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In The Highwayman, Bess the Highwayman's lover. The love is so strong she sacrifices herself to warn the Highwayman. This is shown in line 78 "Shattered her breast in the moonlight and warned him-with her death". This shows the hope to keep the Highwayman alive. And also shows the love between the two.
This red hair symbolizes the red anger that of the father if he found out that his daughter was seeing a black man. As the dark colored man hops into one side of a car and out the other it is symbolic of him entering a role in society. He is now an acceptable partner for this white girl. The author tells us that the girl is white in the poem when he writes, “Her back’s pale skin…” ().
Nothing To See Here The book, Nothing To See Here, by Kevin Wilson displays numerous counts of symbolism and has many forms of characterization for the reader to analyze. For example, Lilian is able to relate to the kids through her own struggles with neglect and feeling alone. This is demonstrated in the quote, “Who would judge you?
Journal 1 Krakauer, Jon. Into The Wild. New York: Villard, 1996. Print. Journal 2
Is a community capable of corrupting every thought in your mind or compelling you to take actions categorized as sins? Peer pressure, a desire to fit in, poor parenting and a plethora of other motives encourage young people to act in ways they might have never thought they could. However, as the symbol of the yin yang displays, there is good in the bad, and some young people defy the unrelenting, undertow coming from the waves of society, and instead take their own route to climb the ladder of greatness. In the novel, The Other Wes Moore, crafted by Wes Moore, both of the main characters are men with the same name, skin color and birth place, only differentiated by the actions they take—all of which are detrimentally influenced by their mothers.
Michelle Moffo English 1110.03 Peter C. Dully Jr. 26 February 2018 Most people who read The Road by Cormac McCarthy would describe the novel as a very bleak and grim tale. McCarthy uses a wide array of vocabulary and imagery to create a world that the reader themselves would want to escape from, describing the world as “Barren, silent, godless” (McCarthy 4). While the novel may appear to be very depressing on the surface, the hope and goodness that exist within the two main characters, referred to as the man and the boy, keep the reader clinging to every word. It is evident that McCarthy uses the boy as an example of how religion, hope, and morality can bring people through the darkest of times.
The story “Through the Tunnel” has different types of moods that set people’s mind differently. Impacts on the Characters , theme , and Symbolism are shown in the story . All of those elements make up the story “Through The Tunnel”. The topics mean different things to different people . The story is about a kid thats not obeying the parent just to fit in with other people .
The use of symbolism and expressionism is paramount to both the narrative and to the theme. Meaning of some of the symbols are; • Mirrors: The mirrors in the movie Citizen Kane shows how Kane has different series of mirrors in his life in which his image has duplicated infinitely. Metaphorically, these mirrors continuously showed us different versions of Kane. • Puzzles: The jigsaw puzzle shows how Susan Alexander used to play with them very often not merely for fun but also as a way to fulfill her unyielding existence with Kane. The jigsaw puzzle shows how all pieces always don’t fit in properly, similarly, Susan and Kane’s personalities were very different that created unresolved issues and conflicts in their lives.
When was the last time you and your significant other fought? In Popular Mechanics by Raymond Carver, the story is about a husband (or boyfriend) who is leaving for an unknown reason, he demands to take the baby with him, but the wife (or girlfriend) will not let him. Undoubtedly, the parent's rage and lack of communication leads to the death of their son. Raymond Carver presents symbolism throughout the short story to indicate something awful is going to happen.
Symbols Sleds Two sleds appear in Citizen Kane. Rosebud, the sled Kane loves as a child, appears at the beginning, during one of Kane’s happiest moments, and at the end, being burned with the rest of Kane’s possessions after Kane dies. “Rosebud” is the last word Kane utters, which not only emphasizes how alone Kane is but also suggests Kane’s inability to relate to people on an adult level. Rosebud is the most potent emblem of Kane’s childhood, and the comfort and importance it represents for him are rooted in the fact that it was the last item he touched before being taken from his home. When Kane meets Thatcher, who has come to take him from his mother, Kane uses his sled to resist Thatcher by shoving it into Thatcher’s body.
“Fiesta 1980” father and son. Junot Diaz story “Fiesta 1980” is a story about an immigrant family that came to the US in the hunt for better opportunities. The story includes a myriad number of culturalisms to show that Yunior’s family is still new and that they still conserve their traditions. Nevertheless, Yunior’s family is not so different from many other Hispanic families in the US; a great amount of Hispanics families can be represented by “Fiesta 1980”.
The Coen brothers write about the Odyssey in their film, O Brother, Where Art Thou?. O Brother, Where Art Thou? mimics the Odyssey in a surreal sense. The writing from the Coen brothers depicts many parallels between the two stories, almost as if O Brother, Where Art Thou?
If you haven't heard already, Michael Gracey's The Greatest Showman is very loosely based on the life of P.T. Barnum, the legendary circus ringleader. Looking at the film's inspirational themes, and the vast liberties taken with the facts, it's clear making another biopic wasn't the intent. Instead, screenwriters Bill Condon and Jenny Bicks use the symbolism of Barnum to remind us to dream, show benevolence and focus on what matters. We watch Gracey's Barnum from his youth as a misfit (Ellis Rubin). He copes with the bleakness of his poverty-stricken life with imagination, charm and humor.
Alfred Hitchcock used various symbols throughout the film Psycho to allow the viewer to get an insight of what is happening in the film. Symbolism is an exceptional way to entice the viewer as it creates suspense and makes it better to understand the film. Alfred uses paintings as a symbol, which can be seen in multiple scenes, to symbolize a certain character in the film to the painting and foreshadow events in the film. This allows the viewer to get more detail on the character’s personality and what is about to happen.
There is a combination of colour and black and white images which feature rapidly throughout the film (Hersey, 2002). The colour images which represent a perfectly normal and happier environment rapidly move to black and white, which is usually associated to threating events, highlighting the bleakness of the expected outcome of the scene (lburgess3, 2013 and Natural Born Killers, 1994). There is animalistic reference with the rattle snake symbolising poison and death and the wolf symbolising the hunt for prey, both symbolising the outcomes of the subjects within the scene. There is also a man holding a newspaper with the headline “666 Death” before he dissolves away from the scene and for most of the scene being black and white because of the murders that are committed by Mickey and Mallory. The end of the scene is in colour with the pair celebrating their victory in dance and a projector displaying fireworks in the background
