The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.
One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.
Stanley sexually assaults Blanche, along with humiliating her throughout the novel. This forces Blanche to mentally escape to somewhere else. A place filled with illusionary ideas and fantasy. She regresses back to her time with Shep Huntleigh, believing the oil millionaire is coming to rescue her from Stella's apartment. Yet, as the play progresses, it becomes clear that Shep will never rescue Blanche.
Well, I didn’t get out yesterday evening, it was just too nasty and the wind was blowing 20 and gusting to 28. I decided since I wanted to make my way back to “big buck ridge” and I hadn’t been in there this season I would sleep in and get back there in the afternoon so I could look around and more importantly slip in undetected. Well, the wind was wrong for “big buck ridge” “BBR” so I decided to ease into an area where the wind was a little better. It was where I shot my 7 pointer with a shotgun last season
Tennessee Williams is one of the most recognized playwrights that lived during the mid-twentieth-century (“Tennessee Williams”). After finishing college, Williams decides to move to New Orleans, where he writes A Streetcar Named Desire. His career starts to take off as he begins to write more plays (“Tennessee Williams”). A Streetcar Named Desire talks about the life of a woman, Blanche DuBois, who is very secretive about her past and does not expose her true intentions of coming to live with her younger sister Stella. As the play goes on Stanley, Stella’s husband, starts to dig into the dark past that terrorizes Blanche when they begin to have a conflict with each other.
However the main conflict is Blanche’s inability to accept reality or her inability to let go of her past. Blanche sees herself above her sister’s life and carries a sense of entitlement that no longer fits her environment like it did in her past. Underneath, Blanche is a liar and Stanley is not. Stanley and Stella are able to able to admit what they are while Blanche is constantly trying to hide who she is. She is unable to come to her desire and sees herself superior to the people around her.
In Blanche and Stanley’s initial interactions, there was an air of sexual tension. This tension dissipates completely as the play progresses, and their relationship turns into a resentful and hateful one. Throughout the play, Stanley has several violent outbursts towards Stella that worry Blanche. This allows Stanley to assert dominance over both women. At the end of the play, Stanley releases his pent up anger and frustration toward Blanche through a sexual attack.
Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play.
In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
Stanley continues to impose his reality onto Blanche, which causes her more anxiety relying more and more on herself to create more of an illusion by creating an admirer for herself, saying that she ended it with Mitch because she does not deserve “deliberate cruelty”, and crating this alter ego for herself as being pure. While Stella is in the hospital, he and Blanche are left alone for the night as she continues bragging about her admiration coming from Sheep Hunt Leigh and how she just got a wire from him. Stanley catches her in her life, finally tearing apart Blanche's illusions. Although Stanley has been a threat to her through his suspicion and empowering masculinity over her, the last scene is where he finally takes final control over her, or symbolically where reality has a final triumph over her illusions. While catching her in the midst of her lies she reveals to Blanche that “[he’s] been on to [Blanche] from the start!”
Stella accepts her willingly, however, Stanley begins to hear rumors. Blanche starts to date one of Stanley’s friends, Mitch, but when Stanley informs him about her past, Mitch basically tells her
This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate
She never recovers from the devastating death of her young husband, indirectly caused by the nature of his sexual desire. The death of her relatives are instrumental in reducing her to poverty, as do the desires, the costly “epic fornications” of her forebears. Her own promiscuous sexual desire destroys her reputation and her professional career. (Henthorne ) The death of her relatives leaves deep scars on Blanche’s soul, but even deeper scares are
And if that is sinful, then let me be damned for it!” Blanches magic is seen through her illusions and delusions. In Blanches world Mitch doesn’t fit however she has reached a point of intimacy by being honest about her first husband and the guilt she endures as she begins to share the painful moment of her life with him. Stanley’s intrusion ruins her plans of marriage with Mitch and yet again she had to retreat in the world of her delusions. Stanley who represents realism in this novel and play pops Blanche’s illusion bubble through seeing the realism in scene ten
