” (Carver 41). More important, he decides that the reason he can’t find those words is that “cathedrals don’t mean anything special to [him]” (Carver 41). When he takes the time to draw the cathedral he has to really think about it and vision it in his mind. He then finds himself really envisioning the cathedral, adding details and people to make the picture come to life and even drawing some of it with his eyes closed. When the drawing is finished, the narrator keeps his eyes closed, yet what he sees is more important than anything he’s ever seen with his eyes open. There is no specific explanation about what the narrator realizes, but the narrator says he “didn’t feel like [he] was inside anything” (Carver 42), he just suggests he’s reached an epiphany. Just as a cathedral offers a place for the religious to worship and find condolence, the narrator’s drawing of a cathedral has opened a door for him into a deep-seated area in his own world, where he can see beyond what is immediately

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The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).

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The narrator finally understands how Robert can love a woman or even just eat dinner being blind, since looking is not as important as he once thought. The townspeople were also just as wrong about Miss. Emily. When Emily dies, the townspeople are let into

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(Pg. 32) When trying to describe what a cathedral looked like to the blind man the husband is struggling. But the real reason he can not describe the Cathedral is because it has no meaning to him because he admits he is not religious. After drawing the Cathedral and “feeling” the movement this opened a door in his mind and made it visible. Robert, the wife, and the husband all gain insight through the drawing of the Cathedral.

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A Cathedral is a place for people to go and worship, to connect with God. By drawing the Cathedral the narrator is in some ways also making a connection. For the first time, he appears to be able to see. The narrator's ignorance and preconceptions fade away because he sees that although Robert has the gift of knowing and understanding people. There is also a sense of irony at the end of the story.

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The author use of the title “Cathedral” was misleading at first. “Cathedral” is about a husband who had an interesting experience with his wife’s blind friend. The narrator, also known as the husband, had difficulty understanding other people thoughts and personal feelings. The narrator knew how important the blind man is to his wife, yet he still makes careless jokes about him. “Maybe I could take him bowling” was a comment made by the narrator after finding out that the blind man was staying over his house.

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“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.

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What if someone unexpected changed your way of thinking, permanently? What if God chose to send someone into your life to abolish you superficial thoughts? In both the stories “A Good Man is Hard to Find”, by Flannery O’Connor, and “Cathedral”, by Raymond Carver, the authors create main characters who lack faith and think superficially about life. However, in both stories, the authors send unexpected characters to act like mediums, for their job is to be the connection of the main character’s initial position in faith and their final position, revealed at the end of both stories. Even though the stories have a different plot and involve diverse kinds of characters, the final message and moral is the same.

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In the story, the narrator’s narrow mindset is challenged over and over again as Robert breaks most stereotypes that the narrator held. As these stereotypes are broken, the narrator begins to feel more comfortable with Robert, and sincerely tells him that he is “glad for the company”. This release from prejudice culminates in the cathedral drawing scene of the story, where the narrator finally lets go of his bias towards blind people. Once the narrator closes his eyes, he is seemingly equal to Robert, and he consequently begins to understand Robert’s perspective. His newfound empathy towards Robert demonstrates how he has lost his prejudice towards him.

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Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.

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The narrator in the story represents a person who sees but cannot “see” and Robert as the character who can “see” but lacks the ability to see with his eyes. The cathedral that the narrator draws with the blind man represents the ability to see beyond the surface of things, and find underlying deeper meanings to things. Before drawing with Robert the narrator was so close

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Robert asks about the narrator’s religion which brings them to the topic of Cathedrals. Since Robert is blind he doesn’t know exactly what a Cathedral is and only can picture a normal building and what he thinks it might be like. As they continue to talk, Robert asks for some paper and a pen. Robert takes Bub’s hand and tells him to draw a Cathedral. Robert continues to cheer Bub on and continue drawing.

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Furthermore, the narrator is starting to realize that he enjoys Robert’s company as well as compelled to explore Robert’s eye sight limits, to help Robert visualize a cathedral. The narrator tries to describe a cathedral, but failed to do so, and retreats back into cynicism. The narrator’s response Robert’s question was, “the truth is, cathedrals don’t mean anything special to me. Nothing cathedrals.

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Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.

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1523 Words | 7 Pages

Communication is one of the most important aspects of human life. Without communication, we would be a primitive society of wild animals, unable to cooperate and achieve great feats, such as building the Pyramids, landing on the Moon, or organizing a democracy. All people rely on communication to express ideas that motivate positive societal and political change. Yet not everybody communicates in the same way. There are several thousand languages that people speak; there are several hundred thousand people around the world that suffer from disabilities such and blindness or deafness that require special means of communications such as braille or sign language.

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The narrator then proceeds to show Robert what a cathedral looks like by taking his hand and drawing a cathedral on “a shopping bag with onion skins in the the bottom of the bag.” (Carver 110) . Through this bricolage, the narrator closes his eyes and has an epiphany, for in this moment where his eyes are closed, hands intertwined, he truly sees, and “ ‘It’s really something,” (Carver 135). It’s the minimalistic approach that prefaces this big event that really showcases the theme. Carver’s use of colloquial language, in creation of an increasingly relatable scene allows for the reader to empathize with the narrator, allowing for a much stronger impact when the epiphany occurs and the story’s theme has been

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