Chiu. As Ha sets up the scene for the story, it is noted that Mr. Chiu and his bride were having lunch in Muji Train Station square where a large “concrete statue of Chairman Mao” resides. By having this symbol at the beginning, Ha gives a hint of the significance of Chairman Mao to China as well as the allegiance of Mr. Chiu to his political party. Another symbol that is used is the bowl of tea being thrown on Mr. Chiu and his wife. Tea is a culturally significant symbol as it symbolizes spiritual tranquility and moral values.
While to step father was bartering a price for Lakshmi, it became more obvious that she wasn’t going to be a maid, “‘She has no hips,’ I hear her say. ‘And she’s plain as porridge. I’ll give you five hundred’” (McCormick 53). This shows how it is implied that Lakshmi is about to be sold into sex slavery because to be honest hips have nothing to do with house services.
She made friends with one of the other girls at the house and trusted her and told her everything she was thinking. One night an American came into Lakshmi’s room and gave her a card with words that she couldn’t understand. He asked her if she wanted to go with him but she was to scared to say anything. Eventually another American
William Johnson takes this photograph to visually reflect the different status and life styles of Indians in the mid 1800s. He uses the contradictory paring of a minimal background and elaborate foreground to represent the Smarth Brahmins’ culture. The fact that he photographs these two men behind what seems to be a white wall and sitting on a thing covering shows the simple, religious aspect of Smarth tradition. These Brahmins choose one of the five deities to be the central focus and the other four surround that deity. This simplicity in how they practice their religion coincides with the simplicity of the background.
Analyzing Barbara J. Anello’s Long Son Pagoda American photographer, Barbara J. Anello, has traveled to Southeast Asia documenting the historical aspects of traditional art and culture. Anello’s collection, “Photographs of Southeast Asia and Morocco”, focuses on the domestic architecture of rural areas and cultures. Anello’s photograph Long Son Pagoda was taken in Na Trang, Vietnam on March 3, 2008.
She knew her family was waiting patiently for her to finish her work in the city and come back home. Lakshmi thought she was doing the right thing by going to the city to help her family’s financial situation, but she did not know that she was going to have to “give herself up” in the way she was forced to. It was Lakshmi’s idea to go work in the city to help her family, so it was a big surprise to her when she found out she wasn’t actually going there to be a maid. The thought of her family at home was the one thing that motivated her to get her work over with so she could come back home: “Each night, I dream that Ama and I are sitting outside our hut...and she is twining my hair into long dark braids” (109). Lakshmi was describing how she dreams about her and her mother sitting back at home together.
There are many answers to this question and one answer might be that the animals represent the Japanese people themselves. Although that could be an answer, in this paper, the focus is on the wrongful penalty Japanese families suffered during the Internment Camps. Otsuka seems to use animals to symbolize
One of the three main symbols used were the grandmothers clothing. This was shown by in the beginning she cared solely about how others saw her whereas towards the end she didn't care for her apparel and truly on cared for finding grace and redemption. Another main symbol used was the weather. The weather in the story started off with no clouds and no sun during the day and ended clear with no clouds showing that the grandmother, in the end, was able to find grace and redemption through a tough time. The last main symbol shown in the story by Flannery O'Connor was Bailey's shirt.
If she didn’t treat the girls so poorly, one can assume Mumtaz would not hold the same position of power. While other characters in this book share the cruelness of Mumtaz, not all of the women in Lakshmi’s life put their needs above others to reach their goals. Ama, Lakshmi’s mother, exemplifies the traditional “good” female role. To understand what I mean by this, one would have to define “good”. I use the word in the purest sense: good and bad; black and white.
Symbolism in Hills Like White Elephants In short stories, because of the length of the story, all actions, words, and objects carry more of a meaning. These are referred to as symbols. Symbols represent something important without really saying anything, but more seeing and visualizing something. Symbolism creates a needed depth and allows the reader to think more creatively.
In Asian culture, the white elephant is seen as a burden as it is costly to care for and an unwanted burden despite it being considered a holy animal. As their conversation continues, it is clear to see that they are arguing about whether to go through with the abortion. The white elephant for the couple is supposedly the child that the girl is carrying within her. Some critics argue that the white elephant represents not just the unborn baby, but also Jig in the viewpoint of the American. He is
The white rose in Carter’s The Tiger’s Bride is a metaphor that represents the female protagonist throughout the story. The story also had some other themes of the superiority of masculinity. The father was heavily addicted to gambling, and continued to bet all his money and possessions away. The daughter had to watch her sick father deal her life anyway for the pleasure of possibly winning big.
All of those depictions related to the “immense” crown that had followed the narrator expecting him to kill the elephant. This can be analyzed from his own words: “I was only an absurd puppet pushed to and fro by the will of those yellow faces behind”. “And he also realizes that to shoot the elephant would be not only unnecessary but quite immoral. But he is not a free agent; he is part of the impartial system (Ingle,
The author used symbolism throughout the whole story to show the difference between these characters. The symbolism is there to give us a further explanation on the family and also to tell us how much heritage is important to some, but not others. The first symbol
The desire for love can break the bonds of confinement sometimes leading to positive occurrences and other times to negative ones. Freedom is always wanted, but when it is not available, constraints will be broken. One’s personality in the novel analyzed will decide whether they break the rules or follow them. In Water for Elephants, the main characters are either confined or free, and they deal with and create this underlying theme depending on their personality and character. Jacob, Marlena, and August conflict with each other in the fight for freedom and love.
